Pulp Fiction (1994)
Average Rating: 9/10
Reviews Counted: 68
Fresh: 64 | Rotten: 4
One of the most influential films of the 1990s, Pulp Fiction is a delirious post-modern mix of neo-noir thrills, pitch-black humor, and pop-culture touchstones.
Average Rating: 8.4/10
Critic Reviews: 23
Fresh: 21 | Rotten: 2
One of the most influential films of the 1990s, Pulp Fiction is a delirious post-modern mix of neo-noir thrills, pitch-black humor, and pop-culture touchstones.
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Average Rating: 4.2/5
User Ratings: 994,211
Movie Info
Outrageously violent, time-twisting, and in love with language, Pulp Fiction was widely considered the most influential American movie of the 1990s. Director and co-screenwriter Quentin Tarantino synthesized such seemingly disparate traditions as the syncopated language of David Mamet; the serious violence of American gangster movies, crime movies, and films noirs mixed up with the wacky violence of cartoons, video games, and Japanese animation; and the fragmented story-telling structures of
Sep 23, 1994 Wide
May 19, 1998
Miramax Films
Watch It Now
Cast
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John Travolta
Vincent Vega -
Samuel L. Jackson
Jules Winnfield -
Uma Thurman
Mia Wallace -
Harvey Keitel
The Wolf -
Bruce Willis
Butch Coolidge -
Tim Roth
Pumpkin -
Amanda Plummer
Honey Bunny -
Ving Rhames
Marsellus Wallace -
Eric Stoltz
Lance -
Rosanna Arquette
Jody -
Christopher Walken
Capt. Koons -
Maria de Medeiros
Fabienne -
Frank Whaley
Brett -
Quentin Tarantino
Jimmie Dimmick -
Angela Jones
Esmeralda Villa Lobos -
Peter Greene
Zed -
Alexis Arquette
Fourth Man -
Don Blakely
Wilson's Trainer -
Steve Buscemi
Buddy Holly look-alike -
Paul Calderon
Paul -
Eric Clark
James Dean look-alike -
Bronagh Gallagher
Trudy -
Kathy Griffin
Herself -
Susan Griffiths
Marilyn Monroe look-ali... -
Brenda Hillhouse
Butch's Mother -
Linda Kaye
Shot Woman -
Karen Maruyama
Gawker -
Dick Miller
Monster Joe -
Joseph Pilato
Dean Martin look-alike -
Robert Ruth
Sportscaster -
Emil Sitka
"Hold hands you love bi... -
Burr Steers
Roger -
Julia Sweeney
Raquel -
Rich Turner
Sportscaster -
Venessia Valentino
Pedestrian/Bonnie -
Duane Whitaker
Maynard -
Lawrence Bender
Long Hair Yuppie Scum -
Stephen Hibbert
The Gimp -
Lorelei Leslie
Mamie Van Doren look-al... -
Phil LaMarr
Marvin -
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Pulp Fiction Trailer & Photos
All Critics (68) | Top Critics (23) | Fresh (64) | Rotten (4) | DVD (54)
This movie gets its charge not from action pyrotechnics but from its electric barrage of language, wisecracks and dialogue, from the mordant '70s classicism of its long-take camera style and its smart, offbeat, strangely sexy cast.
The result, especially in the scenes involving Bruce Willis as a nervy boxer, can be long patches of dialogue that must have tickled Tarantino but will not necessarily resonate for anyone else.
The talk is dirty and funny, the violence always waiting just around the corner.
Whether you call it razzmatazz, pizazz or sizzle, Pulp Fiction's got it, enough style for a dozen movies and, truth be told, enough story for five.
At 153 minutes, the movie does occasionally flirt with tedium, but the risk is worth it: The whole is finally greater than the sum of its pulpy parts. What could have been an anything-goes pastiche has surprising rigor and narrative clarity.
In terms of mood and style, it could be the most influential film to come along since Blue Velvet.
Pulp Fiction isn't the sleazy work of a shock artist giving us things no one else will put on film. This is the work of someone talented, smart and thrilled to be making movies, giving us things no one else can put on film.
Quentin Tarantino's Pulp Fiction is a Saturday Night Fever dream: a hot, dense, wicked disco of tough-guy posturings, vivid dips of violence and literally unbelievable plot moves.
John Travolta and Samuel L. Jackson are terrific as talkative hit men, and Bruce Willis is equally good as a boxer who refuses to throw a fight.
Clever and daring, this high-pitched film never falters. Pulp Fiction is simply masterful. It's also one of the few films this year that bears seeing twice for maximum pleasure.
Its dedicated fan-base and the pop-culture reverberations that have flowed steadily from it, almost 20 years on, echo Tarantino's achievements with Pulp Fiction. Unassailable filmmaking.
Some of its strengths still impress. There's the trivial-turned-menacing, the gangster-gone-poppy, and the various sadnesses, poignancies, and tragic pointlessnesses that seep out of the best noirs.
Seventeen years on, Pulp Fiction still works like a motherfucker
A balls-out postmodern comedy par excellence. It's a Royale with Cheese. [Blu-ray]
Look deeply enough, and the universe emerges in full.
[VIDEO] After reinventing American cinema with his thrilling first film "Reservoir Dogs," Quentin Tarantino delivered an even better one, "Pulp Fiction."
Audience Reviews for Pulp Fiction
Super Reviewer
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- Jules Winnfield: What does Marcellus Wallace look like?
- Brett: What?
- Jules Winnfield: What country you from?
- Brett: What?
- Jules Winnfield: 'What' ain't no country I ever heard of, do they speak English in 'What'?
- Brett: What?
- Jules Winnfield: English, mother fucker, do you speak it?
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- Jules Winnfield: You ever read the Bible, Brett?
- Brett: Yes!
- Jules Winnfield: There's a passage that I got memorized, seems appropiate for this situation: Ezekiel 25,17. "The path of the righteous man is beset of all sides by the iniquities of the selfish and the tyranny of evil me. Blessed is he who, in the name of the charity and good will, shepherds the weak through the valley of darkness, for he is truly his brother's keeper and the finder of lost children. And I will strike down upon thee with great vengeance and furious anger those who attempt to poison and destroy my brothers. And you will know my name is the Lord when I lay my vengeance upon thee.
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- Jules Winnfield: Oh, man, I will never forgive your ass for this shit. This is some fucked-up repugnant shit.
- Vincent Vega: Jules, did you ever hear the philosophy that once a man admits that he's wrong that he is immediately forgiven for all wrongdoings? Have you ever heard that?
- Jules Winnfield: Get the fuck out my face with that shit! The motherfucker that said that shit never had to pick up itty-bitty pieces of skull on account of your dumb ass.
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- Jules Winnfield: Normally, both your asses would be dead as fucking fried chicken, but you happen to pull this shit while I'm in a transitional period so I don't wanna kill you, I wanna help you. But I can't give you this case, it don't belong to me. Besides, I've already been through too much shit this morning over this case to hand it over to your dumb ass.
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- Jules Winnfield: Say 'what' again. Say 'what' again, I dare you, I double dare you motherfucker, say what one more Goddamn time!
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- Jules Winnfield: Oh I'm sorry, did I break your concentration?
Discussion Forum
| Topic | Last Post | Replies |
|---|---|---|
| Lists | 51 days ago | 6 |
| Favorite movie of all time. | 27 days ago | 4 |
| Kenneth Turan | 30 days ago | 0 |
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Top Critic
Full review coming to themoviefreakblog.com on 5/18