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Pumpkin (2002)
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Reviews Counted:22
Fresh:10
Rotten:12
Average Rating:5.5/10
Consensus: The messy Pumpkin wastes its premise by not making the satire sharp enough.
Theatrical Release:Jun 28, 2002 Limited
Box Office: $107,838
Synopsis: Christina Ricci stars as Carolyn McDuffy, a picture-perfect blonde sorority princess (reminiscent of Reese Witherspoon's perky LEGALLY BLONDE co-ed, Elle Woods) enjoying her senior year at Southern... Christina Ricci stars as Carolyn McDuffy, a picture-perfect blonde sorority princess (reminiscent of Reese Witherspoon's perky LEGALLY BLONDE co-ed, Elle Woods) enjoying her senior year at Southern California State University. Carolyn has been voted "Most Enthusiastic" by her Alpha Omega Pi sisters and the perky socialite is willing to do anything to help her sorority win the coveted Sorority of the Year award. In order to beat their longtime rivals and sorority champions, the Tri-Omegas, the Alpha Pi's pick a perfectly P.C. charity: the Challenged Games, an competition that is similar to the Special Olympics. Carolyn is assigned Pumpkin Romanoff, a sweet-natured, wheelchair-bound shot-putter who immediately falls for his beautiful coach. Pumpkin is determined to win his love's affection and will do anything (including a rigorous workout regime that frees him from his wheelchair) to win Carolyn's heart. Surprisingly, his efforts begin to pay off and slowly the perfectly coiffed sorority sister begins to fall for Pumpkin's "beautiful soul," causing a campus sensation that severely threatens her popularity and upsets her tennis champion boyfriend (Sam Ball), her WASPY mother (Lisa Banes), and Pumpkin's overprotective mother (Brenda Blethyn). This darkly comedic satire lampoons the social hierarchy of sororities with a fresh and daring edge, created by debut filmmakers Adam Larson Broder and Tony R. Abrams. [More]
Starring: Hank Harris, Christina Ricci, Brenda Blethyn, Marisa Coughlan
Starring: Hank Harris, Christina Ricci, Brenda Blethyn, Marisa Coughlan, Dominique Swain, Samuel Ball, Erinn Bartlett
Director: Adam Larson Broder, Tony Abrams
Director: Adam Larson Broder, Tony Abrams
Screenwriter: Adam Larson Broder
Producer: Christina Ricci
Studio: MGM/UA
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Reviews for Pumpkin
By presenting an impossible romance in an impossible world, Pumpkin dares us to say why either is impossible -- which forces us to confront what's possible and what we might do to make it so.
Though Pumpkin extends its jaundiced joke too far, it's almost worth it for Ricci's final scene, which tells us everything we need to know about what will become of her.
If you believe any of this, I can make you a real deal on leftover Enron stock that will double in value a week from Friday.
[T]hose same extremes prevent us from taking its message seriously, and the Stepford Wives mentality doesn't work in a modern context.
Instead of putting an easy-to-swallow candy coating on a touchy subject, Pumpkin searches for beauty in ugliness and quality in imperfection.
For all its many flaws, Pumpkin has some worthwhile ideas and funny moments, and its whacked-out heart is in the right place.
Although I often found it hysterically funny, I was never quite sure if I was laughing at it or with it.
Relentlessly, and sometimes brilliantly, it forces us to decide what we really think, how permissive our taste really is, how far a black comedy can go before it goes too far.
The results are perversely watchable, as much for the movie's evasions as the controversial issues with which it toys. Often, it just seems carelessly smug.
The majority of the film is original and engaging, and Christina Ricci turns in another fine performance. This pair of assets alone is worth the price of admission.
Pumpkin sits in a patch somewhere between mirthless Todd Solondzian satire and callow student film.
I wish it would have just gone more over-the-top instead of trying to have it both ways.
Pumpkin means to be an outrageous dark satire on fraternity life, but its ambitions far exceed the abilities of writer Adam Larson Broder and his co-director, Tony R. Abrams, in their feature debut.
| Tomatometer Percentage | Movie |
|---|---|
| 78% 78% | The Hangover |
| 88% 88% | Inglourious Basterds |
| 66% 66% | Public Enemies |
| 24% 24% | G-Force |
| 44% 44% | Night at the Museum: B… |
| Tomatometer Percentage | Movie |
|---|---|
| 90% 90% | District 9 |
| 86% 86% | 500 Days of Summer |
| 63% 63% | Extract |
| 06% 06% | All About Steve |
| 78% 78% | It Might Get Loud |
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