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Movies / On DVD / Punch-Drunk Love
Punch-Drunk Love

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Punch-Drunk Love (2002)

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Reviews Counted:35

Fresh:28

Rotten:7

Average Rating:7.4/10

Consensus: Punch-Drunk Love is weird and delightfully funny, even though Sandler essentially plays the same character he has always played in all his movies.

Rated: R [See Full Rating] for strong language including a scene of sexual dialogue

Runtime: 1 hr 35 mins

Genre: Dramas

Theatrical Release:Oct 11, 2002 Limited

Box Office: $17,791,031

Synopsis: Paul Thomas Anderson follows 1999's MAGNOLIA with the intensely compelling character study PUNCH-DRUNK LOVE. Barry Egan (Adam Sandler) is a quiet, shy, socially awkward man with an office in an... Paul Thomas Anderson follows 1999's MAGNOLIA with the intensely compelling character study PUNCH-DRUNK LOVE. Barry Egan (Adam Sandler) is a quiet, shy, socially awkward man with an office in an out-of-the-way warehouse. He is dedicated to his job as a wholesale toilet plunger salesman, he keeps a nice apartment, and he is obsessed with special offers on grocery store products. Barry's latest fixation is on frequent flier miles included with the purchase of Healthy Choice foods. Barry wears a bright blue suit, though he doesn't know why. With seven outspoken sisters, Barry is constantly being nagged, questioned, and berated. He is challenged to explain the reasons for his actions, and it eventually becomes clear that Barry cannot control his often-violent impulses, a trait which is increasingly problematic. When a beautiful woman, Lena Leonard (Emily Watson), walks into his life with an instinctive attraction to him, a nonjudgmental attitude, and unconditional love, Barry undergoes a powerful transformation. Anderson's film is a tour-de-force for which he garnered the Best Director award at Cannes 2002. Set primarily in Los Angeles and Utah, he shoots either bleak deserted spaces (apartment building hallways) or lush, exotic paradises (Hawaii). Aiming for a Technicolor look, the blue of Barry's suit in contrast with Lena's solid pinks, reds, and whites, pops off of the screen. Colorful interludes designed by visual artist Jeremy Blake offer hallucinogenic lapses from the action of the film, while the rapid percussive score by Jon Brion keeps the suspense and the emotional exasperation of the film on a constantly high level. [More]

Starring: Adam Sandler, Emily Watson, Philip Seymour Hoffman, Luis Guzman

Starring: Adam Sandler, Emily Watson, Philip Seymour Hoffman, Luis Guzman, Mary Lynn Rajskub

Director: Paul Thomas Anderson

Director: Paul Thomas Anderson
Screenwriter: Paul Thomas Anderson
Producer: Joanne Sellar, Daniel Lupi
Composer: Jon Brion
Studio: Sony Pictures Entertainment

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Release:

Nov 7, 2009

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Reviews for Punch-Drunk Love

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1 - 20 (sorted by date)
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It's a romantic comedy on the verge of a nervous breakdown.

Full Review Source: Newsweek | comment Comment
11/01/07
David Ansen
David Ansen
Newsweek
Top Critic Icon Top Critic

It is quite a vision.

Full Review Source: Atlanta Journal-Constitution | comment Comment
11/02/02
Eleanor Ringel Gillespie
Eleanor Ringel Gillespie
Atlanta Journal-Constitution
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The journey toward redemption feels more like a cinematic experiment than a full-blown movie.

Full Review Source: Denver Rocky Mountain News | comment Comment
10/26/02
Robert Denerstein
Robert Denerstein
Denver Rocky Mountain News
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Despite its title, Punch-Drunk Love is never heavy-handed. The jabs it employs are short, carefully placed and dead-center.

Full Review Source: USA Today | comment Comment
10/25/02
Mike Clark
Mike Clark
USA Today
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[Anderson] uses a hit-or-miss aesthetic that hits often enough to keep the film entertaining even if none of it makes a lick of sense.

Full Review Source: Houston Chronicle | comment Comment
10/25/02
Eric Harrison
Eric Harrison
Houston Chronicle
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It's wacky. It's unpredictable. It's sure to give pause to Sandler fans and, smaller in number but every bit as dedicated, to Watson admirers too.

Full Review Source: Detroit News | comment Comment
10/25/02
Susan Stark
Susan Stark
Detroit News
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Director Paul Thomas Anderson hasn't reinvented Sandler; he's just allowed those of us who tired very quickly of his innocent naif shtick to see how effectively it can be put in the service of something to care about.

Full Review Source: Detroit Free Press | comment Comment
10/25/02
Terry Lawson
Terry Lawson
Detroit Free Press
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Everything about Punch-Drunk Love works in a Being John Malkovich sort of way save one. Sandler. When your star doesn't work, it's hard to get us to buy into the rest of a movie as unusual as this.

Full Review Source: Denver Post | comment Comment
10/25/02
Steven Rosen
Steven Rosen
Denver Post
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In Punch-Drunk Love, Adam Sandler doesn't so much discard his old persona as illuminate it, breathing life into the cardboard characters that populated his earlier films.

Full Review Source: Arizona Republic | comment Comment
10/25/02
Bill Muller
Bill Muller
Arizona Republic
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How odd that a tribute to a wildly theatrical presence should turn out so dull and prosaic.

Full Review Source: New York Observer | comment Comment
10/23/02
Rex Reed
Rex Reed
New York Observer
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It is already apparent that Punch-Drunk Love will not be everyone's cup of tea, but nonetheless Mr. Anderson has found a way to fashion a passionate romance out of the materials of postmodern chaos.

Full Review Source: New York Observer | comment Comment
10/23/02
Andrew Sarris
Andrew Sarris
New York Observer
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A weird, arresting little ride.

Full Review Source: Washington Post | comment Comment
10/18/02
Ann Hornaday
Ann Hornaday
Washington Post
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Sandler is quite winning, but he doesn't stretch so much as deepen the same character he always plays.

Full Review Source: San Francisco Chronicle | comment Comment
10/18/02
Carla Meyer
Carla Meyer
San Francisco Chronicle
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The film is exhilarating to watch because Sandler, liberated from the constraints of formula, reveals unexpected depths as an actor.

Full Review Source: Chicago Sun-Times | comment Comment
10/18/02
Roger Ebert
Roger Ebert
Chicago Sun-Times
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[Sandler] plays Barry just as he would any of the comic dolts who've made him rich but this time all the panicky sadness is out where we can see it. It's a honey of a performance: controlled, achingly human, and funny in the deepest ways.

Full Review Source: Boston Globe | comment Comment
10/18/02
Ty Burr
Ty Burr
Boston Globe
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Even if he turns around and makes Mr. Deeds 2, [Sandler] has shown that his range goes beyond mindless fisticuffs and easy laughs.

Full Review Source: Dallas Morning News | comment Comment
10/17/02
Chris Vognar
Chris Vognar
Dallas Morning News
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In this movie, you'll see Sandler like you've never seen him.

Full Review Source: Washington Post | comment Comment
10/17/02
Desson Thomson
Desson Thomson
Washington Post
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Manages to be both heartbreaking and happy, while managing to look like nothing you've ever seen before.

Full Review Source: San Jose Mercury News | comment Comment
10/17/02
Bruce Newman
Bruce Newman
San Jose Mercury News
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One of the strangest and most beguiling romantic comedies ever made.

Full Review Source: Philadelphia Inquirer | comment Comment
10/17/02
Steven Rea
Steven Rea
Philadelphia Inquirer
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A happy nightmare of silly-smart movie comedy that defies category -- and challenges expectations involving Sandler and his pictures.

Full Review Source: Chicago Tribune | comment Comment
10/17/02
Michael Wilmington
Michael Wilmington
Chicago Tribune
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