Based on the edgy and explosive series by visionary director Nicolas Winding Refn, Pusher stars Richard Coyle as a drug dealer who grows increasingly desperate over the course of a week after a botched deal lands him in the merciless clutches of a ruthless crime lord. The more desperate his behavior, the more isolated he becomes until there is nothing left standing between him and the bullet his debtors intend to fire his way. -- (C) Radius
- R (for pervasive drug content and language, some strong sexuality, nudity and violence)
- Drama , Art House & International , Mystery & Suspense
- Directed By:
- Luis Prieto
- Written By:
- Matthew Read
- In Theaters:
- Oct 26, 2012 Limited
- On DVD:
- Jun 25, 2013
- Box Office:
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Critic Reviews for Pusher
Sniffing into the seams of England's multiculti capital, it's best at showing the grungy, hustling-and-bustling city as a place of slowly uncoiling despair. A hyper-charged, buzzy take on the London night-scene-and one man slipping under it, for no-good.
Just stick to the original: Fate is always more fetching than formula.
The characters that populate Pusher are surprisingly na´ve and hardly the brightest of bulbs. So much for the image of the wily, street-smart criminal.
Prieto treats the experience like a music video, with superfluous visual ornamentation getting in the way of gritty suspense. Pusher is a sound and light show that should have its power strip unplugged.
Pusher has a neon-lit nervy energy -- at once slick and grungy -- and the sort of unabashed, screw-tightening rhythms that genre enthusiasts will embrace.
Both the theme and the execution are formulaic, although Spanish director Luis Prieto shows some visual flair.
Pusher is unnecessary for Refn fans that have followed his work from the beginning, but is more worthwhile for new viewers since they don't know what they're in for.
a perfectly serviceable race-against-the-clock thriller thanks to a powerful lead performance from Richard Coyle.
The chief problem here is that Frank is neither likable nor very bright. For the most part, you're thinking, go ahead, bust his kneecaps.
Prieto does what he can to keep things roaring along, but the overall effect is not a lot more stimulating than your average diet cola.
We're ... left to cheer someone simply because there's really no one else to root for.
Pusher is some kind of tragedy, though not the one its filmmakers intended.
The remake undercuts most everything that made the original distinctive, its tangy, pungent sense of low-lifes and their environment swept away for a glam, stylized world.
There's an ugly, jittery beauty to "Pusher," a very fine British redo of a 1996 Danish movie of the same title.
A remake of a 1996 Danish thriller, it's a pulsating, propulsive and nerve-racking film that breathes new life into a genre whose tropes wore out long ago.
... it feels like just another movie about crime and drugs as Frank's week goes from bad to worse.
Prieto's remake capably mimics the original's breakneck energy without adding a single thing.
If we haven't caught on from earlier films that drug pushing is a thankless persuasion, maybe this is the movie that will pound in the lesson.
Audience Reviews for Pusher
An intense and exhilarating knockout. It's a kinetic, gripping, hard-boiled and electrifying movie. An edgy, very stylish, fast-paced and well-crafted neo-noir that's a terrific interpretation of the original classic. Executive Producer, Nicolas Winding Refn gives full blessing and gladly takes part in this urbanized British version that's packed with style, cool, tension and is one hell of an adrenaline-fueled chase. An explosively entertaining and highly addictive thriller that keeps you on the edge of your seat. Director, Luis Prieto crafts a sharp, tightly-coiled and exciting crime film that stays true to the material of the original and adding its own spin that works well for it. Richard Coyle is sensational. Zlatko Buric is brilliant, giving a fearless and intense performance as his signature character, Milo. Buric takes on the part from the original Danish trilogy that he helped make famous and delivers in his performance perfectly.More
This dark drama would be good if it wasn't just an updated translation of the original. Pusher follows the typical storyline of a drug dealer who is in a sticky situation and has to get X amount of money to a ruthless drug dealer or else death is most likely on the cards. So to sum up the plot it is really nothing new, maybe back in 1996 it held weight in that department and the remake may just be the template for some of the modern day films like this. When watching the original after seeing the remake you come to realise that Luis Prieto pretty much just re shot the original shot for shot, line for line. But what really is the worst factor with this movie and the same for the original is that the ending is too sudden and it felt like it needed a good 10-15 more minutes just so the viewer sees what happens next. I have not seen the sequels so I have no idea if they show what happens next or just reference it. Or maybe even never hint anything... which would suck. I did like Richard & Bronson 's performances and I believe Richard was better than his counterpart but I preferred Le Chiffre (Bond reference) to Bronson; and I thought Agyness was better but really the differences in performances are very minimal. But every time I think of this film I just realise it comes out with zilch originality and just takes the original and do it all again with no change. Don't expect a different ending, new scenes, unexpected twists or anything like that. The only big differences I can think of is someone that dies gets killed a different way to the original, Bronson is actually seen after the bat scene when Mads wasn't. Overall Pusher is a cool, dark & bleak look at a week in the life of a drug pusher. Containing a cool almost Drive like soundtrack (but no way near as good bar the Beat & the pulse remix), ok acting & it is a by the book, shot for shot; carbon copy remake of the original.More
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