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Quitting

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Quitting (2002)

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77 %
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Reviews Counted: 44

Fresh: 34

Rotten:10

Average Rating: 6.5/10

Consensus: While Quitting is an honest and intimate look into the world of one man's struggle with drug addiction, the subject matter is better suited for the small screen.

Rated: R [See Full Rating] for drug content

Runtime: 1 hr 52 mins

Genre: Dramas

Theatrical Release:Sep 13, 2002 Limited

Synopsis: In the late 80's a new film star, Jia Hongsheng, emerged in China. Labeled "the thug idol," he gained fame playing gangsters and heroes in a series of Chinese B-movies. Jia went on to star in a... In the late 80's a new film star, Jia Hongsheng, emerged in China. Labeled "the thug idol," he gained fame playing gangsters and heroes in a series of Chinese B-movies. Jia went on to star in a stage version of "The Kiss of the Spider Woman" directed by Zhang Yang and soon became the actor of choice for Chinese sixth generation filmmakers such as Wang Xiaoshuai ("Beijing Bicycle") and Lou Ye. He had his first experience with drugs on the set of "The Kiss of the Spiderwoman." Jia's naturally fragile mental/psychological state coupled with his experimentation with drugs gradually led him into a state of despair. He stopped acting and cut himself off entirely from all his friends, locking himself in an apartment listening to tapes of his favorite music over and over again. Jia's parents were members of a small theater troupe in a small town in Northeast China. Overjoyed by their son's success and distraught at his addiction, they left the troupe that they had been members of their whole lives, packed up all their belongings (literally bed, TV, furniture and everything they owned) and traveled to Beijing to be with their son. Every character in "Quitting" is played by a real person who was part of Jia Hongsheng's life. The film seeks to be unflinchingly realistic in its portrayal of its characters and the early 90's as a historical period. "Quitting" explores one man's journey, from the cutting edge of China's artistic movement in the early 90's, through a period of conflict with himself and his parents, to a mental institution and finally to the quest to rediscover himself and his family. -- © Sony Pictures Classics [More]

Starring: Jia Hongsheng, Jia Fengsen, Chai Xiurong, Wang Tong

Starring: Jia Hongsheng, Jia Fengsen, Chai Xiurong, Wang Tong, Shun Xing, An Bin, Li Jie

Director: Zhang Yang

Director: Zhang Yang
Screenwriter: Zhang Yang, Huo Xin
Producer: Peter Loehr
Composer: Zhang Yadong
Studio: Sony Pictures Classics

[See More Credits]

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Release:

Mar 4, 2003

No Details Exist
 
 

Reviews for Quitting

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1 - 20 (sorted by date)
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Full Review Source: Sacramento News & Review | comment Comment
08/07/08
Mark Halverson
Sacramento News & Review
N/R

Click to read the article

Full Review Source: Variety | comment Comment
06/09/08
Derek Elley
Variety
Top Critic Icon Top Critic
N/R

Click to read the article

Full Review Source: Time Out | comment Comment
02/09/06
Derek Adams
Time Out

Click to read the article

Full Review Source: Film Threat | comment Comment
12/06/05
Film Threat
Top Critic Icon Top Critic
N/R

Click to read the article

Full Review Source: Houston Chronicle | comment Comment
07/21/05
Houston Chronicle
Top Critic Icon Top Critic

No review available.

comment Comment
07/16/05
Emanuel Levy
EmanuelLevy.Com

Bogs down badly as we absorb Jia's moody, bad-boy behavior which he portrays himself in a one-note performance.

Full Review Source: Offoffoff | comment Comment
03/10/03
Joshua Tanzer
Offoffoff

Click to read the article

Full Review Source: Austin Chronicle | comment Comment
03/10/03
Marrit Ingman
Austin Chronicle

Formally ambitious and emotionally engaging.

Full Review Source: Hollywood Reporter | comment Comment
02/26/03
Richard James Havis
Hollywood Reporter
Top Critic Icon Top Critic

Quitting offers piercing domestic drama with spikes of sly humor.

Full Review Source: Film Threat | comment Comment
12/16/02
Tim Merrill
Film Threat

It helps that the central performers are experienced actors, and that they know their roles so well.

Full Review Source: Seattle Times | comment Comment
12/13/02
John Hartl
Seattle Times

Presents a side of contemporary Chinese life that many outsiders will be surprised to know exists, and does so with an artistry that also smacks of revelation.

Full Review Source: Milwaukee Journal Sentinel | comment Comment
12/13/02
Duane Dudek
Milwaukee Journal Sentinel

... mesmerizing, an eye-opening tour of modern Beijing culture in a journey of rebellion, retreat into oblivion and return.

Full Review Source: Seattle Post-Intelligencer | comment Comment
12/12/02
Sean Axmaker
Seattle Post-Intelligencer

The asylum material is gripping, as are the scenes of Jia with his family.

Full Review Source: eye WEEKLY | comment Comment
12/02/02
Adam Nayman
eye WEEKLY

Ultimately engages less for its story of actorly existential despair than for its boundary-hopping formal innovations and glimpse into another kind of Chinese 'cultural revolution.'

Full Review Source: Toronto Star | comment Comment
11/22/02
Geoff Pevere
Toronto Star
Top Critic Icon Top Critic

A surprisingly touching film.

Full Review Source: Jam! Movies | comment Comment
11/22/02
Liz Braun
Jam! Movies

Intriguing in concept ... [and] just as compelling in execution.

Full Review Source: Globe and Mail | comment Comment
11/22/02
Rick Groen
Globe and Mail
Top Critic Icon Top Critic

A brave experiment.

Full Review Source: Chicago Sun-Times | comment Comment
11/15/02
Roger Ebert
Chicago Sun-Times
Top Critic Icon Top Critic

Daring and beautifully made.

Full Review Source: Chicago Tribune | comment Comment
11/14/02
Patrick Z. McGavin
Chicago Tribune
Top Critic Icon Top Critic
N/R

Click to read the article

Full Review Source: Arizona Republic | comment Comment
11/08/02
Arizona Republic
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