A marvel of closely observed, intimately captivating moments.
Raising Victor Vargas (2003)
Tomatometer
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Reviews Counted:30
Fresh:30
Rotten:0
Average Rating:8/10
Consensus: A coming-of-age tale marked by its authenticity.
Theatrical Release:Mar 28, 2003 Limited
Box Office: $1,965,981
Synopsis:
Manhattan's gritty, majestic Lower East Side is the sweltering romantic playground for Victor Vargas (VICTOR RASUK), a self-styled teenaged Casanova who, despite his adolescent hubris, has a lot to...
Manhattan's gritty, majestic Lower East Side is the sweltering romantic playground for Victor Vargas (VICTOR RASUK), a self-styled teenaged Casanova who, despite his adolescent hubris, has a lot to learn about love.
Eager to protect his street-cred after his friends discover he's been sleeping with upstairs neighbour "Fat Donna" (DONNA MALDONADO), Victor sets out to nab a new girl. Much to her annoyance, popular "Juicy Judy" Ramirez (JUDY MARTE) finds herself the object of Victor's relentless attention. After a humiliating series of public rejections, Victor strikes a bargain with Judy's younger brother Carlos (WILFREE VASQUEZ). In exchange for a date with Victor's younger sister, Vicky, Carlos will help Victor win Judy's affections. His plan proves successful and Judy agrees to tolerate him as "her new man," securing Victor's place high atop the neighbourhood's social pecking order.
Unfortunately, his hilariously cantankerous old-school grandmother (ALTAGRACIA GUZMAN), with whom he and his siblings live, is convinced that Victor's teen-age sexual antics make him a bad kid. Caught between regaining his grandmother's trust and helping his kid brother and sister negotiate the oft-baffling ways of the world, Victor discover that there's a difference between acting like a man and becoming one. As he and Judy slowly start to trust and be trusted, Victor learns that a lot of love has been put into RAISING VICTOR VARGAS.
Peter Sollett's feature debut is a stunning piece of filmmaking that carefully explores the stumbling blocks of growing up, capturing adolescence at its most tender, funny and genuine. His script was developed through the Sundance Screenwriters Lab, a prestigious program which offers emerging artists the opportunity to work intensively on their feature film scripts with the support of established screenwriters. Sollett also extensively workshopped the film with the support of La Cinéfondation in Paris. -- © Samuel Goldwyn Films
Starring: Victor Rasuk, Judy Marte, Melonie Diaz, Altagracia Guzman
Starring: Victor Rasuk, Judy Marte, Melonie Diaz, Altagracia Guzman, Silvestre Rasuk, Krystal Rodriguez, Kevin Rivera
Director: Peter Sollett
Director: Peter Sollett
Screenwriter: Peter Sollett
Producer: Alain De La Mata, Robin O'Hara, Peter Sollett, Scott Macaulay
Studio: Samuel Goldwyn Films
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Reviews for Raising Victor Vargas
It is throughly involving, depicting the real and recognizable frustrations of teenagers and the grown-ups who have responsibility for them.
The narrative is thin, but the little-known cast (who helped writer-director Peter Sollett develop the characters) bring an element of realism to roles that defy stereotypes and pigeonholing.
A satisfying motion picture that wins its audience over because the characters are allowed to be themselves.
For those sick of the tired conventions of 'rom-coms' (as Hollywood wags call romantic comedies), Vargas is a refreshing cure, frank about healthy teenage curiosity and sexuality in ways that don't make them punchlines to smutty jokes.
Raising Victor Vargas has landed exactly the right actors for a script that already gets points for respecting its teenage characters.
A delightful example of what happens when a rather slight story is handled with passion, humor and care.
It is warm, generous, courtly, compassionate and humanistic in the best sense.
One of those rare films that touches the heart even as it tweaks the funny bone.
It's the kind of movie you know you can trust, and you give yourself over to affection for these characters who are so lovingly observed.
The R rating is understandable, but absurd. This is a family film in the most complicated and, ultimately, most cheering sense.
Both intimate and universal, the film ripples with little human moments we've all lived, whether or not we were raised on Manhattan's poor Lower East Side.
His film may be something of a beautiful lie, but what's true about Sollett's characters is that their dreams, their grace and their struggles are as real as it gets.
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| 14% 14% | The Ugly Truth |
| 98% 98% | Up |
| 36% 36% | G.I. Joe: The Rise of … |
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| 45% 45% | Shorts |
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