The cumulative effect is likely to make viewers weary, but not so weary that they can't manage a chuckle or two during the film's cheesed-out final minutes.
The Reaping (2007)
Tomatometer
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Reviews Counted:25
Fresh:2
Rotten:23
Average Rating:3.8/10
Consensus: It may feature such accomplished actors as Hilary Swank and Stephen Rea, but The Reaping also boasts the apropos tagline "What hath God wrought?" It's schlocky, spiritually shallow, and scare-free.
Rated: R [See Full Rating] for violence, disturbing images and some sexuality.
Runtime: 1 hr 39 mins
Genre: Horror/Suspense
Theatrical Release:2007
Box Office: $25,083,945
Synopsis: In this thriller from director Stephen Hopkins (LOST IN SPACE, UNDER SUSPICION), Oscar winner Hilary Swank is Katherine Winter, a college professor who refutes mysteries and so-called miracles with... In this thriller from director Stephen Hopkins (LOST IN SPACE, UNDER SUSPICION), Oscar winner Hilary Swank is Katherine Winter, a college professor who refutes mysteries and so-called miracles with scientific evidence. When science teacher Doug Blackwell (David Morrisey) invites Katherine and her former teaching assistant/current colleague, Ben (Idris Elba), to his hometown of Haven, Louisiana, to investigate a river whose water has turned blood-red following the mysterious death of a local boy, the cynical professor is forced to find her own faith. The river of blood is just the first in a series of strange occurrences in Haven. It seems that each of the 10 plagues from Exodus is being manifested, in order. The citizens of this Bible Belt town are convinced that 12-year-old Loren McConnell (AnnaSophia Robb) is responsible for her brother's death and for the strange events. Soon, Katherine finds herself questioning everything as memories from her past suddenly infiltrate the present in her search for the truth. The Deep South setting is both beautiful and creepy--particularly Doug's classic antebellum mansion, and the swamps where the McConnell family lives. Swank is reliably solid as Katherine, a woman of faith who lost everything important to her and turned to science for answers. Young AnnaSophia Robb, a young actress to watch, has a captivating screen presence. Brits David Morrissey and Idris Elba (THE WIRE) round out the main characters, with Morrissey a convincing Southern gentleman and Elba a man who overcame his tough life on the streets to become a professor. Stephen Rea also appears as Father Costigan, a link to Katherine's sad past. [More]
Starring: Hilary Swank, David Morrissey, AnnaSophia Robb, Idris Elba
Starring: Hilary Swank, David Morrissey, AnnaSophia Robb, Idris Elba, Stephen Rea
Director: Stephen Hopkins
Director: Stephen Hopkins
Screenwriter: Chad Hayes, Carey W. Hayes
Story: Bruce Rousso
Producer: Robert Zemeckis, Joel Silver, Susan Downey, Herbert W. Gains
Composer: Philip Glass, John Frizzell
Studio: Warner Bros.
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Reviews for The Reaping
What could Swank really have done with such a cliche-ridden screenplay, except turn it down?
The Reaping isn't quite bad enough, or even New Testament enough, to qualify as a sign of the impending apocalypse. But by the time it's over, you know you're getting close.
The only remotely notable thing about this particular jumble of boos, bangs and door creaks is that it tries to wed the horror trend with the heated-up God market.
[Swank's] deft gestures and subtle inflections ring false, thanks to a script that forces her to follow the cliches of the genre, not break free of them.
Note to respected actors: If the movie involves dodging swarms of sparrow-sized locusts, tromping about in a creepy, blood-red river or facing down a scary little girl believed to be possessed by Satan, run, don't walk, out of the studio meeting.
The movie's pacing feels off and when the explanations do start to come, they feel far-fetched, even for a horror film.
The film succumbs to the plague of clichés -- things suddenly leaping into the frame, screeching sound effects, and a gag that must have been old by the time Moses hit puberty: Look at this freaky stuff! Oh, it's only a dream.
While The Reaping looks handsome -- you've never seen a prettier locust attack, believe me -- it's dumb enough to make your brain implode.
A worthy genre entry and certainly better than most recent horror movies -- thanks mostly to its lead.
[Director Stephen Hopkins] must have decided that horror needn't be technically horrifying, just flashy and programmatic and full of woo-woo choral bits that loudly command our spines to tingle. Stubborn little thing, mine didn't. And neither will yours.
Notable for its enthusiastic abandonment of any semblance of narrative coherence. Lately, lonely women in Hollywood movies are particularly vulnerable to attacks by multiple montages and random sound effects.
No belief on earth can rescue Swank from a film that's a chain of disaster chintz masquerading as a sermon.
From spooky prelude to investigative twaddle to surprise ending and double-surprise coda, it's as if director Stephen Hopkins is following the handbook of Satanic hooey.
Directed by Stephen Hopkins, the film begins gracefully, judiciously. Sadly, in its final 20 minutes, it throws its admirable caution to the wind.
Why were they ... ? Did she ... ? Couldn't he have just ... ? Since I have no intention of watching the movie two more times to sort it all out, I'm left disgruntled. It's almost enough to make you lose faith in horror movies.
Stephen Hopkins directs The Reaping according to the Satanic horror manual, right down to the choral chanting on the soundtrack. The lighting is often too dark to see what's happening, and the editing makes a mess of even the most tolerable scenes.
An effectively unsettling mix of Southern gothic and Old Testament hugger-mugger.
Latest News for The Reaping
August 30, 2008:
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