What is memorable is the film's portrait of a man of honor in a sleazy world, possibly a metaphor for the struggle of the artist to stay honorable in a world of backbiting, betrayal and hunger for easy money.

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Redbelt (2008)
Tomatometer
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Reviews Counted:30
Fresh:21
Rotten:9
Average Rating:6.5/10
Consensus: Mamet's mixed marital arts morality play weaves between action and intellect but doesn't always hit its target.
Theatrical Release:May 9, 2008 Wide
Box Office: $2,278,707
Synopsis: Actor Chiwetel Ejiofor follows his turn in AMERICAN GANGSTER by taking the lead role in this thoughtful fight movie from writer/director David Mamet. Ejiofor plays Mike Terry, a man who runs his... Actor Chiwetel Ejiofor follows his turn in AMERICAN GANGSTER by taking the lead role in this thoughtful fight movie from writer/director David Mamet. Ejiofor plays Mike Terry, a man who runs his own Jiu-jitsu studio in Los Angeles. Terry's business is failing, causing tension between him and his wife, Sondra (Alice Braga). But their lives change drastically when Terry is compelled to come to the aid of an actor, Chet Frank (Tim Allen), during a bar fight. Frank befriends Terry and invites him to come and work as a consultant on a movie he is shooting. Just as Terry's fortunes seem to be changing, he finds himself caught up in a deceitful plan that has been carefully hatched by Frank's devious agent (who is played by Mamet regular Joe Mantegna). With his debts piling up, Terry decides to go against all his instincts and enter the competitive fighting world, where he stands to win a huge cash prize. But the good-natured fighter is in for a shock when he gets a close-up glimpse of the corruption that runs rife throughout the sport. REDBELT is full of the usual plot twists and fine performances that mark any Mamet movie. It's fascinating to watch the director draw on his longstanding passion for Jiu-jitsu to fill out the storyline, and Ejiofor does a convincing job as a man who draws on the discipline of the sport to stay calm during some testing times. As with many Mamet films, a series of cons are liberally sprinkled throughout the script, calling on viewers to remain alert as each strand of the storyline slowly unravels. The bulk of the movie is conversational, shying away from the action sequences that mark most fight movies, and making REDBELT an unusual and invaluable addition to the genre. [More]
Starring: Chjwetel Ejiofor, Joe Mantegna, Emily Mortimer, Ricky Jay
Starring: Chjwetel Ejiofor, Joe Mantegna, Emily Mortimer, Ricky Jay, Alice Braga, Tim Allen, Ray Mancini, Rebecca Pidgeon, Rodrigo Santoro, John Machado, David Paymer
Director: David Mamet
Director: David Mamet
Screenwriter: David Mamet
Producer: Chrisann Verges
Composer: Stephen Endelman
Studio: Sony Pictures Classics
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Reviews for Redbelt
The glue that holds it together is Ejiofor's muscular performance as a man whose principles may be about to feel the brass knuckles of reality.
It's neither uninteresting nor unentertaining, but the plot is as threadbare as an old carpet and Mamet's narrative contortions will leave many viewers scratching their heads.
Redbelt ranks as one of Mamet's lesser efforts as writer and director.
Incompetently made and covered in corn, this is a martial arts movie that makes you yearn for The Karate Kid. Yes, that movie was corny, as well, but at least it was fun. Redbelt isn't fun, just laughable.
So gifted is Mamet as a writer and director that he can fascinate us even when he's pulling rabbits out of an empty hat.
A sour little 70s-style David Mamet play about the lies, calculations, and ice-cold politics of Hollywood.
While Redbelt may be a character study in search of a movie, that character feels fresh and real.
Teeters precariously between Mamet's typically noirish realm and the kick-ass commercial galaxy, looking not quite at home in either.
Like everything Mamet touches, whether predominantly comic or dramatic, this stern cautionary tale concerns whom we can trust (ourselves, if we live by a few simple, honorable rules of conduct) and whom we cannot (others, especially if they're in the film
Before it sort of punches itself out in the final few minutes, it's a surprisingly compelling story about honor and betrayal.
It's still basically a boxing picture, not essentially different from dozens of other movies about life in and around what the old time sportswriters used to call 'the squared circle'. Mamet's circle is, alas, just a little too square.
Mr. Ejiofor gives a commanding performance, perfectly calibrated in what's withheld just as much as what's revealed.
Anchored by a powerful and nuanced performance by Chiwetel Ejiofor, Mamet's latest writing and directing effort is a compelling drama about the world of martial arts fighting.
The only person bruised by the end of the competition is the audience.
This isn't Mamet at his finest, though, which leaves us with a script that is merely three times as smart as the average feature.
This does seem to be a world Mamet knows well, and every so often we see flashes of the great movie he might have made.
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May 11, 2008:
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May 01, 2008:
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