Rejoice & Shout (2011)
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Critic Reviews for Rejoice & Shout
The challenge in creating a historical nonfiction music film is getting the right balance of information and song; McGlynn wisely stressed the music.
If you don't know gospel music, really know it, you are missing out on a lot, but don't lose faith. "Rejoice and Shout," a vibrant and comprehensive new documentary will take you there in style.
A relentlessly chronological, talking-head documentary that sets itself the impossible task of telling the whole rousing, spirit-lifting story of African American Christian music from slavery till now.
As both musical and educational experience, Rejoice and Shout offers plenty of reason to do just that.
Ends up being far from authoritative and misses some key opportunities to dig deep into intriguing characters and issues.
Audience Reviews for Rejoice & Shout
"Rejoice and Shout" is an informative and entertaining documentary that acts as a survey history of gospel music, allowing it to not only be told by experts, but in the wonderful music which is shown in many delightful clips. This way we can see how gospel music has not only influenced music in general but also been affected by the outside world at large. Regretfully, the documentary does not know where to start, going off on tangents for a while before finally settling for the beginning which in this case is slavery where the Christianity of the masters mixed with the slaves' native religion to create a new form of Christianity. Soon after which, music was added to the mix.
As well testified, gospel music springs from the singers' enthusiastic beliefs and faith. For example, Pastor Andrae Crouch puts it best when he says we would all melt if we ever directly heard the voice of God, so His words have to be conveyed through intermediaries. At the same time, I can attest one does not have to believe similarly to enjoy gospel music or anything else wonderful in this bountiful world, to disagree with Smokey Robinson.
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