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Renaissance (2006)
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Reviews Counted:17
Fresh:7
Rotten:10
Average Rating:5.7/10
Consensus: Renaissance attempts to blend sci-fi wonder with stark noir animation, but is often more fun to look at than to watch.
Rated: R [See Full Rating] for some violent images, sexuality, nudity and language
Runtime: 1 hr 45 mins
Genre: Action/Adventure
Theatrical Release:Sep 22, 2006 Limited
Synopsis: In the near future in a Paris, France, made of Plexiglas, aerodynamic steel beams, and rainslicked surfaces, a sinister plot unfolds: it's one honest cop (voiced by Daniel Craig) against an evil... In the near future in a Paris, France, made of Plexiglas, aerodynamic steel beams, and rainslicked surfaces, a sinister plot unfolds: it's one honest cop (voiced by Daniel Craig) against an evil corporatocracy, corrupt scientists, and the mob, as he uses his wits and grit to rescue a brilliant, beautiful female geneticist who has been kidnapped. What he learns on his rescue mission challenges his most hard-boiled preconceptions about who's really running things. Christian Volckman's first feature film is rendered in astonishing black-and-white "motion capture" animation that continually yields inventive and subtle visual surprises--car chases take on cosmic proportions, cigarette smoke engulfs an entire room like a lovely wraith, and the already beautiful Parisian skyline becomes a dizzying, jeweled spectacle. A descendent of classic science-fiction tech-noir like BLADERUNNER, Volckman's film envisions the near future as a cold and heartless place where corporations are supreme and surface beauty is everything; whole scenes are constructed from reflections in nighttime windows, mirrors, and other shiny expanses, and false (but pretty) facades are created to confuse and imprison characters. This constant emphasis on empty, backwards images supports Volckman's seeming disgust with society's preoccupation with youthful beauty (and the multibillion-dollar cosmetic industries that keep us hooked), although his own film is relentlessly gorgeous. [More]
Starring: Daniel Craig, Patrick Floersheim, Catherine McCormack, Romola Garai
Starring: Daniel Craig, Patrick Floersheim, Catherine McCormack, Romola Garai, Ian Holm, Jonathan Pryce
Director: Christian Volckman
Director: Christian Volckman
Screenwriter: Mathieu Delaport, Alexandre de la Patelliere
Producer: Jean-Bernard Marinot, Aton Soumache, Roch Lener, Alexis Vonarb
Studio: Miramax Films
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Reviews for Renaissance
For its retro-futurist look alone, this outdated thriller set in 2054 Paris is worth seeing.
Its dark images echo in the mind's eye. And for that alone, it's worth seeing.
It's unfortunate that it's all in the service of a story as dull as it is complicated, though if you can make it to the end without drifting off, there is a small reward.
The sophistication of Renaissance is all in its ultracool appearance, with little of interest beneath its glittering surface.
A comic book -- mint condition, double-bagged -- that leaves you impressed only with its pristine hollowness.
This chiaroscuro thriller is more visually arresting than narratively convincing, and as the police procedural unfolds, what might have been a sly cautionary tale, a la this summer's A Scanner Darkly, becomes merely procedural.
Renaissance is more than mere eye candy. It sneaks into deeper, darker places - a dream world of shadowy menace.
The audience has layers of plot twists to sift through, with no great reward at the end for the investment.
With its halfhearted script, stiff performances and overlong running time, this is the kind of movie that's simultaneously dazzling to look at, and increasingly tough to sit through.
Renaissance is a dark joy to inhabit once you jettison the idea of a satisfying narrative.
The grim, dystopian world in this animated French film is the product of a computer technique that evokes the sharp, linear style of a graphic novel.
[Director] Volckman's vision, however unrelentingly monochromatic, does just enough with 'motion capture' to persuade you that it could tell substantive, even provocative grown-up stories.
No one will be talking about the movie's banal plot, the trite dialogue, or any of the indistinguishable characters who offer a bleak futuristic vision of cinema that's all style, no soul.
It might be hyperbole to call Renaissance unique, but it is very different from most films that open in theaters, and it's worth going a few extra miles to seek out, especially if this is a genre that holds appeal.
Certainly one of the year’s more luscious releases, offering not just the sleekest car chase but the most romantic of rainstorms.
Latest News for Renaissance
September 25, 2006:
Box Office Wrapup: "Jackass" #1, "Little Miss Sunshine" Crosses $50M
Young men returned to theaters in droves and powered the crude new stunts sequel Jackass: Number Two to the number one spot with the biggest opening weekend of any film in the... More...
September 22, 2006:
RT Talks to the "Renaissance" Man
RT's own Jen Yamato sat down with "Renaissance" director Christian Volckman, who discussed laying the groundwork for his innovative project, including the painstaking... More...
September 21, 2006:
Box Office Guru Preview: Jackass Crashes into Theaters
Four new films open wide, but they may not be enough to stop the North American box office from suffering its third consecutive down weekend. More...
September 21, 2006:
Critical Consensus: "Jackass" Kicks; "King" Is Dethroned; "Fearless" Is Action-Packed; "Flyboys" Is Grounded
This week at the movies, we've got antisocial behavior ("Jackass: Number Two," with Johnny Knoxville and the gang), hell-raising politicos ("All The King's... More...
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