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The Revolution Will Not Be Televised (2003)
Tomatometer
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Reviews Counted:19
Fresh:19
Rotten:0
Average Rating:7.9/10
Consensus: The Revolution Will Not Be Televised is as persuasive and engrossing as it is unapologetically biased.
Theatrical Release:Nov 5, 2003 Limited
Synopsis: "Don't be poisoned by their lies," says Venezuelan president Hugo Chavez in the last line of THE REVOLUTION WILL NOT BE TELEVISED, referring to the way that the media corrupts the truth for the... "Don't be poisoned by their lies," says Venezuelan president Hugo Chavez in the last line of THE REVOLUTION WILL NOT BE TELEVISED, referring to the way that the media corrupts the truth for the purpose of political persuasion. And thus the immediacy of this documentary--which consists of fast-moving footage captured during a two-day period in April 2002 when Chavez was kidnapped from the presidential palace in Caracas and the media announced a successful coup--serves simply as a good example of media manipulation. Using television news clips, the film shows how the privately owned Venezuelan media attacks Chavez, comparing him to Fidel Castro and accusing him of mental instability. Washington chimes in, accusing Chavez of being in cahoots with Columbian narco-terrorists. But the documentary also establishes Chavez's position as the people's president. He put in place a democratic constitution and promised to redistribute the nation's significant wealth--Venezuela is the world's fourth largest exporter of oil--to benefit the poor, who represent 80 percent of the population. And from there, the media reports against him sound like cards being played in the oil game. The Irish filmmakers, Kim Bartley and Donnacha O'Brian, were inside the palace making a routine documentary about Chavez when the coup began. Meanwhile, a million Chavez supporters gathered in the streets outside demanding that their leader be restored. Within 48 hours, their pleas were answered and Chavez was president again. THE REVOLUTION WILL NOT BE TELEVISED offers a fascinating inside perspective on both Chavez's popularity and the way that media can bastardize the truth for political gain. [More]
Director: Donnacha O'Brian, Kim Bartley
Director: Donnacha O'Brian, Kim Bartley
Studio: Vitagraph Films
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Reviews for The Revolution Will Not Be Televised
Stands as our best chance to understand what happened in Caracas, even if the filmmakers' pro-Chavez stance should send you to alternate sources for the larger picture.
The Revolution Will Not Be Televised may be controversial, biased and patchy, but it contains some of the most electrifying and immediate nonfiction footage seen on the big screen.
The Revolution Will Not Be Televised is an extraordinary piece of electronic history. And a riveting movie.
An extraordinary inside look at politics at its most urgent, volatile and bare-knuckled.
A gripping if necessarily disjointed documentary that plays like a real-life version of a Costa-Gavras thriller.
Remarkable true-life footage makes this 74-minute film as potent as behemoths twice its size.
An amazing record of what has been called history's shortest-lived coup d'etat.
What resonates in the end are the forces behind it, what it says about its time, and how, in fact, it ever happened at all.
The crew of The Revolution Will Not Be Televised had been in the country for months before the coup, and their access and reporting are impressive.
This is reality filmmaking -- a fascinating front-row seat for what could be history's shortest-lived coup.
More than a scary close-up look at the raw mechanics of a power grab, the film is also a cautionary examination of the use of television to deceive and manipulate the public.
Bartley and O'Briain do an excellent job in deconstructing the Venezuelan TV news footage of blood, chaos, and rival crowds.
It is remarkable because the filmmakers, Kim Bartley and Donnacha O'Briain, had access to virtually everything that happened within the palace during the entire episode.
A fascinating account of history in the making that plays like a cinematic whiplash.
| Tomatometer Percentage | Movie | Date |
|---|---|---|
| 90% 90% | The White Ribbon | 12/30 |
| 100% 100% | Daybreakers | 1/8 |
| | Leap Year | 1/8 |
| 83% 83% | Youth in Revolt | 1/8 |
| | The Book of Eli | 1/15 |
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