Watching Pryor go from imitating a drinking deer to a woman debating about going in the woods gives just a hint of the comedic genius of the man. Crude, foul, and real, this is the first of his concert films. Pryor does impersonations and impressions of what animals think, from his own animals (a monkey, a Doberman) to police dogs.
A evolução de Pryor nos oito anos que separam esta performance de seu primeiro e desastroso show é espantosa: ele não apenas domina o material de maneira inquestionável como ainda exerce um fascínio absoluto sobre a platéia.
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