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The Romantic Englishwoman,(Une anglaise romantique) Reviews

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Stefanie C

Super Reviewer

August 8, 2011
I just can't resist the creepiness of a Helmut Berger role guided by Joseph Losey to a place where fantasy and reality collide.
Matty Stanfield
December 18, 2013
This is an odd film. Glenda Jackson is superb as one would expect. And, the camera work and set design are of note. Perhaps it is Tom Stoppard's contribution as writer that keeps Joseph Losey a bit more restrained than usual. Interestingly, it is quite clear that this film is from the mid-1970's. The story is most certainly a reflection of the sexual revolution of the era. And yet, there is a strange almost old-fashioned feeling that is given. I found nothing "romantic" about this film. The title appears to be one of sarcasm taken from a rather blunt and rude statement made by Berger's character. Though this film may not truly fit in as a cinematic classic there is most certainly a memorable play of events and work by the artists involved.
November 15, 2012
Talky and not very interesting film about a cuckolded English writer.
October 18, 2012
What point was there to this film? The cast was full of good actors, but even they didn't seem interested in their characters or the storyline. If they aren't, why should we be? Some of the dialogue was occasionally god or had some wit, but not enough to carry the movie.
lasttimeisaw
September 13, 2012
My very first contact with Joseph Losey‚(TM)s canon is this film adapted from Thomas Wiseman‚(TM)s eponymous novel, the reason why I selected this one purely because of its cast, namely for Glenda Jackson, the two-times Oscar winner, whose work has eluded me until now, but the film itself turns out to be a very disappointing misfire.

Speaking of the cast, Glenda Jackson has her charismatic dignity in almost every scene although regularly shoehorned between Berger‚(TM)s perpetual snug grin and Caine‚(TM)s perpetual sullen stare, and eventually cannot save the film from the mire of a psychological drama swamped with behavioural absurdities and non-consistent narrative. The fierce-looking wife with a bob cut and perfectly trimmed fringes, who is discontent with her middle-class lifestyle (her writer husband has immersed into the writer‚(TM)s block when writing a film script and becomes paranoid about her adultery in her solo trip to Baden-Baden), tries her luck to elope with a self-claimed German poet (whose real identity is only hinted by smuggling small-time drugs and cruising of elderly lonely-hearts), whom she has met before in Baden-Baden, but is there a fling between them in their previous encounter? The film never answer the question, a corny exploit being overused here.

Richard Harley‚(TM)s lyrical string score has stolen the thunder since more often than not, I am very much a visual observer than a sonic perfectionist. Also I quite prefer the slowly panning camera in carefully constructing a hunter and prey game in the beginning part in Baden-Baden to the dreadful and ostentatious meandering in the labyrinth of feigned sentimentality, claiming inane quips like ‚Englishwoman is the most romantic‚? (Berger‚(TM)s German accent is a major buzz-killer), I hope someone else could be fortunate enough to fully digest all the hocus-pocus and be grateful towards this ill-fated film adaption.
August 14, 2011
Interesting (albeit a bit slow) Joseph Losey film where Glenda Jackson plays the wife of writer Michael Caine who in imaginine she has met someone on vacation for an affair, makes it become reality when German drug dealer Helmut Berger shows up in their lives at home. Beautiful locations and strong performances make this unusual drama worth checking out.
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