Might well be the first real masterpiece of the 21st Century.
Russian Ark (2002)
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Reviews Counted:23
Fresh:21
Rotten:2
Average Rating:8.3/10
Consensus: As successful as it is ambitious, Russian Ark condenses three centuries of Russian history into a single, uninterrupted, 87-minute take.
Theatrical Release:Dec 13, 2002 Limited
Box Office: $2,107,387
Synopsis: A visually hypnotizing cinematic feat, RUSSIAN ARK is Alexsandr Sokurov's spellbinding ode to St. Petersburg's State Hermitage Museum. Shot in one fluid take using High Definition video cameras,... A visually hypnotizing cinematic feat, RUSSIAN ARK is Alexsandr Sokurov's spellbinding ode to St. Petersburg's State Hermitage Museum. Shot in one fluid take using High Definition video cameras, the photography floats and careens through the lavish corridors of the museum, examining its architectural details while following a dreamlike plot. A cast of 867 actors supply the action of the film, whether dancing the mazurka in a lively ballroom, performing a military salute, or watching a theater performance. The Marquis (Sergey Dreiden), an aged but limber European dressed in solid black, is the film's charismatic guide, leading the narrator--who is the unidentified voice behind the camera--through each doorway and into each gallery in a sweeping tour of the Hermitage. While the Marquis interacts with some of the guests, debating about Italian art with a couple of Russian scholars, delighting over rich paintings by Rubens and Van Dyck with an angelic blind woman, taking a lively brunette for a spin on the dance floor, others do not see him. Even the narrator suspects that the Marquis is a ghost, long dead and wandering the Hermitage in a quest to better understand history. Time periods, indicated by style of dress, fluctuate between the 1700s and the present. Famous Russian figures, such as Peter the Great, Nicholas I, and Catherine the Great appear and then disappear, with no explanation of their roles. Between the Marquis and the narrator, confusion reigns. They are spectators and trespassers in this mysterious space, trying to find their way. [More]
Starring: Sergey Dreiden, Maria Kuznetsova, Leonid Mozgovoy, Mikhail Piotrovsky
Starring: Sergey Dreiden, Maria Kuznetsova, Leonid Mozgovoy, Mikhail Piotrovsky, David Giorgobiani, Alexander Chaban, Lev Yeliseyev, Oleg Khmelnitsky, Alla Osipenko, Artem Strelnikov
Director: Aleksandr Sokurov
Director: Aleksandr Sokurov
Producer: Jens Meurer, Andrey Deryabin, Karsten Stoter
Composer: Sergey Yevtushenko
Studio: Wellspring
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Reviews for Russian Ark
With unmatched bravado, Sokurov shows scores of celebrants streaming from the ballroom past his camera with nary a misstep.
Even with its deft parade of dressed-up actors, real human emotion is hard to find.
Russian Ark does for the history-blind what any halfway decent drug movie can do to nonjunkies: pushes a mean contact high.
The experience of watching Russian Ark is like being caught inside another person's dream.
Merely as a technical, logistical feat, Russian Ark marks a cinematic milestone.
Apart from anything else, this is one of the best-sustained ideas I have ever seen on the screen.
For the truth is, given the audacity, the organization, the seriousness of purpose, the movie isn't nearly as provocative as you think it might be.
A extraordinary film, one that, like the museum itself, captures and shows three centuries of Russian culture and history in all its beauty, confusion, terror and majesty.
From the craft point of view, this film by Russian director Alexander Sokurov is all but unprecedented, but that hasn't gotten in the way of its beauty and its soul.
The fluid motion is astounding on any number of levels -- including the physical demands made on Büttner -- and it implies in its wake the intractable, irreversible flow of history.
Sokurov's 'incompletions' are more interesting than many well-polished items.
The choreography, the technical wizardry, is so impressive that I have to recommend it.
The movie is a meditation on the love and envy that Russia has always felt toward Europe, and I won't pretend I got more than 30 percent of what was going on.
| Tomatometer Percentage | Movie |
|---|---|
| 77% 77% | The Hangover |
| 88% 88% | Inglourious Basterds |
| 66% 66% | Public Enemies |
| 24% 24% | G-Force |
| 44% 44% | Night at the Museum: B… |
| Tomatometer Percentage | Movie |
|---|---|
| 82% 82% | Paranormal Activity |
| 57% 57% | 9 |
| 44% 44% | Jennifer's Body |
| 58% 58% | A Perfect Getaway |
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