Average Rating: 7.9/10
Reviews Counted: 78
Fresh: 73 | Rotten: 5
If Saraband appears to be a minor entry in Ingmar Bergman's filmography, it's still an accomplished piece of work from one of cinema's greatest masters.
Average Rating: 8.2/10
Critic Reviews: 26
Fresh: 24 | Rotten: 2
If Saraband appears to be a minor entry in Ingmar Bergman's filmography, it's still an accomplished piece of work from one of cinema's greatest masters.
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Average Rating: 3.9/5
User Ratings: 4,642
As the final masterwork of Ingmar Bergman, the world's most revered cinematic craftsperson, Saraband embodies the sequel to the director's five-hour Scenes from a Marriage, produced and directed 30 years after that original epic. Here, Bergman revisits the two characters from that film, divorcees Johan (Erland Josephson) and Marianne (Liv Ullmann), after years of estrangement from one another. Marianne now lives alone; of her two middle-aged daughters from the marriage to Johan, one lives in
Dec 1, 2003 Wide
Jan 10, 2006
$0.5M
Sony Pictures Classics
All Critics (85) | Top Critics (27) | Fresh (76) | Rotten (5) | DVD (9)
While bringing an abundance of inspiration to this world, Bergman unapologetically refused to ignore the pain and darkness that infects mankind. There will never be another filmmaker like him.
The performances -- welling, unified and multidimensional -- are beyond praise, as are Bergman's visual images.
A stunning and complex final bow from a stunning and complex artist.
The performances are perfectly distilled, but the traits I dislike in Bergman are all here -- self-pity, brutality, spiritual constipation, and an unwillingness to try to overcome these difficulties.
What remain intact are the filmmaker's unbreakable heart, lyrical soul and sublime art. So why should we say goodbye? Instead: Bravo. Encore.
Saraband, flat and static both visually and thematically, doesn't begin to approximate the austere beauty of the director's art-house classics.
Bergman has a sharp talent for observing human conflicts without claiming to fully understand them.
So many great directors seem to go out with a whimper. Ingmar Bergman has gone out with a bang.
We find [Bergman]at 87, sifting through his pictures, wondering at the choices he's made.
No one else could have made it, and you should see it.
Insightful as ever but a little dated in the set-up and treatment of the shooting.
Powerful and more than a little depressing, but it's also essential filmmaking for anyone who cares about one of the giants of cinema.
Any Bergman is better than most of the art-house dramas that have been shipped to the States from Europe in recent times.
It's easy to go out in style when you have style.
confessional outbursts are captured in lengthy takes, usually in mercilessly tight close-ups.... It's as if Bergman is taking X-rays of their souls.
Even if it is, as he claims, his last film, Saraband will be a testament to Bergman's skill as a filmmaker, still a creative force to be reckoned with after 60-plus years in the business.
"Saraband", written and directed by Ingmar Bergman, takes place thirty years after the events of "Scenes from a Marriage".(But it is not essential that you see the earlier movie to watch "Saraband.") Once married, Johan(Erland Josephson) and Marianne(Liv Ullmann) have not seen each other in the interim when she
August 14, 2005Super Reviewer
hejsan. mycket bra film! even has geriatric nudity!! YEAH! the story is so simple, a 2 line synopsis would sound utterly boring but bergman digs deep into details which keeps the pace fresh and interesting.
October 19, 2006Super Reviewer
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