Opening

76% Fast & Furious 6 May 24
31% The Hangover Part III May 23
83% Epic May 24
97% Before Midnight May 24
70% We Steal Secrets: The Story Of Wikileaks May 24
88% Fill the Void May 24
—— A Green Story May 24
—— Alyce Kills May 24

Top Box Office

86% Star Trek Into Darkness $70.2M
78% Iron Man 3 $35.8M
50% The Great Gatsby $23.9M
46% Pain & Gain $3.2M
69% The Croods $3.0M
77% 42 $2.8M
55% Oblivion $2.3M
98% Mud $2.2M
36% Peeples $2.2M
8% The Big Wedding $1.2M

Coming Soon

—— After Earth May 31
—— Now You See Me May 31
100% The Kings of Summer May 31
89% The East May 31

Saving Private Ryan Reviews

Todd McCarthy
Variety
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No further commentary is needed when the raw brutality of combat is presented as indelibly as it is here.

Full Review Source: Variety

September 9, 2008
Andrew Sarris
New York Observer
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I found it tediously manipulative despite its Herculean energy.

Full Review Source: New York Observer

April 27, 2007
Derek Adams
Time Out
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Why did Spielberg make it? He wants us to imagine we can feel the terror of being there, but does that make us any wiser about this or any other conflict? Probably not.

Full Review Source: Time Out

June 24, 2006
Liam Lacey
Globe and Mail
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The greatest Steven Spielberg movie since the last great one? Sure.

Full Review Source: Globe and Mail | Original Score: 3/4

July 12, 2002
Kenneth Turan
Los Angeles Times
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A powerful and impressive milestone in the realistic depiction of combat, Saving Private Ryan is as much an experience we live through as a film we watch on screen.

Full Review Source: Los Angeles Times | Original Score: 4/5

February 14, 2001
James Berardinelli
ReelViews
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For those who are willing to brave the movie's shocking and unforgettable images, Saving Private Ryan offers a singular motion picture experience.

Full Review Source: ReelViews | Original Score: 4/4

January 1, 2000
Richard Schickel
TIME Magazine
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A war film that, entirely aware of its genre's conventions, transcends them as it transcends the simplistic moralities that inform its predecessors, to take the high, morally haunting ground.

| Original Score: 5/5

January 1, 2000
John Hartl
Film.com
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Feels like the first truly honest attempt to deal with the horrors of combat - and the terrible responsibility shared by all survivors.

January 1, 2000
Jonathan Rosenbaum
Chicago Reader
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For all the care and thoughtfulness that follow in the story, I never could shake the impression that all I was watching was every other war film Spielberg had ever seen.

Full Review Source: Chicago Reader | Original Score: 1/4

January 1, 2000
Ted Fry
Film.com
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Gripping and satisfying in a way that no mere summer event movie could ever be.

January 1, 2000
Bob Graham
San Francisco Chronicle
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Launches and climaxes with two of the greatest extended battle sequences ever put on film.

Full Review Source: San Francisco Chronicle | Original Score: 4/4

January 1, 2000
Gary Kamiya
Salon.com
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Using the overpowering techniques of modern film, Steven Spielberg has cut through the glory-tinged gauze that shrouds World War II to reveal its brutal reality, creating a phenomenology of violence unsurpassed in the history of cinema.

Full Review Source: Salon.com

January 1, 2000
Susan Stark
Detroit News
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As compelling, intimate and brutally realistic an account of men at war as you've ever seen.

Full Review Source: Detroit News | Original Score: 4/4

January 1, 2000
Owen Gleiberman
Entertainment Weekly
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Spielberg has captured the hair-trigger instability of modern combat.

Full Review Source: Entertainment Weekly | Original Score: A

January 1, 2000
Janet Maslin
New York Times
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A soberly magnificent new war film.

Full Review Source: New York Times | Original Score: 5/5

January 1, 2000
Robert Horton
Film.com
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Has 'masterpiece' written all over it.

January 1, 2000
David Denby
New York Magazine
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Spielberg has taken us back to basics -- back to art, back to amazement at the film medium itself.

Full Review Source: New York Magazine

January 1, 2000
Joe Baltake
Sacramento Bee
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Saving Private Ryan is not a film that one takes pleasure in, or even enjoys in the usual sense, but rather, it's a movie that elicits a hushed admiration and an uneasy appreciation.

Full Review Source: Sacramento Bee

January 1, 2000
Peter Brunette
Film.com
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A flawed but masterful film.

January 1, 2000
Mike Clark
USA Today
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Spielberg opens in flashback with a half-hour set piece brilliant enough to climax any other masterpiece.

| Original Score: 4/4

January 1, 2000
Roger Ebert
Chicago Sun-Times
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A powerful experience.

Full Review Source: Chicago Sun-Times | Original Score: 4/4

January 1, 2000
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