It has been directed by Kei Kumai as a film that seems more melodramatic and sentimental than Kurosawa's norm.
The Sea is Watching (2003)
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Reviews Counted:11
Fresh:5
Rotten:6
Average Rating:5.6/10
Theatrical Release:Jul 18, 2003 Limited
Synopsis: Based on a screenplay by the late filmmaking legend Akira Kurosawa, Kei Kumai's THE SEA IS WATCHING follows the lives of women residing and working at a brothel in Edo-era Japan. Amidst the daily... Based on a screenplay by the late filmmaking legend Akira Kurosawa, Kei Kumai's THE SEA IS WATCHING follows the lives of women residing and working at a brothel in Edo-era Japan. Amidst the daily rountines of tea and gossip, the ladies of the Ashi No Ya house, inevitably get emotionally involved with their clients. Young, naïve O-Shin (Nagiko Tohno) falls for an inexperienced samurai, even though he is from a higher social class. Meanwhile, her big-sister figure, Kikuno (Misa Shimizu), has both a thuggish boyfriend and a kind, older man vying for her affections. Eventually, Ryosuke (Masatoshi Nagase), a troubled wanderer, visits the brothel, and he forms an unlikely connection with O-Shin--one that may have a lasting effect on her life. Filmed entirely on a set that recreates pre-20th-century Japanese village life, THE SEA IS WATCHING focuses on the brothel and its denizens with a tight lens. Although the actors turn in fine performances, the real stars of the show are the costumes and sets, which recall an era of Japanese history that few contemporary films touch on. Surprisingly romantic, this tribute to Kurosawa is an enjoyable outing, strengthed by Kumai's vivid vision of the past. [More]
Director: Kei Kumai
Director: Kei Kumai
Screenwriter: Akira Kurosawa
Studio: Sony Pictures Entertainment
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Reviews for The Sea is Watching
Filled with love and melancholy, it's a fitting, fond epilogue to [Kurosawa].
I don't think I'm going too far out on a limb by saying the Sea that Kurosawa must have envisioned had to be a whole lot more compelling and focused than the one now delivered by veteran director Kei Kumai.
The Sea Is Watching most likely wouldn't have made it to New York if not for the Kurosawa connection. That link is also the main reason to see it.
There's plenty to appreciate here but the story is tedious and some of the overacting runs into cultural translation problems.
It has a softer edge than the master probably would have delivered, but it is deeply affecting and recalls the Kumai film best known in the U.S., the 1974 Sandakan 8.
Kurosawa's script, with its lyrical mix of metaphors and signature moments of song, will at the very least remind you of his greatness.
At times this material is simple nearly to the point of simple-mindedness. But the movie isn't dumb, though it is dismaying to discover that even Kurosawa had an unfilmed script romanticizing the need of prostitutes for love.
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