The claustrophobic and artificial atmosphere of the setting is unfortunately matched by the equally artificial drama.
The Secret Life of Words (2006)
Tomatometer
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Reviews Counted:14
Fresh:10
Rotten:4
Average Rating:5.9/10
Consensus: The Secret Life of Words is a slow, mannered drama, but with a revelatory and powerful ending that rewards the patient viewer.
Theatrical Release:Dec 15, 2006 Limited
Synopsis: THE SECRET LIFE OF WORDS, written and directed by Isabel Coixet, follows Hanna (Sarah Polley), a factory worker who lives alone in a barren apartment, wears a hearing-aid, and keeps to herself with... THE SECRET LIFE OF WORDS, written and directed by Isabel Coixet, follows Hanna (Sarah Polley), a factory worker who lives alone in a barren apartment, wears a hearing-aid, and keeps to herself with a rigorous daily routine of identical meals, a fresh bar of soap every day, and needlepoint work at night. While on an extended holiday in Northern Ireland, she volunteers as a nurse, tending to a burn victim Josef (Tim Robbins) stationed on an oil rig. While Hanna coaxes him back to health, Josef, who has suffered temporary blindness, reaches out to her urgently, wanting to connect. As his brutish and passionate demeanor contrasts sharply with Hanna's solemn and quiet manner, Hanna initially refuses to reveal anything about herself, even her real name. But she soon she starts to recognize parallels between her own isolation and that of the others on the oil rig. She eventually grows to care for Josef and shares with him a painfully severe secret from her past that opens wounds, and doors, for the two strangers from different worlds to come together and help heal one another. With the shaky-camera technique, absence of a film score, and the backdrop of a lone oil rig, writer and director Coixet (who also wrote and directed Polley in the 2003 critically-acclaimed MY LIFE WITHOUT ME), emphasizes the vulnerability and seclusion of the characters. Robbins and Polley turn in compelling performances; and a strong supporting cast that includes Javier Camara (TALK TO HER) and Eddie Marsan (THE ILLUSIONIST). [More]
Starring: Sarah Polley, Tim Robbins, Javier Camara, Eddie Marsan
Starring: Sarah Polley, Tim Robbins, Javier Camara, Eddie Marsan, Julie Christie, Sverre Anker Ousdal, Leonor Watling
Director: Isabel Coixet
Director: Isabel Coixet
Studio: Strand Releasing
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Reviews for The Secret Life of Words
There may be no young actress today better at embodying a blend of wounded innocence and stoic pride than Sarah Polley. In The Secret Life of Words, she has a part worthy of her gifts.
Though I continue to have strong reservations about the stylistic abstractions in Ms. Coixet’s narrative, the performances given by Ms. Polley, Mr. Robbins and Ms. Christie take me a long way in accepting and recommending the whole package.
Like Ceylan -- like many a fine director -- Coixet has made her film less as a drama than as the traversal of a state of mind, a mood.
In due course skeletons will march out of closets, but the movie yields up its secrets with slow reluctance.
Sarah Polley is such a wonderful actress, it's a shame she's not a bigger star.
Given the physical limitations of their characters, Polley and Robbins give remarkably compelling performances, and though the resolution of their slowly evolving relationship is a bit too pat, it is one you won't soon forget.
As its title suggests, this eccentric film written and directed by Isabel Coixet, contemplates the insufficiency of language to encapsulate traumatic experience.
A tantalizing and beautiful picture made with tremendous integrity, and anchored by two marvelous performances, Isabel Coixet's The Secret Life of Words still, somehow, doesn't quite work.
The Secret Life of Words transcends the limitations of its pat two-character-play core, becoming a deeply affecting existential drama about the healing power of communally felt pain.
Can a single scene save a movie? An hour and 20 minutes into The Secret Life of Words, Sarah Polley delivers a halting, evocative 10-minute monologue that finally unlocks the mystery behind her guarded character.
Sarah Polley gives a wonderfully searching performance, as a woman in a state of extreme isolation.
Polley not only speaks volumes with her wary, hooded eyes and closed body language, she provides the silent emotion anchor the movie badly needs.
A frustrating film full of many wonderful parts that the filmmaker ultimately betrays.
Latest News for The Secret Life of Words
December 19, 2006:
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