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The Secret Lives of Dentists (2003)
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Reviews Counted:32
Fresh:28
Rotten:4
Average Rating:7.3/10
Consensus: A witty and honest look at marriage in decay.
Theatrical Release:Aug 1, 2003 Limited
Box Office: $3,637,833
Synopsis: Hope Davis and Campbell Scott play married dentists in this insightful dramatic comedy from director Alan Rudolph (AFTERGLOW, DOROTHY PARKER AND THE VICIOUS CIRCLE). Based on the novel THE AGE OF... Hope Davis and Campbell Scott play married dentists in this insightful dramatic comedy from director Alan Rudolph (AFTERGLOW, DOROTHY PARKER AND THE VICIOUS CIRCLE). Based on the novel THE AGE OF GRIEF by Jane Smiley, the story begins with husband David's suspicion that his wife (and mother of their three adorable daughters) is having an affair. The details of their family life and David's mounting suspicion are brilliantly evoked via overlapping dialogue, great editing, and masterful camerawork. David's jealous mind soars onto some hilarious flights of fancy and eventually caustic comedian Denis Leary turns up as his cigar-smoking alter-ego, expressing all the independent and antisocial traits David has tried so long to repress for the sake of his family. All of this culminates in a hilarious yet harrowing week when the family is hit by a flu virus. SECRET LIVES' performances are very strong, with Scott proving himself an actor of great restraint and subtlety. The young actresses who play the daughters are uniformly talented, as is Robin Tunney (THE CRAFT) as a dental assistant. The lion's share of credit is due to director Rudolph, who is in top form with this film, displaying his mastery of the ensemble cast, camera, and audio tricks; Rudolph and his mentor, Robert Altman, are of the few directors capable of working with such perceptive, funny, and warmly human results. [More]
Starring: Campbell Scott, Hope Davis, Denis Leary, Robin Tunney
Starring: Campbell Scott, Hope Davis, Denis Leary, Robin Tunney, Gianna Beleno, Cassidy Hinkle, Lydia Jordan
Director: Alan Rudolph
Director: Alan Rudolph
Screenwriter: David Newman, Alan Rudolph
Producer: George Van Buskirk, Campbell Scott
Composer: Gary DiMichele
Studio: Manhattan Pictures International
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Reviews for The Secret Lives of Dentists
Rudolph's fondness for angular, oblique characterization is ideally suited to the movie's incidental story of sublimated feelings and contradictory impulses.
Domestic scenes with the kids are drawn with letter-perfect naturalism.
There are movies that have a way of hitting you at a certain time in your life, and this study of being married with young children speaks in satisfying ways.
Rudolph's past work has been spotty, but his stress here on familial sovereignty is moving, as is his direction of the three children.
A faultlessly constructed, artistic look at love, loss and truths we can't ignore.
Director Rudolph and writer Craig Lucas ... use a wry and compassionate touch as they present this X-ray vision of a relationship long past its annual checkup.
Although this movie is highly watchable as a story, it's the wonderfully loose and believable everyday business -- overworked parents, avoided topics at dinner, precocious children -- that really solidifies the film.
That most extraordinary of achievements, the small, quiet movie that imperceptibly takes its viewers by their throats and doesn't let go until its emotionally explosive -- and equally small and quiet -- final moments.
Mr. Rudolph's opus is already guaranteed a place on my year's 10-best list.
A smart, understated, emotionally penetrating drama that tempts one to forgive Breakfast of Champions and Trixie.
Dentists may not be the best movie ever made about the perils of family life, but it is among the most ruthlessly comic.
Director Alan Rudolph shows a fine sensitivity to the loneliness that can haunt a close marriage, but it's Scott's Walter Mitty-style antihero who gives the affair its aching heart.
[T]his is a superb examination of a suburban marriage on the brink of collapse.
The film presents a realistic and artful treatment of a subject not often dealt with in cinema -- and rarely with honesty. Davis and Scott respond with heartfelt, edgy performances.
Lacking a solid narrative beyond the worsening marital crisis, this humor-flecked domestic drama ends up relying heavily on directorial tricks such as splashes of magic realism, giving it a self-satisfied air that quickly becomes grating.
| Tomatometer Percentage | Movie |
|---|---|
| 15% 15% | The Ugly Truth |
| 98% 98% | Up |
| 36% 36% | G.I. Joe: The Rise of … |
| 52% 52% | The Taking of Pelham 1… |
| 45% 45% | Ice Age: Dawn of the D… |
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 68% 68% | Funny People |
| 25% 25% | Four Christmases |
| 45% 45% | Shorts |
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