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Secret Things (2003)
Tomatometer
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Reviews Counted:19
Fresh:8
Rotten:11
Average Rating:5.3/10
Consensus: Pretentious and trashy.
Theatrical Release:Jan 2, 2004 Limited
Synopsis: Jean-Claude Brisseau's film is a heady melange of old-fashioned office seduction and Sadean orgy-mongering done up with Gallic flair. Sandrine (Sabrina Seyvecou) and Nathalie (Coralie Revel) meet... Jean-Claude Brisseau's film is a heady melange of old-fashioned office seduction and Sadean orgy-mongering done up with Gallic flair. Sandrine (Sabrina Seyvecou) and Nathalie (Coralie Revel) meet while being fired from a strip club and soon they dare each other into a lesbian affair and masturbate publicly. They decide to make their new sexual exploits work for them, getting office jobs and sleeping their way up the corporate ladder. Nathalie counsels Sandrine in her seduction of the hardworking head of the firm (Roger Mirmont), but then Nathalie makes the mistake of falling for the handsome CEO (Fabrice Deville), an amoral hedonist who seduces the young women of the company and then drives them to suicide. He also likes to stage massive orgies and sleep with his own sister (Blandine Bury). From there on in, it just gets wilder, replete with a lurking specter of death and her pet hawk. While orgasmic writhing is plentiful, Brisseau's straightforward narrative keeps things focused. The film is as much homage to the pre-code Hollywood films of yore as it is an exercise in steamy Franco-erotica. A strong score of classical music by Bach, Vivaldi, and others makes SECRET THINGS what Kubrick's EYES WIDE SHUT was trying to be, a depiction of how the velocity of sex can tear the trappings of contemporary urban life clear away, exposing the timeless passion for destruction at the human core. [More]
Starring: Sabrina Seyvecou, Coralie Revel, Roger Mirmont, Fabrice Deville
Starring: Sabrina Seyvecou, Coralie Revel, Roger Mirmont, Fabrice Deville, Blandine Buryas
Director: Jean-Claude Brisseau
Director: Jean-Claude Brisseau
Screenwriter: Jean-Claude Brisseau
Producer: Jean-Francois Geneix, Jean-Claude Brisseau
Studio: First Run Features
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Reviews for Secret Things
Imagine Emmanuelle remade on a shoestring budget or Eyes Wide Shut staged by a community theater group.
A lot of sexy stuff wrapped in an obvious morality tale with some philosophical hooey and clunky symbols thrown in to justify the cheap, but undeniable, thrills.
While some might mistake it as a bitter view of sexual politics and empowerment, it's also pretty crass filmmaking.
The film is well made, well acted, cleverly written, photographed by Wilfrid Sempe as if he's a conspirer with the sexual schemers.
Either a highly erotic art film trading in sex, power and morality, or a trashy porno pretending to be deep. After watching two hours of hot young French women having sex with men, each other and themselves, I have to go with the latter.
Deteriorates into a silly farce that lands somewhere between Kubrick's Eyes Wide Shut and Guccione's Caligula.
You couldn't nail a particular kind of modern French film better if you tried: explicit sex, bad behavior, and shrieking pretention all in one lumpy shock-the-bourgeoisie package.
An artistically ambitious exercise that enables audiences to be simultaneously teased erotically and intellectually.
Jean-Claude Brisseau's French film is a frequently overheated, often delirious fantasy about two Parisiennes in their early 20's.
For those who like their erotic melodramas frosty and lavish, Secret Things is as elaborately whipped up as such treats ever get.
Brisseau effortlessly stages the sort of ooh-la-la orgy that so clearly eluded Stanley Kubrick in Eyes Wide Shut.
It plays rather like a humorless version of Barbara Stanwyck's tongue-in-cheek classic, Baby Face.
For its first half, Secret Things is a tolerably silly lark ... Yet as Christophe's role expands -- and the soundtrack's classical flourishes become more strident -- the film's plausibility plummets.
Gets more operatically farcical (most of it unintentionally so) by the minute.
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 90% 90% | District 9 |
| 86% 86% | 500 Days of Summer |
| 63% 63% | Extract |
| 06% 06% | All About Steve |
| 78% 78% | It Might Get Loud |
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