Seven Psychopaths Reviews
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The heavily self referential plot concerns an alcoholic Irish screenwriter struggling through writer's block named Marty. His latest effort, "Seven Psychopaths" isn't even past the first page. His best friend Billy is an out of work actor who spends most of his time involved with a dog-napping scam with his buddy Hans who is quite religious, but also has a violent past. Billy tries his hardest to give Marty inspiration, but when he and Hans capture the beloved dog of crime boss Charlie, Marty finds himself caught up in their mess. While it could be a dire thing, it might also be just the inspiration he's been needing.
The film is essentially sort of about itself, and it shares a lot in common with stuff like Barton Fink, but especially Adaptation. However, this doesn't have the brilliance of either of those two, and is mostly a muddled and incoherent darkly comedic romp that satirizes mob movie/psycho thriller conventions.
It is very entertaining, and I dug the pitch black humor, but I also found it hard to really get deeply invested. It's as if McDonagh had a good idea, but then didn't really know what to do with it.
What saves the film, ultimately are the over-the-top violence, and the solid performances from a very well-known ensemble cast. I mean, we get Colin Farrell, Sam Rockwell, Christopher Walken, and Woody Harrelson in all the major roles, as well as appearances from Abbie Cornish, Tom Waits, Olga Kurylenko, Gabourey Sidibe, Kevin Corrigan, and Harry Dean Stanton.
The film is a mess, but it's fun while it lasts, even if it really doesn't add up to much.
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Good movie! This script for this film is very original. There are a lot of twists in this movie plot-wise and genre-wise making it a fantastic, unpredictable adventure. Many would think that a movie that jumps around through different genres would be a bad thing, but this movie is so fluid and every plot point connects so well, that you aren't bothered in the slightest about deciding what the genre is of this film. A film with the title Seven Psychopaths promises intense violence and you will get that, but not just that. This is not a mindless movie that uses just blood as entertainment. This is a smart movie that has plot and meaning. Yes, it's violent but there is also drama and a surprising amount of comedy. All of the characters have a certain wit to them, delivering lines that are beyond hilarious. If you enjoy creative writing, talented acting, and movies that are all-around completely original, then I encourage you to see this movie.
The comedy Seven Psychopaths follows a struggling screenwriter ('Colin Farrell' ) who inadvertently becomes entangled in the Los Angeles criminal underworld after his oddball friends (Christopher Walken and Sam Rockwell) kidnap a gangster's (Woody Harrelson) beloved Shih Tzu.
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"They Won't Take Any Shih Tzu."
This was a movie that I didn't really have an idea of going in. I didn't know if I would like it or hate it based on the trailer. It seemed like it could be smart, funny, and entertaining, but it also seemed like it could be a disappointment. Well it's anything but a disappointment. It was everything I could have possibly wanted. Seven Psychopaths is funny, it's entertaining, and it's surprisingly fresh. It's well acted, deviates from what you'd expect, and has a variety of interesting and unique characters.
A screenwriter is trying to write a movie called Seven Psychopaths, but he doesn't want it to be violent. He's sort of a pacifist, which isn't too great because he begins to notice that his life is being surrounded by psychopaths. It will help in writing the movie though, right? A friend of his kidnaps a gangsters dog and soon the gangster is after them. I don't want to give too many plot details away so I'll just stop there.
Sam Rockwell's character is enough to sell this movie by himself. It's one of the more unique, interesting, and funny characters I've seen in quite a long time. It helps that Woody Harrelson, Collin Farrell, and Christopher Walken's characters are also nearly perfect. This movie is definitely a character movie and with these talented actors and the great writing it all works so perfectly together.
This isn't a movie like any you would expect, and for that I love it. I also love it for its use of making fun of Hollywood in ways. This is definitely a must see for film fans as it's something new and exciting in the world of the crime movie. So many times we end up watching the same movie over and over again with different characters, and a writer that thinks he's doing something original. With Seven Psychopaths, that promise was finally met.
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Marty (Colin Farrell), has been working for while on a Hollywood screenplay called 'Seven Psychopaths' but he hasn't got past the first page and has developed a reliance on alcohol to see him through it. His friend Billy (Sam Rockwell) is eager to help, so gives him anecdotes on real psychopaths that he's aware of. Some of which, include crazed gangster Charlie (Woody Harrelson) who loves his little Shih-Tzu dog, Bonny. It's only when Billy and his dognapper friend Hans (Christopher Walken) decide to steal Bonny, that Marty finds himself in all sorts of trouble - and inspiration.
The film sets it's stall up well, as we are introduced to Martin, a struggling, Irish, alcoholic writer with absolutely no creative spark whatsoever. It's a self-referential premise that has been done before - most notably by the Coen brothers when they wrote "Barton Fink" as a result of writer's block in trying to finish "Miller's Crossing". Only, McDonagh is not a Coen, nor is he a Quentin Tarantino - who he obviously fancies himself as. Those filmmakers have made strong career's from combining crime and comedy but after this sophomore effort, McDonagh doesn't match those aforementioned auteur's of cinema. "In Bruges" was so well received that this film gathered a lot of anticipation and it even allowed McDonagh to assemble a very impressive cast. It had all the ingredients for being another darkly humorous endeavour. Dark it may be, but it's seriously lacking in the humour department. While I was watching this, I had the feeling that something was just around the corner but when that corner was turned, there was still a vacantness. The jokes were forced and most dialogue and scenes were shoehorned in such a way that it was forcing laughs rather than earning them.
On the positive side, it had plenty of style and the performances, for the most part, were great; Farrell, Harrelson and especially, Rockwell and Walken, all seem to be having fun. There's also fine support by Tom Waits but the belief that this ensemble have in the material is squandered as McDonagh has no idea what he's doing. The story-within-a-story concept is nothing original but if tackled properly, it can be a very fulfilling journey and Charlie Kaufman's "Adaptation" is a prime example of how it should be done. This, however, is an example of how it shouldn't.
This is a wasted opportunity to create something really good. It's a clever idea and it could be said that the movie is one big in-joke. Although I'm aware of this, it's still the very incoherent and lazily written crime yarn that it proclaims to be against.
It thinks it's smarter and funnier than it actually is and goes down as the biggest disappointment of the year.
Super Reviewer
The films kicks off with a typical Tarantino-ish in your face sequence (yes I promise not to try and use Tarantino anymore). Its simply two hitmen having a chat about killing folk in a quirky manner, your average day for some hitmen, just your average Tarant...oh shit!. Now this isn't really a spoiler as it doesn't effect the film sooooo...some hooded bloke walks up behind these guys and shoots them both in the head at point blank range. Now this is a close up moment and doesn't beat around the bush. BANG! we're off to a cracking start and I'm whimpering from the gore.
Talking of gore, this film has it, a little torture gore, but mainly outfight blowing people away gore with nice bloody squibs. Yet despite this there isn't a huge amount of violence, unlike a certain gore hooked director whose initials are QT. The film actually limits the blood n gore but gives you just enough, just enough to keep you happy but not disgust you (almost).
The plot is fairly straight forward but with some clever tiny twists and surprises, but nothing overly outstanding. Farrell's character is writing a movie screenplay called 'Seven Psychopaths' and is using his friends to help him along the way. His friends being Rockwell and Walken, the latter seems to be playing a parody of himself to a degree, and the criminal/underground world from which we know him in his career.
The story concept Farrell's character is trying to create seems to unfold before him in reality unexpectedly, this leads to much more in depth 'research' on killers than he would have liked. From this we get a nice sub plot about another psycho played by Waits whose character flits in and out of the main story but adds a nice charm if I can say that. The whole film is more or less a parody of your typical Hollywood twisted crime thrillers, almost a homage to Tarantino (argh!), Ritchie or Matthew Vaughn even, whilst slightly mocking them at the same time.
What I like about this film is how each psycho is brought to your attention throughout the film. Its not too hard to work out what's gonna happen as characters reveal themselves and the unpredictable gangster boss played by Harrelson takes pursuit. The story does tend to drift somewhat from the midway point as we near the finale, it does get a bit more cartoony and loses its edge.
The story is somewhat cliched and an average crime thriller but the characters do save the day luckily. The film isn't as funny as it would like to think it is and the violence can seem a touch uncomfortable as it swings back and forth with emotional moments. The more I think about it this film isn't quite as clever as Mr Director would have you believe but it does amuse thanks to a nice cast.
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