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Shakespeare Behind Bars (2006)
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Reviews Counted:26
Fresh:24
Rotten:2
Average Rating:7.8/10
Consensus: Shakespeare Behind Bars is a moving testament to the power -- and universality -- of art.
Theatrical Release:Mar 10, 2006 Limited
Synopsis: Shakespeare's plays have been performed in every major city, in every possible venue, but perhaps the most unusual and emotionally-charged performances of OTHELLO and TWO GENTLEMEN OF VERONA have... Shakespeare's plays have been performed in every major city, in every possible venue, but perhaps the most unusual and emotionally-charged performances of OTHELLO and TWO GENTLEMEN OF VERONA have taken place at the Luther Luckett Correctional Complex in LaGrange, Ky. Hank Rogerson's moving documentary focuses on actor Curt Tofteland's program for prison inmates, which allows incarcerated men to express themselves through role-playing. In interviews and behind-the-scenes glimpses, it becomes clear that the tragic flaws of the Shakespearian characters serve as a mirror for the prisoners' own crimes and behaviors, providing them with valuable and potentially healing insights. [More]
Director: Hank Rogerson
Director: Hank Rogerson
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Reviews for Shakespeare Behind Bars
This fascinating video documentary covers a nine-month rehearsal of Shakespeare's final play by inmates at the Luther Luckett Correctional Complex in La Grange, Kentucky.
... a truly compelling examination of the extent to which art can lift the human spirit, no matter how tragic the surrounding circumstances may be.
It's a tribute to the dry-eyed empathy of the filmmakers that these men, guilty of the most heinous crimes of murder and violence, somehow manage to win your sympathy.
I found this documentary to be sobering, even optimistic ... it's a reminder that being human means being complex.
The up-close interviews with the prisoners, many of whom are in jail for murder, are the heart of the film.
Rogerson and producer Jilann Spitzmiller ably convey the humanity of the inmates while also exposing them as deeply flawed individuals. The film also reconfirms the enduring relevance and power of Shakespeare and his adaptability to almost any milieu.
Albeit a tad repetitive, Shakespeare Behind Bars succeeds in humanizing men we might too easily label as monsters, and provides a solid argument in favor of prisons that place rehabilitation above retribution.
Few non-fiction films about the arts hit as hard or soar to such heights of poetry and humanity.
Observes as the inmates use theater to massage knots of guilt and anguish in their psyches.
Perhaps it's just the inner drama geek talking, but there's something extremely compelling about seeing hardened felons preparing to put on a classic play with the enthusiasm of giddy schoolgirls.
The film makes the case -- one that always needs making -- that, despite what they've done, these men retain some shred of humanity.
By presenting murderers as actors and then filming those actors discussing their sins, the line between performance and soul-searching blurs in unnerving ways.
Rogerson lets the cameras roll, and we get real insight into daily prison life. But he doesn't stop to create context, and we feel stuck inside the razor wire.
For once, here's a prison movie without a riot or an impromptu cafeteria fight in which one inmate bashes the other over the head with a food tray.
Rogerson has crafted an emotionally satisfying exploration of the creative process through people who, before the program started, weren’t comfortable with expressing themselves at all.
The search for inner forgiveness is a ribbon that runs throughout the film...
A portrait of repentant convicts that is both heartbreaking and unnerving.
| Tomatometer Percentage | Movie |
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