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Shame (1968)
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Reviews Counted: 14
Fresh: 10
Rotten:4
Average Rating: 6.8/10
Runtime: 1 hr 44 mins
Genre: Foreign Films
Synopsis: This stark drama takes place in an unnamed country torn apart by civil war. Liv Ullmann and Max Von Sydow play Eva and Jan Rosenberg, both former concert violinists who, ever since their orchestra... This stark drama takes place in an unnamed country torn apart by civil war. Liv Ullmann and Max Von Sydow play Eva and Jan Rosenberg, both former concert violinists who, ever since their orchestra was disbanded, have been working on a secluded farm to earn a living. When their area is invaded by rebel troops, the formerly beautiful landscape is transformed into a nightmare of death and destruction. (An unnerving nonmusical soundtrack consisting chiefly of rhythmic noise, explosions, and gunfire adds to this effect.) The Rosenbergs attempt to flee the war zone but instead are forced to participate in a fake propaganda interview conducted by the invading soldiers. Soon afterward, Eva and Jan are arrested for collaboration by the current regime, but a commanding officer takes a liking to them, and his friendship offers a momentary reprieve from persecution. The loving bond that once existed between the couple has been destroyed, however, by the trauma they have witnessed, and the title refers to the shameful acts of betrayal to which they subsequently succumb. With painfully realistic performances by Ullmann and Von Sydow, this film is undoubtedly among Bergman's bleakest but also offers a fascinating exploration of what it means to compromise one's fundamental ethical beliefs in order to ensure survival. [More]
Starring: Liv Ullmann, Max Von Sydow, Gunnar Bjornstrand, Hans Alfredson
Starring: Liv Ullmann, Max Von Sydow, Gunnar Bjornstrand, Hans Alfredson, Brigitta Valberg, Sigge Furst
Director: Ingmar Bergman
Director: Ingmar Bergman
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Reviews for Shame
"What a wonder is a gun," opined one-time Bergman adapter Stephen Sondheim.
Despite its evident sincerity, the film seems less like an indictment of intellectual and artistic irresponsibility than a quiet mea culpa.
A tremendously profound and unsettling film about the indignities of war.
Shame draws the rutted map of war's psychology, in bold and grievous strokes recognizable to any audience, and liable to frighten and humble them all.
It ends with one of the cinema's most awesomely apocalyptic visions: not the cheeriest of films, but a masterpiece.
A powerful political statement, and a deeply humanistic one, without sentimentality or banal heroics.
Shame moves in deep waters: It shows, in the bleakest and most uncompromising terms, that the worst that war has to offer is the wounds it inflicts on the human mind.
Even by Bergman's standards this is a severe film, which may account for its commercial failure and some criticism.
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