The plot of Silver City is movieish in the extreme, with filthy abandoned mines subbing for the bars and alleys of urban noir, but it's no more than mild cheese.
Silver City (2004)
Tomatometer
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Reviews Counted:39
Fresh:17
Rotten:22
Average Rating:5.3/10
Consensus: Heavy-handed and often dull.
Theatrical Release:Sep 17, 2004 Limited
Box Office: $872,141
Synopsis: During a gubernatorial race in small-town Colorado, a mystery is uncovered involving a dead body found in a local lake. A private detective, Danny (Danny Huston), is hired by the governor-to-be's... During a gubernatorial race in small-town Colorado, a mystery is uncovered involving a dead body found in a local lake. A private detective, Danny (Danny Huston), is hired by the governor-to-be's campaign manager (Richard Dreyfuss), who is worried that the unexpected event may be used as a scandal-maker by the opposition. But when Danny begins to investigate, he learns that business mogul Wes Benteen (Kris Kristofferson), is using the candidate, Dickie Pilager (Chris Cooper), to promote his moneymaking agenda. Director-writer-editor John Sayles weaves together multiple storylines involving environmental issues, political and corporate corruption, activism, illegal aliens, labor laws, and also a sweet love affair, simplifying it all into a cohesive and deeply enjoyable drama. He gets powerful performances from each cast member, making the characters shine in all of their nuanced intricacies. This strong film reflects on the presidency of George W. Bush in that candidate Pilager is a good-hearted Republican who lacks communications skills and a backbone, allowing regulation to lapse, power to be abused, and a scourge of long-term problems to be ignored. Meanwhile, SILVER CITY is a gripping whodunit, set in the still-dusty New West where old silver mines become real estate developments, and corporate tycoons attempt to privatize protected land for their own bounty. The immediate, effective supporting cast includes Daryl Hannah, Thora Birch, Tim Roth, Maria Bello, Sal Lopez, Miguel Ferrer, and Billy Zane. [More]
Starring: Danny Huston, Maria Bello, Billy Zane, Chris Cooper
Starring: Danny Huston, Maria Bello, Billy Zane, Chris Cooper, Richard Dreyfuss, Michael Murphy, Daryl Hannah, Kris Kristofferson, Mary Kay Place, David Clennon, Miguel Ferrer, Ralph Waite, Sal Lopez, James Gammon, Tim Roth, Thora Birch, Alma Delfina
Director: John Sayles
Director: John Sayles
Screenwriter: John Sayles
Producer: Maggie Renzi
Composer: Mason Daring
Studio: Newmarket Films
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Reviews for Silver City
Though there's nothing wrong with moral outrage, it doesn't always aid the telling of a complex story. More subtlety might have worked better.
Sayles' prolix narrative, weighed down with subplots and characters and canvassing many social ills, dilutes the impact of a work that should nevertheless still make an impact on thoughtful viewers.
Using Dickie Pilager as a stand-in for George W. Bush seems too coy a tactic for these scabrous times. For better or worse, we want the real -- or at least, the 'real' -- deal.
Silver City is complex and literate, but if you're looking for a political satire this season, bring your own sense of humor.
Silver City does seem more like the work of a nuanced novelist than of a dynamic visual and dramatic talent.
Silver City has a detective plot, important themes, clever lines and a passel of intriguing characters, but they're not put together in a way that holds your interest.
If there's one thing Sayles has proved he's not gifted at over his long, respected career, it's comedy.
Its implications are so ploddingly obvious, you'll swear you wandered into a dank lecture room where today's topic is The Way the System Works.
Heard a good movie lately? John Sayles' Silver City is one you might try.
It clearly hasn't occurred to anyone to try to say something new about these issues; instead we're reassured that we're in known territory.
Sayles' unabashedly partisan film moseys along in an unhurried fashion, encompassing myriad story lines yet taking the trouble to fully develop each of its many characters.
[Sayles] shows how lives can be unexpectedly connected, how hidden agendas can slip in under the radar, how information can travel and wound or kill.
Would have been better served with a more dynamic hero and a leaner, darker plot.
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