A refreshingly small-scale film, almost a home movie made by the director of such films as Tootsie, Out of Africa and The Way We Were.
Sketches of Frank Gehry (2006)
Tomatometer
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Reviews Counted:25
Fresh:18
Rotten:7
Average Rating:6.8/10
Consensus: This affectionate, casually framed portrait of the acclaimed architect reveals him to be an engaging, likeable subject.
Theatrical Release:May 12, 2006 Limited
Box Office: $206,299
Synopsis: Oscar winning director Sydney Pollack takes a sharp sideways turn with SKETCHES OF FRANK GEHRY, a documentary about the noted architect. Usually known for making grandiose productions such as THE... Oscar winning director Sydney Pollack takes a sharp sideways turn with SKETCHES OF FRANK GEHRY, a documentary about the noted architect. Usually known for making grandiose productions such as THE FIRM and OUT OF AFRICA, Pollock adds a genuine curio to his filmmaking resume with this movie. Although the two men have been friends for years, Pollock thankfully bypasses the opportunity to pay a fawning tribute to Gehry, instead presenting a well-balanced portrait that offers both positive and negative commentators the chance to etch their thoughts into celluloid. But it quickly becomes clear that the biggest naysayer of all is Gehry himself, who is painted as a highly self-critical man, clearly ill-at-ease with fame and his own achievements. Pollock offers some screen time to Gehry's magnificent creations, but not as much as a less experienced director might have done, instead choosing to focus on the man himself. People such as Gehry's therapist, Milton Wexler, and garrulous artist/director Julian Schnabel (BASQUIAT) offer their thoughts, but the real magic occurs when Pollock and Gehry are on screen together. The series of interviews between the two men have the kind of relaxed atmosphere that could only exist after years of friendship, and Gehry comes across as an astonishingly normal and likeable fellow who keeps his ego firmly in check. Shooting mostly with hand-held digital-video cameras also brings a nice intimacy to the proceedings, creating a warm testimony to a great artist who has somehow managed to keep his integrity intact despite the ruthless nature of the industry in which he works. [More]
Starring: Frank Gehry, Dennis Hopper, Bob Geldof, Julian Schnabel
Starring: Frank Gehry, Dennis Hopper, Bob Geldof, Julian Schnabel
Director: Sydney Pollack
Director: Sydney Pollack
Producer: Sydney Pollack, Ultan Guilfoyl
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Reviews for Sketches of Frank Gehry
Not just instructive, but reassuring for anyone who does creative work, and who worries, as everyone does, about being equal to the task.
What the filmmaker omits are precisely the laymen the movie set out to explain Gehry to.
What benefits the picture early on, giving it a casual air, becomes cloying in the later going, making it feel like a smug exercise in mutual admiration.
It is a few meaningful glimpses into the mind and life of a man who resists being seen as complex and singular.
Pollock, who narrates, admits he knows nothing about architecture, which accounts for the film's shapelessness.
I think every time Gehry comes into a city and adds his signature, it just makes the people in the city proud of it.
If Sketches of Frank Gehry fails to reconcile these extroverted buildings with their apparently introverted maker, it offers some heartfelt appreciation.
There are also a few critics brought in to provide balance, although Pollack's opinion is clear: Gehry is a genius. Having gazed upon the Guggenheim and the Disney and sat happily on the grass beneath the Spider's web, I think so, too.
In its own relaxed, meandering way it offers valuable insights into how a major artist thinks and works.
Gehry's theory -- the less technical the approach, the more human the end result -- is proven time and again in this diverting portrait of America's most famous living architect.
The parameters of Gehry's genius, as suggested by Pollack, are essentially the same as those captured in generations of cliched artist biopics.
Look at Gehry. Look at the work. Neither he nor we can be sure precisely how so many glorious buildings came into being. That's the beauty of transcendence. Right there in front of Pollack's camera.
Genius is complicated. But it's also simple, and director Sydney Pollack bounces us back and forth between those indisputable truths with intelligence and flair.
How much more persuasive Sketches of Frank Gehry might have been had Pollack differentiated degrees of achievement in Gehry's work.
Even the professional critics who take part have been rendered toothless by Pollack's approach to the subject -- or simply by Karen Schmeer's editing.
Less a documentary than a self-important tribute to a longtime friend.
It's a low-key, intimate conversation between two buddies who, as Pollack -- the Oscar-winning director of Out of Africa -- puts it, are 'trying to find ways of creative expression within industries that make stringent demands.'
Sketches of Frank Gehry respects the essential enigma of its subject even as it illuminates his ways of thinking about form, space and construction.
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