Director Kenneth Branagh has mercifully pared the action down to 88 minutes (the first movie dragged on for 138), but the final act... still seems to go on forever.
Sleuth (2007)
Tomatometer
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Reviews Counted:29
Fresh:10
Rotten:19
Average Rating:5.2/10
Consensus: Sleuth is so obvious and coarse, rather than suspenseful and action-packed, that it does nothing to improve on the original version
Rated: R [See Full Rating] for strong language.
Runtime: 86 mins
Genre: Thriller, Murder, Theatrical Release, Remake
Theatrical Release:Oct 12, 2007 Limited
Box Office: $205,005
Synopsis: In 1972, Laurence Olivier and Michael Caine starred in the screen adaptation of SLEUTH, based on Anthony Shaffer's Tony Award-winning play and directed by Joseph L. Mankiewicz. Olivier played... In 1972, Laurence Olivier and Michael Caine starred in the screen adaptation of SLEUTH, based on Anthony Shaffer's Tony Award-winning play and directed by Joseph L. Mankiewicz. Olivier played Andrew Wyke, a droll old writer whose wife is having an affair with the young, ambitious Milo Tindle, played by Caine. Thirty-five years later, Caine is starring as Wyke in an updated version of SLEUTH, completely rewritten by Nobel Prizewinner Harold Pinter and directed by multiple Oscar nominee Kenneth Branagh. Jude Law, who played the Michael Caine role in the 2004 remake of ALFIE, now takes over as Tindle, a hairdresser-actor who has shown up at Wyke's estate to demand that Wyke divorce his wife so Tindle can marry her. But the extremely successful and wealthy Wyke is not about to give up his wife without a very determined and well-calculated battle of wits. Wyke lives by himself in a home that features dozens of electronic gadgets and odd contraptions, forcing Tindle to always be on the lookout for something strange to happen. The cat-and-mouse game continues as Tindle and Wyke play mind games with each other in a thrilling contest of one-upsmanship that soon involves a gun. Caine is marvelous as Wyke, strutting through his home with the absolute confidence that he will get the best of Tindle, but Law, who is also one of the film's producers, holds up his end of the drama, giving as good as he gets. Branagh keeps a steady hand as director, not allowing the camera to get in the way of the two dueling characters, but Tim Harvey's unusual production design nearly steals the show. [More]
Starring: Michael Caine, Jude Law
Starring: Michael Caine, Jude Law
Director: Kenneth Branagh
Director: Kenneth Branagh
Screenwriter: Harold Pinter
Producer: Jude Law, Simon Halfon, Tom Sternberg, Marion Pilowksy, Kenneth Branagh, Simon Moseley
Composer: Patrick Doyle
Studio: Sony Pictures Classics
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Reviews for Sleuth
Director Kenneth Branagh clearly is having fun navigating Tim Harvey's slick set design, but eventually the characters' deadly competitiveness becomes tedious.
This film wants only to entertain, and other talents have gathered with Pinter to help.
We're left with two suitably hammy performances by Caine and Law, who do not forget they are actors playing actors, and a production design that must have kept the lighting people doing some ingenious plotting of their own.
This would have been a memorable night at the theater. Too bad they filmed it.
Closed-circuit cameras and electronic gadgets are so much in abundance, bathed in the coldest of blue lights, it's as if Branagh chose to film his Sleuth in a Best Buy warehouse.
A grand exercise in watching two marvelous actors rip into some crackling dialogue. It's the thespian equivalent of jousting, and it's fascinating to watch.
Shaffer, who adapted the 1972 version himself, surely would be less than thrilled by the post-modern, minimalist interpretation given to his best-known work, and understandably so.
Sleuth gradually becomes soulless and no fun, and what's the point of that?
In Sleuth what he [Kenneth Branagh] celebrates is perplexing, ominous, insinuating material in the hands of two skilled actors.
Branagh, whose screen career with Shakespeare began on a high note with Henry V and has gone steadily downhill since, does a nice job keeping a stagebound piece relatively cinematic without resorting to the usual opening-up techniques.
If you consider what the exalted quartet of Branagh, Pinter, Caine and Law might have done with the project, and what they did to it, Sleuth has to be the worst prestige movie of the year.
Kenneth Branagh is not a director with a light touch, or an aversion to self-importance, and the movie's visuals are too painfully obvious.
Just when things should be getting exciting and complex, they become repetitive and predictable. Subtext becomes hint becomes statement becomes declaration. For once, Pinter is a little too easy to understand.
Language this lethal has all but disappeared from the movies, and it's an unmitigated pleasure to observe Caine and Law attack it with such ferocity. Sleuth is nasty fun.
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November 23, 2007:
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The Shakespearian thesp tells us about re-adapting the classic play, originally made into a 1972 film with Laurence Olivier and Michael Caine. More...
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