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A Slipping Down Life (2004)
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Reviews Counted:24
Fresh:7
Rotten:17
Average Rating:4.5/10
Consensus: Lili Talyor is the best thing in this uninvolving and unconvincing drama.
Rated: R [See Full Rating] for language including sexual references
Runtime: 1 hr 49 mins
Genre: Dramas
Theatrical Release:May 14, 2004 Limited
Synopsis: Based on the novel by Anne Tyler, "A Slipping Down Life" is the story of the peculiar courtship of an awkward young woman and a charismatic singer/songwriter, and the profound effect that their... Based on the novel by Anne Tyler, "A Slipping Down Life" is the story of the peculiar courtship of an awkward young woman and a charismatic singer/songwriter, and the profound effect that their unlikely relationship has on each other's lives and futures. Evie Decker (Lili Taylor) is a painfully timid young woman whose monotonous life consists of living with her reclusive widower father (Tom Bower) and working a dead-end job dressed in a rabbit costume at a rundown amusement park. Evie's quiet existence is shattered when she hears a late-night radio interview with struggling musician Drumstrings Casey (Guy Pearce). Evie is fascinated with his seductive voice and sultry lyrics and convinces her best friend Violet (Sara Rue) to go with her to the local roadhouse to see him perform. Seeing him in person, Evie becomes even more mesmerized by the handsome and brooding musicians. During one of Drum's shows, Evie's growing infatuation blends with obsession when she becomes so entranced by his singing that she actually cuts his name into her forehead with a piece of glass. Instead of regretting her action, she considers this her first step towards taking more control of her life. The stunt brings her to Drum's attention and he and his manager David Elliot (John Hawkes) decide to use her as a marketing gimmick at future shows. Evie's total faith in Drum's talent inspires and intrigues him while her role as his "muse" imparts Evie with uncharacteristic self-assurance. The physical attraction between Evie and Drum increases as their emotional need for one another becomes more and more apparent. The inspiration they find together to break out from the confines of low expectations and the ordinariness of small town life begins to conflict with the pursuit of their individual dreams. Together or apart they must decide which path will lead to the fulfillment of their newfound strength. [More]
Starring: Guy Pearce, Lili Taylor, Sara Rue, John Hawkes
Starring: Guy Pearce, Lili Taylor, Sara Rue, John Hawkes, Tom Bower
Director: Toni Kalem
Director: Toni Kalem
Screenwriter: Toni Kalem
Producer: Richard Raddon
Composer: Peter Himmelman
Studio: Lions Gate Films
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Reviews for A Slipping Down Life
It's interesting, not fascinating, intriguing, not electrifying. But for those in the mood for an offbeat pleasure, A Slipping Down Life may well satisfy.
What at first seems like observed, exaggerated truth soon reveals itself as a series of writerly conceits being followed doggedly to some logical conclusion.
It's too common to complain that a book is better than the movie. But in A Slipping-Down Life, the score trumps what's on screen as well.
The movie is not a great dramatic statement, but you know that from the modesty of the title. It is about movement in emotional waters that had long been still.
The director deserves admiration for sticking to her guns, but here's a heretical notion: Maybe the producer's cut would have been a better movie.
A Slipping Down Life would disintegrate in a cloud of cutesy, melancholic whimsy if it weren't for the talent of its two leads.
This is one of those rare dramas that drops us into the heart of the Dairy Queen/Bible Belt without seeming in the least patronizing or superior.
While the movie is content to be merely atmospheric, the performances convince you that here are two misfits who might be a perfect fit.
Offers some egalitarian posturing, but squanders its message by placing capable actresses like Taylor and Hall into age-old, subservient roles.
Too precious, too self-conscious and far too enamored with itself to ever have any kind of genuine emotional truth.
Just another tiny movie about tiny people that is destined to find a very tiny audience.
The movie's fairly standard plotting comes as a disappointment, because the story -- drawn from an Anne Tyler novel -- has a dark sense of humor and plenty of Southern Gothic charm.
[W]hat comes across on the printed page as eccentric and heartbreaking seems forced and self-consciously artsy on the screen.
A sluggish, tedious film about lost souls living dead-end lives in a dead-end town.
The disorderly film merely chases its tail for the second half, going nowhere fast.
| Tomatometer Percentage | Movie |
|---|---|
| 78% 78% | The Hangover |
| 88% 88% | Inglourious Basterds |
| 66% 66% | Public Enemies |
| 24% 24% | G-Force |
| 44% 44% | Night at the Museum: B… |
| Tomatometer Percentage | Movie |
|---|---|
| 90% 90% | District 9 |
| 86% 86% | 500 Days of Summer |
| 63% 63% | Extract |
| 06% 06% | All About Steve |
| 78% 78% | It Might Get Loud |
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