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The Son of the Bride (2002)
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Reviews Counted:18
Fresh:13
Rotten:5
Average Rating:6.8/10
Consensus: A film about one man's mid-life crisis, The Son of the Bride is both touching and funny.
Theatrical Release:Mar 22, 2002 Limited
Synopsis: At age 42, Rafael Belvedere (Ricardo Darín) is having a crisis. He's overwhelmed by his numerous responsibilities and just isn't having any fun. He has spent most of his life frantically trying to... At age 42, Rafael Belvedere (Ricardo Darín) is having a crisis. He's overwhelmed by his numerous responsibilities and just isn't having any fun. He has spent most of his life frantically trying to run the restaurant his father, Nino (Héctor Alterio) founded. He has achieved success, but nevertheless, continues to live in the old man's shadow. He rarely visits his aging mother, Nora (Norma Aleandro), who is slowly losing her memory, because he resents her inability to appreciate his accomplishments. His ex-wife is bitter towards him because he never takes the time to play a role in their daughter's life. And finally, Rafael is too self-involved to make a commitment to his beautiful girlfriend, Nati (Natalia Verbeke). Just when Rafael feels the most alone and unable to reach out to anyone, a series of unexpected events lead him to reevaluate his life. A minor heart attack forces him to slow down, and a reunion with Juan Carlos (Eduardo Blanco), a childhood friend who tries to keep a positive attitude in the wake of a personal tragedy in his own life, helps Rafael to reconstruct his past and look at the present in new ways. Most importantly, when his father makes the decision to fulfill his mother's dream of getting married in a church, it gives Rafael a task to focus on, stirring him to action, and bringing the family together to create a new memory they can share. -- © 2002 Sony Pictures Classics [More]
Starring: Ricardo Darin, Héctor Alterio, Norma Aleandro, Natalia Verbeke
Starring: Ricardo Darin, Héctor Alterio, Norma Aleandro, Natalia Verbeke, Eduardo Blanco, Gimena Nobile, David Masajnik, Claudia Fontan, Atilio Pozzobon, Salo Pasik
Director: Juan Jose Campanella
Director: Juan Jose Campanella
Screenwriter: Fernando Castets
Producer: Adrian Suar, Fernando Blanco, Pablo Bossi, Jorge Estrada Mora, Gerardo Herrero, Mariela Besuievdsky
Composer: Angel Ilaramendi
Studio: Sony Pictures Classics
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Reviews for The Son of the Bride
It's fresh, funny, biting, fast-paced and reasonably perceptive about people and their problems.
It would seem that wherever there are middle-class, midlife crises to be suffered, there are movies to be made about those crises, and they somehow all manage to transcend their local trappings in favour of a kind of borderless emotional banality.
What starts off as a possible Argentine American Beauty reeks like a room stacked with pungent flowers.
Like any good romance, Son of the Bride, proves it's never too late to learn.
Son of the Bride manages to be affectionate without drawing too deeply from a well of sugar and schmaltz.
Jose Campanella delivers a loosely autobiographical story brushed with sentimentality but brimming with gentle humor, bittersweet pathos, and lyric moments that linger like snapshots of memory.
This is a sweet film, one not without a certain emotional intelligence and fleeting bursts of wit and humor.
An entertaining quasi-critique of modern manners whose comedy arises out of its gravity -- and a winning performance by Ricardo Darin.
Although a film of constant talk and little action, Son of the Bride maintains a brisk, buoyant pace and keeps us involved throughout its two-hour running time.
It goes on for too long and bogs down in a surfeit of characters and unnecessary subplots.
While it's not as fantastical as Amelie or as brutish as No Man's Land, it has something that neither of those movies have: a sort of measured everyday realism.
The pivotal narrative point is so ripe the film can't help but go soft and stinky.
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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