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Son of the Mask (2005)
Tomatometer
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Reviews Counted: 92
Fresh: 5
Rotten:87
Average Rating: 2.7/10
Consensus: Overly frantic, painfully unfunny, and sorely missing the presence of Jim Carrey.
Runtime: 86 mins
Genre: Comedies
Theatrical Release: Feb 18, 2005 Wide
Box Office: $16,967,576
Synopsis: Billed as the sequel to the hit 1994 film THE MASK--which featured an unforgettably cartoonish performance by Jim Carrey--Larry Guterman's SON OF THE MASK is another energetic movie that blends special effects, action, and comedy to... Billed as the sequel to the hit 1994 film THE MASK--which featured an unforgettably cartoonish performance by Jim Carrey--Larry Guterman's SON OF THE MASK is another energetic movie that blends special effects, action, and comedy to create an admirable entry to the genre. This time around, the star of the film is Jamie Kennedy (MALIBU'S MOST WANTED), who plays Tim Avery, a young husband with a fear of fatherhood. Unfortunately, he is about to become just that, alongside his excited wife Tonya (Traylor Howard). What makes an already bad situation worse is Tim's eventual realization that his son was conceived under the powers of the eternal Mask of Loki, which has turned his son into an uncontrollable monster. Then there's the arrival of the actual Loki (Alan Cumming), an evil figure who has come to reclaim his mask and win the approval of his overly critical father, Odin (Bob Hoskins). As Tim battles against Loki and tries to return his son to normalcy, he learns what being a good father is all about. Featuring stellar special effects, standout performances (most notably by Kennedy and Cumming), and lewd gags, SON OF THE MASK is ultimately a celebration of fatherhood--albeit in a very supernatural way. [More]
Starring: Alan Cumming, Jamie Kennedy, Bob Hoskins, Traylor Howard
Starring: Alan Cumming, Jamie Kennedy, Bob Hoskins, Traylor Howard, Ryan Falconer, Ben Stein, Steven Wright
Director: Larry Guterman
Director: Larry Guterman
Screenwriter: Lance Khazei
Producer: Scott Kroopf, Erica Huggins
Composer: Randy Edelman
Studio: New Line Cinema
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Reviews for Son of the Mask
If nothing else, Son Of The Mask's bad seed baby serves up an all natural commercial for mental birth control.
Whatever possessed director Lawrence Guterman and writer Lance Khazei to transform the sequel to 1994's libidinous hit comedy into pabulum?
The movie strives for a positive message about growing up and embracing the joys of fatherhood, but when the baby's this ugly, you're left wishing the filmmakers had practiced a little cinematic celibacy.
A transparently minimal effort in which many jokes and pivotal plot points are grossly inappropriate for children.
No doubt extensive market research shows that there's an audience out there for movies like Son Of The Mask, but it's too depressing to speculate who that might be.
There’s no story to speak of, just a string of scenarios usually resulting in everything in sight getting smashed.
Thanks to its garish production design and uniformly unpalatable cast, Son of the Mask is the ugliest kids' film since The Cat in the Hat.
How far down the Hollywood food chain do you have to go before you get stuck with Jamie Kennedy as the star of your movie? Did Ben Affleck turn down Son of the Mask?
Cumming is well-suited to this kind of material, but Kennedy, while decent as a henpecked husband, is unbelievably awful when he dons the green face-paint.
A parade of creepy animated baby effects or almost equally disturbing CGI dog effects, all of which smack more of manic desperation than even passing inspiration.
While the bright colors and occasional chuckles might amuse the younger set, this film will seem tediously long to the adult audiences who may even be outraged at the way they've blatantly and badly ripped off the Tex Avery style and plots.
In the five years I’ve been co-hosting this show, this is the closest I’ve ever come to walking out halfway through the film, and now that I look back on the experience, I wish I had.
Instead of Jim Carrey's clowning being the film's raison d'etre, it is the sub-par mayhem of Jamie Kennedy and a computer-animated dog and baby.
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