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Stander

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Stander (2004)

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Reviews Counted:16

Fresh:12

Rotten:4

Average Rating:6.5/10

Consensus: An unsatisfying account of Stander's life.

Rated: R [See Full Rating] for violence, language, some sexuality and nudity

Runtime: 1 hr 56 mins

Genre: Action/Adventure

Theatrical Release:Aug 6, 2004 Limited

Synopsis: STANDER is the gripping true story of the life of Andre Stander, the youngest Captain in the Johannesburg Police Force and South Africa’s most notorious bank robber. Portrayed by Tom Jane (The... STANDER is the gripping true story of the life of Andre Stander, the youngest Captain in the Johannesburg Police Force and South Africa’s most notorious bank robber. Portrayed by Tom Jane (The Punisher, 61*) in a mercurial, star-turn performance, Andre Stander is a young, white policeman enjoying the comforts of middle-class married life in late-1970s South Africa, a country riven by Apartheid. Deeply affected by the indiscriminate killing he witnesses and takes part in during Riot Patrol, Stander wordlessly makes a decision to defy the very system he has spent a lifetime enforcing. Stander’s form of civil disobedience, however, takes an unusual form: a series of audacious, high-flying bank robberies, with the young police officer oftentimes returning to the scene of the crime as the lead investigating officer. Finally apprehended by his colleagues, Stander is jailed and subsequently befriends outlaws Allan Heyl and Lee McCall. Following a daring prison break, the “Stander Gang” commits dozens of bank robberies across the country, heists that grow increasingly bolder over time. In the eyes of the public, the Stander Gang’s nose-thumbing disrespect for authority makes them into near-legendary folk heroes, modern-day equivalents of Bonnie & Clyde. To the South African government, however, the former police officer is a cause of embarrassment, and the Stander Gang are the most wanted men in the country. Equal parts heist movie, love story, and historically accurate indictment of a corrupt political institution (on the tenth anniversary of Apartheid’s end), STANDER is the most riveting, uncanny biopic in recent memory. Filmed entirely on location in South Africa, STANDER is directed by Bronwen Hughes (Forces of Nature, Harriet The Spy), and co-stars Dexter Fletcher (Lock, Stock and Two Smoking Barrels), David Patrick O’Hara (Braveheart, The Devil’s Own), and Deborah Kara Unger (Crash, The Hurricane, The Game) as Andre Stander’s wife. -- © Newmarket Films [More]

Starring: Thomas Jane, Dexter Fletcher, Deborah Kara Unger, Marius Weyers

Starring: Thomas Jane, Dexter Fletcher, Deborah Kara Unger, Marius Weyers, Ashleigh Taylor

Director: Bronwen Hughes

Director: Bronwen Hughes
Screenwriter: Ken Friedman, Bronwen Hughes
Producer: Julia Verdin, Marty Katz
Studio: Newmarket Films

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Release:

Dec 21, 2004

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Reviews for Stander

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Full Review Source: Variety | comment Comment
01/02/09
Robert Koehler
Robert Koehler
Variety
Top Critic Icon Top Critic

Pumped by a soundtrack of period South African funk and dance music, propelled by whiplash montage sequences and rubber-burning Burt Reynolds-issue getaways, Stander is the very definition of good, old-fashioned outlawry.

Full Review Source: Toronto Star | comment Comment
12/03/04
Geoff Pevere
Geoff Pevere
Toronto Star
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Stander refuses to take a stand on its own subject matter.

Full Review Source: Globe and Mail | comment Comment
12/03/04
Rick Groen
Rick Groen
Globe and Mail
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Has you in its grip from the beginning.

Full Review Source: San Francisco Chronicle | comment Comment
08/20/04
Ruthe Stein
Ruthe Stein
San Francisco Chronicle
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Worth a look, thanks mostly to Mr. Jane's troubled swagger and Ms. Hughes' sharp eye.

Full Review Source: Dallas Morning News | comment Comment
08/19/04
Chris Vognar
Chris Vognar
Dallas Morning News
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Adds up to what is less a movie than an entertainingly episodic rap sheet.

Full Review Source: San Jose Mercury News | comment Comment
08/19/04
Bruce Newman
Bruce Newman
San Jose Mercury News
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Stander attempts to pass itself off as a fast-paced caper picture doubling as a socially conscious apartheid drama but ends up equally unconvincing in both departments.

Full Review Source: Hollywood Reporter | comment Comment
08/13/04
Michael Rechtshaffen
Michael Rechtshaffen
Hollywood Reporter
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[I]t is very smart about bank robberies.

Full Review Source: Ebert & Roeper | comment Comment
08/12/04
Richard Roeper
Richard Roeper
Ebert & Roeper
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It is less a character study than an action pageant, cycling through the exploits of its anti-hero with an emphasis on flash and adrenaline.

Full Review Source: Newark Star-Ledger | comment Comment
08/06/04
Lisa Rose
Lisa Rose
Newark Star-Ledger
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Maryland native Thomas Jane affects a very convincing South African accent for the title role in this compelling,exploitative true-life drama about a Johannesburg police captain turned bank robber.

Full Review Source: New York Daily News | comment Comment
08/06/04
Jack Mathews
Jack Mathews
New York Daily News
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A second-rate action picture that's content to use apartheid as a colorful background.

Full Review Source: New York Post | comment Comment
08/06/04
Lou Lumenick
Lou Lumenick
New York Post
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An exciting, hard-driving, fast-moving gangster picture and a sharp commentary on apartheid.

Full Review Source: Los Angeles Times | comment Comment
08/05/04
Kevin Thomas
Kevin Thomas
Los Angeles Times
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This true story is an unsettling character study of a man self-destructively addicted to flouting authority.

Full Review Source: New York Times | comment Comment
08/05/04
Stephen Holden
Stephen Holden
New York Times
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It's Jane, breaking out of pretty-boy roles in vacuous movies, who provides Stander its vortex of violent conflict and makes the film both kinetic and socially resonant.

Full Review Source: Newsday | comment Comment
08/05/04
John Anderson
John Anderson
Newsday
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Directed by Bronwen Hughes ... with striking verve, Stander efficiently conveys the anarchic ironies of the situation.

Full Review Source: Entertainment Weekly | comment Comment
08/05/04
Lisa Schwarzbaum
Lisa Schwarzbaum
Entertainment Weekly
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Hughes abandons the wealth-redistribution theme, morphing the movie into a mere buddy flick about amoral fugitives on the road.

Full Review Source: Village Voice | comment Comment
08/03/04
Laura Sinagra
Laura Sinagra
Village Voice
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