ut when all is finally revealed it’s gesture—especially the hands—that lifts this film into the ranks of extraordinary and ... bears repeated viewings to savour the subtlety and intimate sense of self.
Starting Out in the Evening (2007)
Tomatometer
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Reviews Counted:96
Fresh:83
Rotten:13
Average Rating:7.3/10
Consensus: Starting Out in the Evening features sharp dialogue and moving performances from the talented Frank Langella and Lili Taylor.
Rated: PG-13 [See Full Rating] for sexual content, language and brief nudity.
Runtime: 1 hr 51 mins
Genre: Dramas
Theatrical Release:Nov 23, 2007 Limited
Box Office: $568,917
Synopsis: Though he's spent most of his career as a character actor in supporting roles, Frank Langella gives the lead performance of a lifetime in STARTING OUT IN THE EVENING, based on the novel by Brian... Though he's spent most of his career as a character actor in supporting roles, Frank Langella gives the lead performance of a lifetime in STARTING OUT IN THE EVENING, based on the novel by Brian Morton. Flanked by Lili Taylor and Lauren Ambrose, Langella is the central piece in a film that focuses on its characters. The film begins with aging writer Leonard Schiller (Langella, SUPERMAN RETURNS), a man who feels as obsolete as the typewriter he is pounding away at. Though he has four novels to his credit, he has been working on his fifth for a decade. Enter Heather Wolfe (Ambrose, SIX FEET UNDER), a grad student who plans to write her thesis on Schiller's work. She cajoles the reluctant man into helping her, and they begin a curious friendship. Meanwhile, Schiller's daughter Ariel (Taylor, SIX FEET UNDER) struggles not only with her elderly father, but also with her own desire to have children as she approaches 40. She also grapples with the decision of reconnecting with an ex-boyfriend (Adrian Lester, HUSTLE). As the fading writer Schiller, Langella doesn't give a bold performance that screams for Oscar's attention. Instead, the actor commands the screen with a quiet presence. Heather's attempts at friendship with Schiller--and eventual seduction--may feel awkward at times within the film, but Ambrose's performance is quite genuine. As always, Taylor is impressive, and it's good to see her get a heftier role. The film's other central character is New York's Upper West Side, a player that should receive top billing. Director Andrew Wagner (THE TALENT GIVEN US) allows the neighborhood to play a central role within his engaging film. [More]
Starring: Frank Langella, Lili Taylor, Lauren Ambrose, Adrian Lester
Starring: Frank Langella, Lili Taylor, Lauren Ambrose, Adrian Lester, Jessica Hecht
Director: Andrew Wagner
Director: Andrew Wagner
Screenwriter: Andrew Wagner, Fred Parnes
Producer: Gary Winick, Jake Abraham, Fred Parnes, Andrew Wagner
Composer: Adam Gorgoni
Producer: Nancy Israel
Studio: Roadside Attractions
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Reviews for Starting Out in the Evening
Starting Out in the Evening has a formidable performance by Frank Langella to recommend it.
A bravura performance from Frank Langella blended into a lackluster story.
Awkward and sometimes overly subtle, but compelling performances by a cast of normally supporting actors who make the most of their much deserved chance to carry a film.
Wagner has turned the page on a promising career, and it will be exciting to see what the next chapter brings.
Starting Out in the Evening is thrilling in a way that a movie larded with car chases and explosions can seldom be, because of the way it deals with that basic building block of civilization, the creative process.
Criminally overlooked, this is a great movie, about which I could find no complaint or overt flaw except feeling that Taylor (whom I do love) was mostly a distraction. See it if you can.
Langella's nuanced performance saves the film; the actor has an understated but powerful role, and he takes full advantage.
Wagner's film is an elegy of sorts for that once-mighty beast known as the New York Writer, a creature that now finds itself increasingly marginalized in a world in which readers are getting scarcer and shelf space for serious fiction is dwindling daily.
By and large, Starting Out in the Evening is smart and considered and grown-up and credibly human filmmaking.
Just may be the best film of 2007 that you've probably never heard of.
Starting Out in the Evening is just a movie about a dignified old white man who writes novels, slowly, on a typewriter. Clever concept.
What to do with this light, while it lasts? [Director] Wagner's problem is to find an answer to that question and also to offer some resolution to the conflicts of honesty and compromise the movie portrays.
A strong cast and a literate script make for a refreshingly subtle film.
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