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The Statement

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The Statement (2003)

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Reviews Counted:31

Fresh:6

Rotten:25

Average Rating:4.6/10

Consensus: The movie bores despite a splendid performance by Michael Caine.

Rated: Not Rated

Runtime: 2 hrs

Genre: Dramas

Theatrical Release:Dec 12, 2003 Limited

Box Office: $537,875

Synopsis: Dombey, France, 1944 – In line with Nazi commands, PIERRE BROSSARD (Michael Caine), a young officer in the Vichy Milice, gives the order for the execution of 7 Jews. France, Present Day – DAVID... Dombey, France, 1944 – In line with Nazi commands, PIERRE BROSSARD (Michael Caine), a young officer in the Vichy Milice, gives the order for the execution of 7 Jews. France, Present Day – DAVID MANDELBAUM (Matt Craven), 42, has been hired to kill a man he can identify only through an old photograph to be PIERRE BROSSARD. He is to leave a statement on the body citing this act as justice for the Jews of Dombey. He waits at a bar in the cote d'Azur, knowing that BROSSARD is due to arrive to pick-up a letter. Recognizing BROSSARD, he follows him out of the bar and then by car into the deserted hillside. When DAVID attempts to ambush him on the road to the Abbey de St Cros, the wily and quick BROSSARD manages to turn the tables and instead kills DAVID, disposing of the body by rolling the car over a cliff into a ravine. Shaken by the encounter, BROSSARD realizes that he must find new shelter immediately. Aside from being protected by elements within the church, Brossard has also been helped by a group of former Vichy colleagues. He turns to his Vichy contact, COMMISSAIRE VIONNET (Frank Finlay), for guidance. Meanwhile, in the Palais de Justice in Paris, JUDGE ANNE MARIE LIVI (Tilda Swinton) opens her investigation of BROSSARD who has now been charged with crimes against humanity. ANNE MARIE explains to COLONEL ROUX (Jeremy Northam), whom she has enlisted to assist her, that they must be wary of everyone until they discover who has been sheltering BROSSARD for all these years. She also adds that she is determined to expose the church as an accomplice for providing BROSSARD with a safe haven. Unbeknownst to ANNE MARIE, DAVID's failure means that another hit man – MICHAEL LEAVY (Noam Jenkins) – has been placed on BROSSARD's trail. MICHAEL's sole contact with his employers is through a man named POCHON (Ciaran Hinds) who gives him instructions. Through various intercepts, ANNE MARIE and ROUX advance their investigation to the point where they now believe that BROSSARD has been hidden by a secret group within the church called the Chevaliers and that a vigilante Jewish organization is trying to assassinate BROSSARD. ANNE MARIE's diligence catches the attention of high government officials and she is called in to see MINISTER BERTIER (Alan Bates), an old family friend who nevertheless warns her against pursuing this matter. He threatens her with dire consequences. But ANNE MARIE LIVI is not so easily deterred. ROUX visits BROSSARD's confessor and champion CARDINAL LE MOYNE (William Hutt) to whom just hours previously BROSSARD admitted his culpability in DAVID's death. ROUX is unable to extract information from LE MOYNE because LE MOYNE defends BROSSARD as a man who once erred but has since become a repentant Christian. As DAVID's body is discovered in the ravine near St Cros, ROUX heads to the region to gather evidence from the local police. ANNE MARIE, frustrated by the lack of answers, is determined to go public with BROSSARD's photograph – convinced that the press coverage will force him out into the open. In one sense she proves to be correct as BROSSARD is turned away from some religious houses that are worried both about the newspapers and the new directive from the Cardinal de Lyon forbidding anyone to help BROSSARD. In another sense, however, this exposure drives BROSSARD into deeper hiding. BROSSARD goes to the one place he knows no one will find him: the apartment of his estranged wife, NICOLE (Charlotte Rampling). Less than thrilled to see him, NICOLE only allows him to stay when he threatens to harm her beloved dog. The investigation by ANNE MARIE and ROUX as well as the instructions given to MICHAEL point them all in the direction of an Abbey where, indeed, BROSSARD is hiding. At the crack of dawn, with MICHAEL waiting in a nearby car, ROUX and ANNE MARIE arrive with soldiers and a search warrant. Unluckily for them all, BROSSARD, with instincts sharpened from years of hiding, evades them at the last moment. In his haste, he abandons many of his personal effects and these serve as valuable clues for ROUX and ANNE MARIE. BROSSARD hurries to the Bar Mathieu where he expects his usual stipend to arrive by post. At the bar, MICHAEL waits in the toilet, hoping to kill BROSSARD. BROSSARD again is too suspicious and too quick, shooting MICHAEL before he can draw his gun. He escapes before MICHAEL's body is found and the police are involved. Hunted from all sides, BROSSARD moves again – this time to the Priory of St Donat. In BROSSARD's possessions ROUX and ANNE MARIE discover a list of Abbeys with dates alongside. They also find an old photograph from 1944 showing BROSSARD and another young man. Could this young man be the octogenarian for whom POCHON works? Back in Paris, we see POCHON being scolded by an elderly gentleman who now commands that POCHON himself get rid of BROSSARD. BROSSARD contacts his Vichy contact, the COMMISSAIRE, and learns that their mutual friend POCHON will meet him with a passport and everything needed to start a new life. Meanwhile, ROUX and ANNE MARIE plan another ambush – on the Priory of St Donat. Again, they are foiled by members of the church who help BROSSARD escape before they can search the Priory. They learn of the COMMISSAIRE's connection to BROSSARD and send the police to arrest him. Under interrogation the COMMISSAIRE provides details for the rendezvous between POCHON and BROSSARD. ROUX and ANNE MARIE rush to the meeting place but are too late. POCHON has already executed BROSSARD, pinning the Statement to his chest. It is, however, BROSSARD's death that allows ANNE MARIE to apprehend POCHON and through him, uncover the deeper conspiracy. -- © Sony Pictures Classics [More]

Starring: Michael Caine, Tilda Swinton, Jeremy Northam, Charlotte Rampling

Starring: Michael Caine, Tilda Swinton, Jeremy Northam, Charlotte Rampling, Alan Bates, Matt Craven, Frank Finlay, Ciaran Hinds, Noam Jenkins, David De Keyser, John Neville

Director: Norman Jewison

Director: Norman Jewison
Screenwriter: Ronald Harwood
Producer: Robert Lantos, Norman Jewison
Composer: Normand Corbeil
Studio: Sony Pictures Classics

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Release:

Apr 27, 2004

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Reviews for The Statement

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1 - 20 (sorted by date)
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N/R

Click to read the article

Full Review Source: New York Magazine | comment Comment
08/07/04
Peter Rainer
Peter Rainer
New York Magazine
Top Critic Icon Top Critic

Caine bounces back and forth almost randomly between pitiable and detestable, following the dictates of a formulaic plot.

Full Review Source: Detroit Free Press | comment Comment
03/26/04
Terry Lawson
Terry Lawson
Detroit Free Press
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N/R

Click to read the article

Full Review Source: Arizona Republic | comment Comment
03/21/04
Arizona Republic
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Partly because of Caine and partly because of meticulous work by veteran director Norman Jewison, The Statement is a fiction done so effectively, it rings true -- even slick lines that may otherwise be rancid.

Full Review Source: Philadelphia Inquirer | comment Comment
02/19/04
Howard Shapiro
Howard Shapiro
Philadelphia Inquirer
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An inert sociopolitical thriller mired in moralizing.

Full Review Source: Houston Chronicle | comment Comment
02/06/04
Bruce Westbrook
Bruce Westbrook
Houston Chronicle
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Cut-and-dried morality play, with the saints played by Brit actors who can't even be bothered to speak with French accents.

Full Review Source: Washington Post | comment Comment
01/30/04
Michael O'Sullivan
Michael O'Sullivan
Washington Post
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One more case study in how loads of taste, talent and accumulated filmmaking wisdom don't guarantee success.

Full Review Source: Washington Post | comment Comment
01/30/04
Ann Hornaday
Ann Hornaday
Washington Post
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A high-minded but structurally shaky thriller.

Full Review Source: Dallas Morning News | comment Comment
01/29/04
Gary Dowell
Gary Dowell
Dallas Morning News
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Although the story is based on fact, the movie never convinced me of its truth.

comment Comment
01/17/04
Roger Ebert
Roger Ebert
Chicago Sun-Times
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Somewhere in this disappointing political thriller was a superb character study trying to get out.

Full Review Source: San Francisco Chronicle | comment Comment
01/16/04
Mick LaSalle
Mick LaSalle
San Francisco Chronicle
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[A] tasteless hunt-the-war-criminal thriller.

Full Review Source: Boston Globe | comment Comment
01/16/04
Wesley Morris
Wesley Morris
Boston Globe
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There is nothing particularly clever or twisty about it as a thriller.

Full Review Source: San Jose Mercury News | comment Comment
01/15/04
Bruce Newman
Bruce Newman
San Jose Mercury News
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Raises such important issues -- guilt, conscience, the memory of the Holocaust -- that, along with Jewison's skill and Caine's power, they carry the movie.

Full Review Source: Chicago Tribune | comment Comment
01/15/04
Michael Wilmington
Michael Wilmington
Chicago Tribune
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In the first ten or fifteen I thought, this is going to be like Hitchcockian thriller. I can't wait to see where this is going to go. But, then it just went all over the place.

Full Review Source: Ebert & Roeper | comment Comment
01/12/04
Richard Roeper
Richard Roeper
Ebert & Roeper
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Caine's performance makes it a striking portrait of a man of faith's profound hypocrisy.

Full Review Source: Denver Post | comment Comment
01/11/04
Lisa Kennedy
Lisa Kennedy
Denver Post
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Director Norman Jewison dodges the issues in the script by Ronald Harwood to focus on cat-and-mouse chases that kill interest.

Full Review Source: Rolling Stone | comment Comment
01/09/04
Peter Travers
Peter Travers
Rolling Stone
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Passable but not potent, The Statement winds up with surprisingly little to say.

Full Review Source: Denver Rocky Mountain News | comment Comment
01/09/04
Robert Denerstein
Robert Denerstein
Denver Rocky Mountain News
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Material that might have made for an intriguing morality play is rendered as a by-the-numbers and fatally overlong pursuit thriller.

Full Review Source: Variety | comment Comment
12/23/03
Scott Foundas
Scott Foundas
Variety
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Michael Caine is brilliant as a French Nazi collaborator hidden by the Catholic Church. Too bad Norman Jewison's film is a stiff, limping bore.

Full Review Source: Salon.com | comment Comment
12/13/03
Charles Taylor
Charles Taylor
Salon.com
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The Statement never generates any sustained sense of outrage or urgency.

Full Review Source: Toronto Star | comment Comment
12/12/03
Geoff Pevere
Geoff Pevere
Toronto Star
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