The moves can be remarkable, though ritually repetitive -- male chorus lines of adrenalized automata acting out anger, menace, pride, audacity or joy.
Stomp The Yard (2007)
Tomatometer
How does the Tomatometer work ![]()
Reviews Counted:26
Fresh:8
Rotten:18
Average Rating:4.7/10
Consensus: While Stomp the Yard contains impressive musical and dance numbers, it loses its momentum during the intervening soap opera-style subplots.
Rated: PG-13 [See Full Rating] for a scene of violence, some sexual material and language
Runtime: 1 hr 56 mins
Genre: Dramas
Theatrical Release:Jan 12, 2007 Wide
Box Office: $61,356,221
Synopsis: When DJ (Columbus Short), a troubled youth from Los Angeles, moves to Atlanta to attend Truth University, he discovers "stepping," the age-old style of dance traditionally done in African-American... When DJ (Columbus Short), a troubled youth from Los Angeles, moves to Atlanta to attend Truth University, he discovers "stepping," the age-old style of dance traditionally done in African-American Fraternities, where teams demonstrate complex moves and create rhythmic sounds by using their bodies. DJ's raw talent and hip-hop inspired moves quickly place him at the center of a fierce rivalry between two fraternities, the winner of which will be determined in front of a sold-out arena at the annual stepping championships. But before he can help his teammates, he must battle his own demons and learn the true meaning of brotherhood. A compelling drama about the quest for individuality and the power of fraternity, Stomp the Yard features some of the most original and exhilarating dance performances ever filmed. Starring Columbus Short (Save the Last Dance 2, Accepted) and Meagan Good (Waist Deep, Roll Bounce), Stomp the Yard is directed by award-winning music video and commercial director Sylvain White (I'll Always Know What You Did Last Summer), who brings his innovative visual style and explosive energy to the production. When an urban dance battle ends in violence, champion street dancer DJ Williams (Columbus Short) travels from the underground clubs of inner city Los Angeles to the moneyed precincts of Atlanta's prestigious, historically black Truth University. Although his athleticism and ambition have made him a top competitor in the gritty world of street dancing, DJ feels out of place at Truth, with its elite fraternities and expectations of professional success. It is in this alien environment that DJ discovers the world of stepping. An African-American tradition that has evolved from the centuries-old African Boot Dance, it combines precise dance steps with chants and percussive hand and foot movements. At Truth, it also plays a pivotal role in the longstanding rivalry between two campus fraternities. When DJ shows off his dance skills at a local club, he attracts the attention of Truth's top fraternities and campus beauty April (Meagan Good), setting off a vicious feud with April's boyfriend Grant (Darrin Henson) - who also happens to be a star stepper for Mu Gamma Xi. After DJ decides to join rival Theta Nu Theta, his bold street style revitalizes the decades long competition between the frats and challenges the stepping supremacy of Mu Gamma. But his arrogance and self-centeredness quickly put DJ at odds with his new fraternity brothers. With Grant plotting to have him expelled just before the most important competition of the year, DJ must put aside his pride and learn the true meaning of fraternity. In a breathtaking finale, the two teams square off in an epic, freestyle battle that propels stepping to a thrilling new level. --copy; Screen Gems [More]
Starring: Columbus Short, Meagan Good, Laz Alonso, Harry J. Lennix
Starring: Columbus Short, Meagan Good, Laz Alonso, Harry J. Lennix, Jermaine Williams, Brian J. White, Ne-Yo, Michael Ngaujah
Director: Sylvain White
Director: Sylvain White
Screenwriter: Robert Adetuyi, Gregory Anderson
Producer: William Packer, Porter Verselft III
Studio: Screen Gems
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Release:
May 15, 2007
Reviews for Stomp The Yard
Stomp the Yard is a strange and at times strangely compelling mix of black fraternity recruitment video and inspirational tale about a hip-hop boy in a stepping world.
Perhaps director Sylvain White hoped that this laughably melodramatic film might find its way into the pantheon of urban dance films. But seen against such films as Rize and You Got Served, it's a step in the wrong direction.
The film introduces too many elements, doubles back on itself, repeats and repeats the same information, starts and stops, includes needless tangential riffs, finds artificial means to stretch the running length and is in every way a flabby mess.
The cast adds little. Columbus Short, a dancer-turned-actor, can move well, but he mugs too much for the camera when he's supposed to be having fun, and barely holds the screen when he's not.
The movie starts with furious team dance-offs, but these aren't as interesting as they should be. Camera trickery keeps slowing down or speeding up everyone's movements, which destroys the amazement factor raised by the documentary Rize.
What we get is scene after scene of exhilarating routines, all leading up to the big finale. And with two furiously intense teams ready to dance each other off the stage, it's an absolute winner.
The performance sequences are explosively exciting, and Short's acting is almost as accomplished as his acrobatic dance routines.
The plot is stale though some of the moves are fresh in Stomp the Yard, a Flashdance-like fable about a kid from the wrong side of the tracks who brings his street-wise gangster style to the world of competitive fraternity step dancing.
Stomp the Yard panders to every cheap expectation. Actually, director Sylvain White goes a bit cheaper than his immediate predecessors, drawing out the low booty shots for giggle and jiggle effect.
Are the dancers at least amazing? It's hard to say because novice director Sylvain White never gives us a decent look at them. It's hard to see much when shots are delivered like lightning flashes.
The film's makers get just how rich, even ecstatic, these subcultures of movement can be. It's aggravating then, to see how easily they trip up that vitality with uninspired storytelling.
A nod must be given to choreographer Dave Scott, who skillfully blends the dance styles into an explosive whole. Seeing Stomp the Yard for these bits alone is well worth it.
[Columbus] Short, another pop choreographer, sounds like Vin Diesel, but he moves like a bee. When he dances, he makes sure every girl in the theater goes home stung.
Director Sylvain White goes by the book, except in the early scenes where he gives new meaning to the concept of a shaky camera. Initially, the camera work is so frenetic as to be off-putting and dizzying.
There's athleticism and frenetic artistry here, but the film's attempts to make busting moves seem dramatic are about as effective as the hilarious chess-piece slamming in Searching for Bobby Fisher.
If you've never seen [stepping], it's quite a show, and Stomp the Yard throws well-deserved light on this somewhat under-the-radar phenomenon.
The results are corny beyond measure. Yet there's something sweet about them.
The rhythmic step dancing is infectious in the otherwise formulaic underdog flick Stomp the Yard -- so much so, you'll want to see more of it and less of a plot.
The dancing is more dynamic than the plotting in Stomp the Yard, an energetic if formulaic underdog tale.
Latest News for Stomp The Yard
October 22, 2009:
Stomp the Yard Sequel Imminent ![]()
You'd better watch out, yard -- you're gonna get stomped again! Yes, that's right, "Stomp the Yard 2" is on the way, and writer-director Rob Hardy has agreed to helm the sequel. More...
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