Despite some wonderful performances, the plot plods inexorably and with sickening predictability towards the inevitable conclusion, but nothing can prepare us for the actual event, which Nowrasteh films in real time and in shocking detail.

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The Stoning of Soraya M. (2009)
Tomatometer
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Reviews Counted:21
Fresh:12
Rotten:9
Average Rating:6.1/10
Consensus: The Stoning of Soraya M. nearly transcends its deficiencies through the sheer strength of its subject material, but ultimately drowns out its message with an inappropriately heavy-handed approach.
Rated: R [See Full Rating] for a disturbing sequence of cruel and brutal violence, and brief strong language
Runtime: 1 hr 56 mins
Genre: Dramas
Theatrical Release:Jun 26, 2009 Limited
Box Office: $519,730
Synopsis:
In a world of secrecy, corruption and injustice, a single courageous voice can tell a true story that changes everything.
This is what lies at the heart of the emotionally charged experience of...
In a world of secrecy, corruption and injustice, a single courageous voice can tell a true story that changes everything.
This is what lies at the heart of the emotionally charged experience of The Stoning of Soraya M. Based on an incredible true story, this powerful tale of a village's persecution of an innocent woman becomes both a daring act of witness and a compelling parable about mob rule. Who will join forces with the plot against her, who will surrender to the mob, and who will dare to stand up for what is right. --© Official Site
Starring: Shohreh Aghdashloo, Mozhan Marno, Jim Caviezel
Starring: Shohreh Aghdashloo, Mozhan Marno, Jim Caviezel
Director: Cyrus Nowrasteh
Director: Cyrus Nowrasteh
Screenwriter: Betsy Giffen Nowrasteh, Cyrus Nowrasteh
Producer: Stephen McEveety, John Shepherd
Composer: John Debney
Studio: Roadside Attractions
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Reviews for The Stoning of Soraya M.
Though The Stoning of Soraya M.' s heart is in the right place, its head is lost in storm clouds of anger.
A reasonable person might well add the issue to the agenda after enduring this at times unbearably violent agitprop drama, based on the true story of an Iranian woman stoned to death after being falsely accused by her husband of adultery.
Goes well beyond its angry didacticism and its specific indictment of men's oppression of women to achieve the impact of a Greek tragedy through its masterful grasp of suspense and group psychology, and some superb acting.
The sort of film that gets its strength from subject matter rather than artistic choices, this sincere but unsubtle drama will likely earn additional attention due to its timeliness.
The whole movie marches to that same, sad rhythm of unalterable horror, illuminated by Joel Ransom’s brutal and beautiful cinematography. The sum is difficult to watch.
The film comes perilously close to reveling in the horror while revealing it. And dramatically, this is distressingly simple-minded fare: ugliness leads to ugliness.
The more dramatic the material, the more restrained the approach ought to be.
This gory, ham-fisted hybrid of social-issue picture and horror film exerts a crude but undeniable power.
The film, shot elegantly in color but with the dramatic feel of black and white, functions as a parable of power abused by the multitude. It takes a village to turn craven stupidity into fascist bestiality.
Iranian American director Cyrus Nowrasteh has amplified the basic elements of Suraya's story into the worst kind of exploitive Hollywood melodrama, presented under the virtuous guise of moral outrage.
The Stoning of Soraya M. thoroughly blurs the line between high-minded outrage and lurid torture-porn.
What keeps us watching is the path -- from outrage, to fear, to resigned martyrdom -- of Mozhan Marno, who plays the blameless victim, and the speak-truth-to-power courage of Aghdashloo as her tireless advocate, desperately looking for justice.
This is less a movie than a blunt instrument, a bit of political parable, a bit more outrage, and nary a scrap of real drama or finesse.
The Stoning of Soraya M. has such a powerful stoning sequence that I recommend it if only for its brutal ideological message.
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