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Strayed (2004)
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Reviews Counted:21
Fresh:16
Rotten:5
Average Rating:6.8/10
Consensus: Understated but compelling wartime drama.
Theatrical Release:May 14, 2004 Limited
Box Office: $397,871
Synopsis: The friendship and trust that develops rapidly between a 17-year-old homeless boy and a young mother with two children is the basis for Andre Techine's STRAYED. They find each other during a... The friendship and trust that develops rapidly between a 17-year-old homeless boy and a young mother with two children is the basis for Andre Techine's STRAYED. They find each other during a terrifying WWII bombing as they are escaping Paris for the countryside. Yvan (Gaspard Ulliel) is a recluse hiding in the woods. Odile (Emmanuelle Beart) is a widow trying to get her children to safety. Together, the group finds a magical abandoned chateau hidden far back in the forest, and they take shelter there. Settling into a nearly idyllic secret existence as the rest of the world endures the hardships of war, their situation is fairly surreal. Yvan is resourceful and self-sufficient, instantly taking on the role of the man in the family. He hunts for rabbits, delights the children with his youthfulness and curiosity, and even ignites a romantic spark in Odile. But there is always a sense of urgency and doubt, as if the temporary paradise they've stumbled upon will come to a rapid halt and fall into the shadows of some looming dark event. A beautiful film that takes a carpe diem approach to survival--and loving life life--during wartime, STRAYED is rich with substance while also being a visually enjoyable and entertaining film from talented director Techine. [More]
Starring: Emmanuelle Beart, Gaspard Ulliel, Gregoire Leprince-Ringuet, Clemence Meyer
Starring: Emmanuelle Beart, Gaspard Ulliel, Gregoire Leprince-Ringuet, Clemence Meyer, Jean Fornerod, Samuel Laberthe, Eric Krekenmayer
Director: André Téchiné
Director: André Téchiné
Screenwriter: Gilles Taurand, André Téchiné
Producer: Jean-Pierre Ramsay Levi
Studio: Wellspring
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Reviews for Strayed
A picture-book French film that's pretty and trite, rather than edgy and moving.
Ulliel is brilliant as a lost boy who has grown mad in a world filled with madness. And Beart's portrayal is haunting.
A fascinating mystery -- a halcyon idyll with a gnawing sense of terror at the edge.
With searing images of distressed families of American soldiers killed in Iraq on TV almost daily, Strayed is another poignant reminder of war's innocent victims.
It's incredible how little actually happens considering all the possibilities.
We have little idea where it will turn, and the turn it does take is one we would not expect yet somehow seems totally right.
Begins and ends with facts of war, but it is really a film about the nature of male and female, about middle-class values and those who cannot afford them, about how helpless we can be when the net of society is broken.
Odile and Yvan change and grow as we watch them -- and without any whimpering or whining, they break our hearts.
All this unfolds against the backdrop of war, but it's Techine's characters who create the tension, not the prospect of bombs or invading soldiers.
Béart is remarkable in her underplayed portrayal of a poised bourgeoise who is called on to discover inner strength that in normal times might have never needed to be tapped.
Strayed has a facile take on the war and its fallout, but rarely is it simpleminded about emotional hang-ups.
A touch of ambiguity never hurts, but too few dots connect in this story, and we're left with a portrait that only can be admired from a distance.
You never really give a damn about these four lost souls. Despite its technical skills, Strayed proves emotionally hollow.
Fails because the relationship between Odile and Yvan never makes us feel the sexual passion it implies.
André Téchiné's taut, swift wartime drama portrays the panicked mass exodus from Paris in 1940 on the eve of the German occupation.
| Tomatometer Percentage | Movie |
|---|---|
| 77% 77% | The Hangover |
| 88% 88% | Inglourious Basterds |
| 66% 66% | Public Enemies |
| 24% 24% | G-Force |
| 44% 44% | Night at the Museum: B… |
| Tomatometer Percentage | Movie |
|---|---|
| 82% 82% | Paranormal Activity |
| 57% 57% | 9 |
| 44% 44% | Jennifer's Body |
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