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Sunshine State (2002)
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Reviews Counted:28
Fresh:22
Rotten:6
Average Rating:7/10
Consensus: Wonderfully acted, but the story and pacing can use a little work.
Rated: PG-13 [See Full Rating] for brief strong language, a sexual reference and thematic elements
Runtime: 2 hrs 21 mins
Genre: Dramas
Theatrical Release:Jun 21, 2002 Limited
Box Office: $2,836,157
Synopsis:
Welcome to Delorna Beach and the 2nd Annual Buccaneer Days! Take a trip! Take a drive! See Florida Today!
Oceanfront motels. T-shirt shops. Golf courses. Palm trees. Sandy beaches. Condominiums....
Welcome to Delorna Beach and the 2nd Annual Buccaneer Days! Take a trip! Take a drive! See Florida Today!
Oceanfront motels. T-shirt shops. Golf courses. Palm trees. Sandy beaches. Condominiums. Man-eating alligators. Indians, pirates, Spanish gold, sea Island plantations. "People don't realize how hard it is to invent a tradition." - Francince Pinckney
Change is coming to Delrona Beach, Florida, assaults on every front. Here's Marly (Edie Falco) running her father's motel and hating every minute of it. Lester and Greg (Miguel Ferrer and Perry Lang) will stop at nothing to buy the motel, and Dad (Ralph Waite) will never sell. Mom (Jane Alexander) is living in her own dream world down at the community theater and off at the Audubon meetings, saving what's left of the natural habitat.
Marly's wasting away in Margaritaville, dodging her ex-husband (Richard Edson), losing her golf pro (Marc Blucas) and tempted by the new guy in town (Timothy Hutton) even though he is definitely working for the other side.
Here's Desiree (Angela Bassett) back for her first real visit home since she left under a cloud 25 years ago. She doesn't trust her mother Eunice (Mary Alice) and won't be drawn into staying in the black enclave of Lincoln Beach, even though family friend Dr Lloyd (Bill Cobbs) works her pretty hard.
Dr. Lloyd is up against it, fighting off the Plantation in the person of promoter Northrup (Sam McMurray) whose battles with the black community go way back. Trophy husband Dr. Reginald Perry (James McDaniel) does his best to fit in, but he's worried about the old boyfriend Flash Phillips (Tom Wright), and nobody's comfortable with the boy Eunice has taken in, young arsonist Terrell (Alex Lewis)
Chamber of Commerce stalwart Francine Pinckney (Mary Steenburgen) keeps a smile on her face and pom poms high, championing Buccaneer Days through its course. She's too busy to see much of banker husband Earl (Gordon Clapp) whose gambling debts are giving him problems of his own.
Real people. Real places. Welcome to Florida. -- © Sony Pictures Classics
Starring: Edie Falco, Angela Bassett, Jane Alexander, Ralph Waite
Starring: Edie Falco, Angela Bassett, Jane Alexander, Ralph Waite, James McDaniel, Mary Alice, Bill Cobbs, Gordon Clapp, Mary Steenburgen, Timothy Hutton, Tom Wright, Marc Blucas, Alexander Lewis, McMurray, Perry Lang, Miguel Ferrer, Charlayne Woodard, Clifton James, Cullen Douglas, Alan King, Richard Edson, Michael Greyeyes
Director: John Sayles
Director: John Sayles
Screenwriter: John Sayles
Producer: Maggie Renzi
Composer: Mason Daring
Studio: Sony Pictures Classics
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Reviews for Sunshine State
Sunshine State resembles Sayles' sketchbook more than his finished work, and we might hope that something more polished might spring from it.
Sunshine State has the structure, the theme, the style and, at 141 minutes, the length of a great John Sayles film. What it doesn't have, alas, is the merit.
Sunshine State is an efficient helping of Sayles, insightful even when it's not richly entertaining or imbued with apparent passion.
Sunshine State lacks the brilliance of Sayles' most dynamic offerings, but, for those who don't mind an unhurried, deliberate narrative pace, this is a worthwhile offering.
You can ignore the editorial bluntness and savor the smaller, sweeter details.
Sayles' movies lack the fluidity and grace of Altman at his best, but his 'big statement' films -- and this is one -- demand our attention.
Count on his movie to work at the back of your neck long after you leave the theater.
At times, Sayles seems to be trying to wrangle an ornery alligator. But there are few filmmakers better at rendering the political personal.
Sunshine State is a fine example of a carefully written film. But you shouldn't be too aware that a movie is well-written.
Because we are so familiar with the conventional approach to a story like this, it takes time to catch on that Sayles is not repeating the old progressive line about the little guy against big capital.
Rings true for the most part, and explores human nature -- leashed and unleashed -- in ways that resonate.
It's the kind of movie that, aside from Robert Altman, Spike Lee, the Coen Brothers and a few others, our moviemakers don't make often enough.
Sunshine State surveys the landscape and assesses the issues with a clear passion for sociology. But the cinematography is cloudy, the picture making becalmed.
Writer-director John Sayles is too intelligent and too conscientious ever to make a frivolous movie. But he has made a lifeless one with Sunshine State.
Neither the acting nor the script elevates the film above a ham-fisted morality play dripping with earnestness.
Sunshine State is one of the strongest efforts yet in the prolific career of writer/director John Sayles.
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