Average Rating: 4.9/10
Reviews Counted: 82
Fresh: 24 | Rotten: 58
Survival of the Dead offers glimmers of Romero's savage wit, but not nearly enough to make up for his unusually uninspired directing and a lack of new ideas
Average Rating: 3.9/10
Critic Reviews: 18
Fresh: 1 | Rotten: 17
Survival of the Dead offers glimmers of Romero's savage wit, but not nearly enough to make up for his unusually uninspired directing and a lack of new ideas
liked it
Average Rating: 2.4/5
User Ratings: 5,961
A group of rogue soldiers seek shelter from the zombie apocalypse on scenic Plum Island, only to become caught up in a bitter feud between two warring families. Sarge Crocket (Alan Van Sprang) and his motley crew of military abandoners are searching for a safe place to rest when they cross paths with Patrick O'Flynn (Kenneth Welsh). O'Flynn has been banished from Plum Island, where his family is locked in a longtime quarrel with the Muldoons. The O'Flynns see the flesh-eaters as subhuman, never
May 28, 2010 Wide
Apr 30, 2010
Magnolia Pictures
All Critics (84) | Top Critics (19) | Fresh (24) | Rotten (59) | DVD (6)
Even Romero's staunchest fans might conclude their hero is going through the motions here. Yes, almost like a zombie.
What we've got here is a just a B-movie western with buckets of gore, which might be fine coming from a Romero wannabe but not from the genuine article.
George A. Romero's entertaining new zombie feature shows that you can't keep a good man down.
Steeped in fan-pleasing gore but woefully thin on ideas, originality (beyond new zombie-offing methods) or directorial flair.
Survival of the Dead almost never snaps into focus. Even its oxymoronic title doesn't work. It feels marginal, like an extended footnote.
Placidly photographed and lacking in urgency, Survival shows us the living flailing at fate and the dead just flailing.
Are George Romero's late-career ghoul operas fatigued retreads of his seminal zombie classics, or eccentrically satirical twists on the genre tropes he pioneered? Survival of the Dead isn't about to clear things up.
full review at Movies for the Masses
"A man dies, he gets stupid," someone observes in the film. Maybe if a man makes too many films about the dead, the same fate awaits him. Mr. Romero, you are on notice.
Romero has freed his story up for a lighter, more amusingly misanthropic take on the worst tendencies of people.
I'm not sure I want to see another George A. Romero zombie movie ever again.
An exercise in beating a dead horse as well as eating a dead horse, the film demonstrates that the metaphorical usefulness of the zombie genre has reached a state of near rigor mortis, if not putrefaction.
The creator is still driving his old Model-T to the ground.
A sad confirmation of if not George Romero's complete creative bankruptcy then certainly his wildly diminished gift for imparting glancing metaphorical dread.
Maybe it's due to the fact that Romero's work never struck me as particularly exciting or important in the first place, but I mostly enjoyed this newest entry.
Survival is crawling with weird ideas that make no sense, but Romero treats them as gems of life-changing import.
Big set pieces showing how atrophied Romero's cutting and tactical framing have become is depressing to anyone who has valued his films for more than just splatter.
...fast, often witty...
At last finds the great Romero with nothing new to say about zombies.
Feels like one of those goofy old Star Trek episodes in which Kirk and Spock go back in time to make some sort of baldly allegorical point.
Not my favourite zombie movie at all, in fact it was pretty terrible and even if your a huge zombie fan you may want to avoid this movie.
February 5, 2012
Super Reviewer
Well, he did it. George A. Romero finally somehow managed to make a zombie movie that I can't bring myself to recommend. It's sad too. I mean, Land and Diary weren't as good as the original trilogy, but they were still pretty decent movies all things considered.Depending on certain factors (since I'm a little wary of
July 10, 2011Super Reviewer
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