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Sweet Sixteen (2003)
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Reviews Counted:82
Fresh:80
Rotten:2
Average Rating:7.9/10
Consensus: A bleak, but heartbreaking coming-of-age tale that resonates with truth.
Rated: R [See Full Rating] for pervasive strong language, drug content and some violence
Runtime: 1 hr 46 mins
Genre: Dramas
Theatrical Release:May 16, 2003 Limited
Box Office: $201,010
Synopsis: In the depressed Scottish town of Greenock, 15-year-old Liam (Martin Compston) anxiously awaits the release of his mother, Jean (Michelle Coulter), from prison. Kicked out of school, with only... In the depressed Scottish town of Greenock, 15-year-old Liam (Martin Compston) anxiously awaits the release of his mother, Jean (Michelle Coulter), from prison. Kicked out of school, with only Jean's abusive boyfriend Stan, and her hateful father for guidance, Liam sets out on his own in hopes of having a fresh start waiting for his mother when she gets out. Deciding to buy a cottage near the river where he, his mother, and his sister, Chantelle (Annmarie Fulton) can live--Liam needs a way to make money as quickly as possible. He steals a stash of heroin from Stan, for him and his loose-cannon best friend, Pinball, to sell on the street--but it turns out that they're infringing on the territory of Tony (Martin McCardie), a local gangster. But Tony, admiring Liam's entrepreneurial spirit, takes Liam in as part of his gang and gives him the chance to increase his earnings exponentially. Echoing his 1969 classic, KES, SWEET SIXTEEN sees British film veteran Ken Loach once again combining the coming-of-age film with the type of social realism for which he has become known. Casting mostly non-actors, including extremely talented lead Martin Compston, the film successfully generates the thrills one expects from the best youth culture films, but has an edge of gritty realism that one never sees in Hollywood fare. Capturing a true imprint of contemporary UK teenhood--including cell phones, drugs, hip-hop style, "joyriding," and an abundance of four-letter words, screenwriter Paul Laverty's script rings true, making us care about characters who do foolish things because they exist in a society with few other options. [More]
Starring: Martin Compston, Michelle Coulter, Annmarie Fulton, William Ruane
Starring: Martin Compston, Michelle Coulter, Annmarie Fulton, William Ruane, Gary McCormack, Tom McKee, Robert Rennie, Martin McCardie
Director: Ken Loach
Director: Ken Loach
Screenwriter: Paul Laverty
Producer: Rebecca O'Brien, Ulrich Felsberg, Gerardo Herrer
Composer: George Fenton
Studio: Lions Gate Films
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Reviews for Sweet Sixteen
Under Loach's deft hand, it feels indisputably real ... An undeniable downer, but hellaciously well acted, brimming with compassion, and relevant in a way that doesn't chafe.
Hollywood has manufactured a number of coming of age films of varying quality, yet it's difficult to think of one that tops this powerful character study
You want Liam to succeed. You want a happy ending. You want to try to understand the heavy Scottish accents without reading the subtitles mercifully provided by Loach.
Another fine Loach film that refuses to sentimentalize the plight of the poor and disenfranchised. Compston is a real find.
The story is extremely powerful. This is a very depressing film, but also very well crafted.
Its bleak tale was lightly delivered and filled with a wry Scottish wit and a poignant social realism that rang true.
Sweet Sixteen is a wonderfully bittersweet effort, and one of Loach’s best works.
Loach tends to get a little preachy, but his skill is undeniable. His messages strike harsh and true.
Using mostly unknown and first-time actors, Loach spins a passable coming-of-age tale, which should please his fans and provides a diversion for the rest of us.
There are some terrific performances. Scottish TV star Compston makes Liam quite sympathetic; despite his character's many failings, you want the best for him and his family.
The combination of its casual violence, its street sense and a loose cinematography makes the film feel like a documentary.
Heartbreaking but ruthlessly honest, a mirror held up to contemporary life.
From its gripping immediacy to its strong cast of unknowns, Sweet Sixteen feels almost like a documentary. Loach and screenwriter Paul Laverty keep an evenhanded focus on harsh truths, and avoid melodrama and grandstanding.
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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