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Synecdoche, New York (2008)



Average Rating: 6.7/10
Reviews Counted: 180
Fresh: 123 | Rotten: 57

Charlie Kaufman's ambitious directorial debut occasionally strains to connect, but ultimately provides fascinating insight into a writer's mind.


Average Rating: 6.5/10
Critic Reviews: 44
Fresh: 29 | Rotten: 15

Charlie Kaufman's ambitious directorial debut occasionally strains to connect, but ultimately provides fascinating insight into a writer's mind.



liked it
Average Rating: 3.6/5
User Ratings: 55,342

My Rating

Movie Info

Theater director Caden Cotard is mounting a new play. His life catering to suburban blue-hairs at the local regional theater in Schenectady, N.Y., is looking bleak. His wife Adele has left him to pursue her painting in Berlin, taking their young daughter Olive with her. His therapist, Madeleine Gravis, is better at plugging her best-seller than she is at counseling him. A new relationship with the alluringly candid Hazel has prematurely run aground. And a mysterious condition is systematically



Charlie Kaufman

Mar 31, 2009


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All Critics (181) | Top Critics (44) | Fresh (123) | Rotten (57) | DVD (11)

Somehow, because it resists unlocking, it feels more serious, troubling, significant. It's as funny as it's depressing. It's as brilliant as it is baffling.

May 15, 2009 Full Review Source: Time Out
Time Out
Top Critic IconTop Critic

It seems more like an illustration of his script than a full-fledged movie, proving how much he needs a Spike Jonze or a Michel Gondry to realize his surrealistic conceits.

December 17, 2008 Full Review Source: Chicago Reader | Comments (10)
Chicago Reader
Top Critic IconTop Critic

A surreal exploration of art, love and death, it has the Fellini-esque feel of some lost European cinematic masterpiece that reaches far past the normal boundaries of drama and into the very essence of existence.

November 21, 2008 Full Review Source: Detroit News
Detroit News
Top Critic IconTop Critic

The more you ruminate on Synecdoche, New York, the more resonance you find in it.

November 14, 2008
Miami Herald
Top Critic IconTop Critic

It's a strange trip, to be sure, but a worthwhile one for those willing to take it.

November 13, 2008 Full Review Source: Arizona Republic
Arizona Republic
Top Critic IconTop Critic

I found it bracing, and genuinely in touch with the sweet chaos and ache of life.

November 10, 2008 Full Review Source: Chicago Tribune | Comments (3)
Chicago Tribune
Top Critic IconTop Critic

An important and intriguing film that must be seen to be believed.

March 24, 2011 Full Review Source: What Culture
What Culture

The power and tragedy of the love story, or hell, the life story of Caden Cotard will become a part of you, because it is your story, and his story is yours, and back and forth and so on and on because 'everyone's everyone'.

October 27, 2010 Full Review Source: Quickflix

Art is a dream through which some seek to rise above the mundane. "Synecdoche" is the nightmare of succumbing further to the mundane via art. What could be inaccessible is instead gloriously indispensable - a confounding & combative, but great, film.

October 20, 2010 Full Review Source:

The line between reality and imagination, possibility and pipe-dream, become immaterial, and the film becomes the overflowing contents of a fertile mind spilled out all across the screen.

June 12, 2010 Full Review Source: DCist

His directorial debut is a remarkably deep and rich film, somewhat daunting upon first showing, challenging the audience to take in this complex movie.

April 15, 2010 Full Review Source: Fan The Fire
Fan The Fire

Inaccessible and endlessly frustrating, Synecdoche is replete with art-house pomposity and the type of muddled profundity one sees in an introductory philosophy seminar.

August 30, 2009 Full Review Source: Washington Times | Comment (1)
Washington Times

Every scene is pitched at the highest level and acted accordingly.

June 28, 2009 Full Review Source:

Kaufman, who once dazzled us with his japester's invention, uses those same tools to do something else here. He leaves us reeling.

May 17, 2009 Full Review Source: Daily Telegraph
Daily Telegraph

This is a classic Kaufmanesque work: bold, bizarre and utterly baffling.

May 17, 2009 Full Review Source: Times [UK]
Times [UK]

This is a movie designed to provoke, entertain and infuriate, that boldly goes into areas where few films from the English-speaking world nowadays dare penetrate.

May 17, 2009 Full Review Source: Observer [UK]
Observer [UK]

Synecdoche, New York finally feels bitter, hollow and adolescent: like a gargantuan music video conceived for an emo band with a penchant for Pirandello.

May 17, 2009 Full Review Source: Independent

Synecdoche (pronounced Sih-neck-doh-kee, by the way) is beautifully acted throughout, scripted by Kaufman with the same valorous unorthodoxy as his Eternal Sunshine of the Spotless Mind, and shot with real panache.

May 15, 2009 Full Review Source: This is London
This is London

A soul-altering, heart-changing, brain-transplanting masterpiece.

May 15, 2009 Full Review Source: Film4

A toweringly ambitious and bafflingly confusing film that gives a glimpse of the daily battles going on in the director's mind.

May 15, 2009 Full Review Source: Times [UK]
Times [UK]

The film is either a masterpiece or a massively dysfunctional act of self-indulgence and self-laceration. It has brilliance, either way: surreal, utterly distinctive, witty, gloomy in the manner that his fans will recognise and adore.

May 15, 2009 Full Review Source: Guardian

A difficult, maddening and elusive film that's also intriguing, profound and darkly funny.

May 15, 2009
Little White Lies

For too long Caden (and Kaufman) are raising big issues and only grasping at the edges, which makes the film frustrating to watch.

May 15, 2009 Full Review Source: Digital Spy
Digital Spy

Like the play within the film, Synecdoche is bravely ambitious, with glimpses of Kaufman's genius. But it's also an indulgent slog that only the most diehard Kaufmanites will happily endure.

May 15, 2009
Heat Magazine

It seems churlish to overly criticise. Kaufman's daring, ambition and frequent moments of beauty and sadness are worth the overindulgence.

May 15, 2009 Full Review Source: Sky Movies
Sky Movies

Audience Reviews for Synecdoche, New York

June 15, 2014
Directors Cat
Directors Cat

Super Reviewer

Charlie Kaufman, the man behind such interesting screenplays like "Eternal Sunshine of the Spotless Mind" and "Being John Malkovich" tries his hand at directing one such outlandish script of his own, "Synecdoche, New York" (A play of words on "Schenectady, New York", and the concept of "synecdoche" itself!)


Beginning on a rather mundane note, the film introduces us to theater director, Caden Cotard (Philip Seymour Hoffman), his wife - a budding artist Adele (Catherine Keener) and his daughter Olive. Caden and Adele's marriage is on the rocks. While Adele isn't happy with Caden, Caden clearly is still attached to Adele and Olive. Caden's new play meets with a lot of success and critical acclaim. Soon after, Adele takes off to Berlin to pursue her art further, with her daughter Olive, promising to return about a month later. In the midst of all this, we are also introduced a perpetually stoned Maria (Jennifer Jason Leigh), Claire, the actress (Michelle Williams) and the comely box office girl at the theater, Hazel (Samantha Morton) who has the hots for Caden. We gradually learn that Caden suffers from a variety of physical ailments including some unexplained skin lesions and a nervous disorder suppressing his autonomous functions.


The Charlie Kaufman angle to the story begins one day when Caden receives a MacArthur Fellowship that bestows upon him financial means to pursue his artistic interests. Determined to give the aid its worth, Caden begins working on his masterpiece, a larger than life stage play that would be unparalleled and honest, more close to real life than anything else. As the play and its characters begin to take shape, the lines between reality and the play script begin to blur and Caden loses all sense of time and place and so does the audience......


There are various themes explored in "Synecdoche, New York". There is a constant sense of death, decay and sickness going on right from the beginning. The TV screen shows an animation of a virus, the magazine Caden receives in his mailbox has a cover page speaking about disease and cure, the milk in the fridge seems to have got spoilt, and so on. Olive seems to think something is wrong with her 'cause her stools are green! Caden keeps reiterating too, that he "doesn't feel well". There are numerous visits to doctors, a particularly scary seizure that Caden experiences (one of the finest pieces of acting I've ever seen...Hoffman is more than convincing!). With physical decay there is also a decay of moral values, of failed marriages, extramarital stints, eventual guilt and an innocent little girl being exposed to the risqué business at an early age with her body being tattooed at the age of 10...!

There is a constant feeling of loneliness and longing throughout, as the protagonist experiences it. Then there is the delusion, particularly the "Cotard Delusion" (perhaps, hence the name "Caden Cotard" for the main character?) .

Several other motifs abound, like the "scale" with which both artists work. While Adele makes "miniature" paintings and the size of her paintings diminishes as time and the film itself progresses, Caden's work becomes larger and larger in the form of the life-size replica of New York in a warehouse! It also reflects the theme concerning bridging the gap between dream and reality, as Caden's dream begins to take shape in reality...or does it? The theme of "play within play...within play...." Is stressed upon throughout, as lookalikes brought in to play real life characters, end up having more lookalikes to play the lookalikes! Just like Sammy (Tom Noonan) is brought in to play Caden, and another person is brought in to play Sammy. It is all an endless cycle....a never-ending quest for something (perhaps an exercise in self-realization for all those involved) that seems to reach no conclusion. The stage production goes on for a whopping 17 years when one of the crew members points it out to Caden. It is only then that we, the audience, realize that so much time has indeed passed!



Kaufman tries to do justice to his highly surreal story but does he succeed? Well, almost! It should be noted that there is a strong resemblance to Federico Fellini's masterpiece "8 1/2" as far as the main theme is concerned. Just as Guido in that film tries to build an ambitious film project brutally honest and closer to life from his own personal experiences, Caden embarks on a similar mission. The difference being, Guido suffered from a Director's block, Caden didn't! Parallels can also be drawn to David Lynch's "Inland Empire" as far as the "play within a play" motif is concerned ("Film within film" in case of Lynch's film).

"Synecdoche, New York" is all well-intentioned...there are quite a few terrific scenes embedded in the script. There is a sense of despair and sorrow throughout that works in the film's favour. Kaufman really got himself involved in this project and it shows. Only there is such a thing as being too involved! It almost seems that just like his lead character Caden, Kaufman got too engrossed in making his dream project that is this film and got lost somewhere in the maze of delusion himself, so what could one say about us audiences! While the film maintains considerable coherence for almost the first 80 minutes, it seems to spiral out of control after that. Lynch's "Inland Empire" suffered from a similar syndrome but Lynch, being Lynch, managed to make up for the muddled script with enthralling imagery and intriguing surprises along the way! Alas, not everyone is David Lynch and hence, making a surreal film isn't everyone's forte. Kaufman tries very hard, makes a strong attempt and almost gets close to making a winner, but falls a tad short, nonetheless!


That doesn't take away Kaufman's credibility though, and praise must be showered where it is due. Some of the themes/episodes in "Synecdoche, New York" ooze brilliance and are quite unique. Like the house that is eternally on fire, is one awesomely bizarre idea! And for some strange reason that particular part reminded me of the Coen Brothers' underrated flick, "Barton Fink"! Kaufman directs really well, until the last few minutes when he struggles to maintain the tautness in the script 'til he finally takes to the film's bleak conclusion. The editing by Robert Frazen is commendable. Chronologies are shuffled but the timeline is lucid enough to comprehend.

The performances are spectacular. Philip Seymour Hoffman deserves a standing ovation for his magnificent performance. Only one wishes he didn't mumble his lines as much in some of his scenes! Amongst the ladies, it is Catherine Keener and Samantha Morton that emerge clear winners. Robin Weigert and Jennifer Jason Leigh impress in their respective miniscule roles but don't get much to do, unfortunately.

Charlie Kaufman's efforts are noteworthy and "Synecdoche, New York" is not a film that should be ignored. Yes, it is self-indulgent... yes, it is somewhat incoherent. But that said, yes, it is also essential viewing. Give this film a chance; it is worth your time, simply because it isn't something you get to see every day. Oh...and regardless of the comparisons, don't go in expecting another "8 1/2"!
November 8, 2012
Aditya Gokhale
Aditya Gokhale

Super Reviewer

"Synecdoche, New York" is, by all accounts, the nightmare world of Charlie Kaufman's mind. Both writing and directing, Kaufman's inner psyche is so unhinged that the result is a film so insane, so overambitious, so all-reaching and meta that its impossible to not be amazed by it, but its easy to be frustrated by it's all-consuming , baffling, abstract, fragmented wholeness.
June 17, 2012
Sam Barnett

Super Reviewer

You can tell that this film was meticulously drawn out but the final work is hard to comprehend. The film is existential to the max and only lets true scholars understand its true meaning which may make some bitter after watching such a film.
February 4, 2012
paul o.
paul oh

Super Reviewer

    1. Caden Cotard: Hazel, what do you think of this title? Unknown, Unkissed and Lost?
    – Submitted by caroban s (4 months ago)
    1. Ellen Bascomb/Millicent Weems: What was once before you - an exciting, mysterious future - is now behind you. Lived; understood; disappointing. You realize you are not special. You have struggled into existence, and are now slipping silently out of it. This is everyone's experience. Every single one. The specifics hardly matter. Everyone's everyone. So you are Adele, Hazel, Claire, Olive. You are Ellen. All her meager sadnesses are yours; all her loneliness; the gray, straw-like hair; her red raw hands. It's yours. It is time for you to understand this.
    – Submitted by caroban s (4 months ago)
    1. Hazel: The end is built into the beginning.
    – Submitted by Frances H (20 months ago)
    1. Olive (Adult): Dear diary, I'm afraid I'm gravely ill. It is perhaps times like these that one reflects on things past. An article of clothing from when I was young. A green jacket. I walk with my father. A game we once played. Pretend we're faeries. I'm a girl faerie. My name is Laura Lee. And you're a boy faerie. Your name is Tita Lee. Pretend, when we're faeries we fight each other, and I say 'Stop hitting me I'll die!' And you hit me again and I say, 'Now I have to die.' And then you say, 'But I'll miss you.' And I say, 'But I have to. And you'll have to wait a million years to see me again. And I'll be put in a box, and all I'll need is a tiny glass of water and lots of tiny pieces of pizza and the box will have wings like an airplane.' And you'll ask, 'Where will it take you?' 'Home.' I say.
    – Submitted by Jackson P (2 years ago)
    1. Caden Cotard: I will be dying and so will you, and so will everyone here. That's what I want to explore. We're all hurtling towards death, yet here we are for the moment, alive. Each of us knowing we're going to die, each of us secretly believing we won't.
    – Submitted by Jackson P (2 years ago)
    1. Claire Keen: Knowing that you don't know is the first and the most essential step to knowing, you know?
    – Submitted by Feli Y (3 years ago)
View all quotes (6)

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