It seems the writers thought the essentials of a heist film were a half-baked heist sequence and lots of gunfire. They seem to forget that if there's not a good story and characters in place to carry those extra elements, none of them will matter.
No one's asking a low-priority contemporary robbery movie to be Rififi, but there's such a thing as striving for some kind of quality that will set you apart from the anonymous pack. And no one thought to do that here.
Not even a good effort from Matt Dillon -- who seems to play the hard-done-by cop/security guard for the umpteenth time here -- can provide this stodgy outing with the caffeine kick it is sorely in need of.
Marks the on-screen collision of Hayden Christensen and Paul Walker, two actors so charmless and wooden this reviewer feared their combined presence would result in the creation of a charisma black hole that could wipe out the universe.