Too much of Taking Woodstock seems barely sketched out.
Taking Woodstock (2009)
Tomatometer
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Reviews Counted:36
Fresh:11
Rotten:25
Average Rating:5/10
Consensus: Featuring numerous 60s-era clichés, but little of the musical magic that highlighted the famous festival, Taking Woodstock is a breezy but underwhelming portrayal.
Rated: R [See Full Rating] for graphic nudity, some sexual content, drug use and language.
Runtime: 1 hr 50 mins
Genre: Comedies
Theatrical Release:Aug 28, 2009 Wide
Box Office: $7,366,736
Synopsis:
A generation began in his backyard. From Academy Award-winning director Ang Lee (Brokeback Mountain, Crouching Tiger, Hidden Dragon), comes Taking Woodstock, a new comedy inspired by the true...
A generation began in his backyard. From Academy Award-winning director Ang Lee (Brokeback Mountain, Crouching Tiger, Hidden Dragon), comes Taking Woodstock, a new comedy inspired by the true story of Elliot Tiber (Demetri Martin) and his family, who inadvertently played a pivotal role in making the famed Woodstock Music and Arts Festival into the happening that it was.
It's 1969, and Elliot Tiber, a down-on-his-luck interior designer in Greenwich Village, New York, has to move back upstate to help his parents run their dilapidated Catskills motel, The El Monaco. The bank's about to foreclose; his father wants to burn the place down, but hasn't paid the insurance; and Elliot is still figuring how to come out to his parents.
When Elliot hears that a neighboring town has pulled the permit on a hippie music festival, he calls the producers, thinking he could drum up some much-needed business for the motel. Three weeks later, half a million people are on their way to his neighbor's farm in White Lake, NY, and Elliot finds himself swept up in a generation-defining experience that would change his life, and American culture, forever. --© Focus Features
Starring: Demetri Martin, Emile Hirsch, Liev Schreiber, Imelda Staunton
Starring: Demetri Martin, Emile Hirsch, Liev Schreiber, Imelda Staunton, Eugene Levy, Dan Fogler, Jeffrey Dean Morgan
Director: Ang Lee
Director: Ang Lee
Screenwriter: James Schamus
Producer: James Schamus, Ang Lee, Celia Costas
Composer: Danny Elfman
Studio: Focus Features
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Reviews for Taking Woodstock
It's harmless enough as a snapshot of a young man's awakening to the grand possibilities of adult life, but not particularly effective at capturing the spirit, the thrill or even the mud of this culturally monumental event.
This is very light material, and, unusually for a Lee picture, not everybody in the ensemble appears to be acting in the same universe, let alone the same story. On the other hand: It’s fun.
Taking Woodstock has the appeal of an inside story told from an especially good angle. But beyond that, the movie is a celebration of the way this event has gone into memory and of the meaning it has acquired.
It's great that Taking Woodstock doesn't trample on anything sacred, but it also never arrives anywhere interesting.
Lee's first total miscalculation, his first wholly inessential film.
Can you dig it? Maybe, if you aren't already up to your tie-dyed shorts in Woodstock memories, and if you can accept that there's relatively little music in this happy-go-lucky movie about history's most celebrated music festival.
Taking Woodstock is hardly a bad trip; just a very inconsequential one.
Lee takes the viewer on a sweet-enough and nicely personalized trip through a corner of the '60s. And even if he skips the main event, he finds plenty of color in its surroundings.
Lee's larkiest film by far, Taking Woodstock features faces familiar and fresh.
Taking Woodstock fails to achieve anything beyond a contact high because of Martin's listless performance as the central character.
Taking Woodstock has fine moments and an enjoyable vibe, but it never develops a coherent point of view.
If you stick with this wistful, fitfully funny little trip, you will be rewarded with a movie that makes up in warmth, humanism and self-effacing modesty what it lacks in crackerjack pacing and epic pop-historical grandeur.
Lee distills the flavor of this transforming event and hints at how it transformed some who were there. His movie is a contact high.
The script has a dubious source, taken from a memoir by Elliot Tiber that, based on this evidence, does nothing to scrape the rust off Woodstock's mythic cliché.
Lee has gone for shaggy comedy. Some of it is funny. Some of it just sits there.
Ang Lee’s 11th collaboration with producer James Schamus starts out strong and funny before getting mired in 60s nostalgia.
Taking Woodstock has the freshness of something being created, not remembered.
Lee and his producer and screenwriter, James Schamus, have turned Tiber’s book into a gentle, rather tepid film. Its first half is modest and likable, but it goes on for over two hours.
All the tie-dye, reefer, skinny-dipping, split-screen cinematography (from Eric Gautier) and acid-trip psychedelics courtesy of Tiber's encounter with hippies (Paul Dano and Kelli Garner) can't make up for the film's major sin of omission: the music.
Latest News for Taking Woodstock
November 13, 2009:
James Schamus talks Taking Woodstock - RT Interview
James Schamus might be a workaholic. If it's not enough that he's the head of Focus Features -- the independent imprint of Universal -- he's also an established producer and... More...
November 12, 2009:
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The rule that no two Ang Lee movies are ever the same is confidently kept intact with the release of his latest, Taking Woodstock, a comedy about the true story behind the... More...
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