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Tears of the Black Tiger (2000)
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Reviews Counted:59
Fresh:45
Rotten:14
Average Rating:6.6/10
Consensus: With a vibrant pastel color scheme and stylized action sequences, Tears of the Black Tiger is a bizarre, yet thoroughly entertaining Thai western.
Theatrical Release:Jan 12, 2007 Limited
Synopsis: TEARS OF THE BLACK TIGER takes a journey back to a lost past – the heroic years of Thai genre cinema, when influences from Hollywood and everywhere else were subsumed into rollicking Thai... TEARS OF THE BLACK TIGER takes a journey back to a lost past – the heroic years of Thai genre cinema, when influences from Hollywood and everywhere else were subsumed into rollicking Thai melodramas for an audience of avid fans. Sasanatieng's film is a brilliant pastiche of vanished themes, styles and characters, almost all of them easily recognizable as variants on the prototypes from other popular cinemas. But the film's project is not simply nostalgic. Sasanatieng uses the tricks and tropes of film style from the 1960's- iris shots, wipes, obvious back-projection – but combines them with a startling, modernist approach to color and storytelling. The result is not only unique in Thai cinema but also an entirely new way of looking at genre entertainment. TEARS OF THE BLACK TIGER offers nostalgia as future shock. When Dum, a young peasant boy, falls in love with Rumpoey, the daughter of a wealthy family, they vow that, whatever happens, they will one day be together. When they meet again ten years later, their rekindled passion is thwarted by the murder of Dum's father by outlaws and by Rumpoey's betrothal to a smooth-talking police captain. Dum soon transforms himself into the gunslinging bandit, "Black Tiger," in order to infiltrate the gang who murdered his father. Fate will reunite the lovers one more time, but will they be able to continue their romance? Or will tragedy strike again? --© Magnolia Pictures [More]
Starring: Chartchai Ngamsan, Stella Malucchi, Suppakorn Kitsuwan, Arawat Ruangvuth
Starring: Chartchai Ngamsan, Stella Malucchi, Suppakorn Kitsuwan, Arawat Ruangvuth, Sombati Medhanee, Suwinit Panjamawat
Director: Wisit Sasanatieng
Director: Wisit Sasanatieng
Producer: Nonzee Nimibutr
Composer: Amornbhong Methakunavudh
Studio: Magnolia Pictures
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Reviews for Tears of the Black Tiger
It is nice just to sit back and let the day-glo colours wash over you, marvelling at the high-spirited energy.
If the story were as captivating as the color palette, we'd all be crying tears for the Black Tiger.
Tears of the Black Tiger ultimately works best as an exercise in cinematic style, making it not only a quirky little nostalgia trip but a noteworthy cult flick worth checking out.
Has lots of pop energy and an admirable poker-face when it comes to its Douglas Sirk-ian storyline. And even though it's essentially a Frankenstein's monster stitched together from a zillion other movies, you really haven't seen anything like it.
Tears of the Black Tiger is like a fever dream dripping with overripe romantic melodrama. Imagine Douglas Sirk directing a spaghetti western.
The movie is a riot of tropical turquoise, magenta and pink, spiced with marigold, red and green. You'd swear it was drenched in a tangy tamarind sauce
Delirious and oddball at once, it's like a plate of meringues -- delicious at first, but soon everything tastes the same, and after a while you get sick.
Camp out with Tears, a hoot, and your tent will be wet only from tears of laughter.
The movie is a long time coming, but the wait for the self-absorbed film to end seems even longer. Maybe the Black Tiger's tears are of frustration.
You've never seen and never will see anything quite like Tears of the Black Tiger.
The early scenes are interesting and enjoyable. And then the novelty wears off, but the film doesn’t end.
A garishly colored pastiche of classic Thai movie genres that draws liberally on both American and Hong Kong influences.
A parody of and winking homage to the history of Thai melodrama, Wisit Sasanatieng's uproarious filmmaking debut exuberantly combines pop and kitsch with a wholesome belief in the thrills of bad art.
... this pop-art confection both spoofs and celebrates the crazy conventions of movie melodramas and genre cinema with pure affection.
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