Opening

67% The Equalizer Sep 26
71% The Boxtrolls Sep 26
85% The Two Faces of January Sep 26
—— Two Night Stand Sep 26
92% Jimi: All Is by My Side Sep 26

Top Box Office

63% The Maze Runner $32.5M
66% A Walk Among the Tombstones $12.8M
43% This Is Where I Leave You $11.6M
11% No Good Deed $9.8M
71% Dolphin Tale 2 $8.9M
92% Guardians of the Galaxy $5.2M
20% Let's Be Cops $2.7M
19% Teenage Mutant Ninja Turtles $2.7M
88% The Drop $2.1M
37% If I Stay $1.8M

Coming Soon

56% Men, Women & Children Oct 01
85% Gone Girl Oct 03
—— Annabelle Oct 03
67% The Good Lie Oct 03
—— 7500 Oct 03

Premieres Tonight

—— Chicago Fire: Season 3
—— Faking It: Season 2
—— Marvel's Agents of S.H.I.E.L.D.: Season 2
—— NCIS: Season 12
73% NCIS: New Orleans: Season 1
—— Person Of Interest: Season 4

New Episodes Tonight

—— Awkward: Season 4
—— Brickleberry: Season 3
50% Forever: Season 1
67% Matador: Season 1
75% The Mindy Project: Season 3
100% New Girl: Season 4
85% Sons of Anarchy: Season 7

Discuss Last Night's Shows

—— The Big Bang Theory: Season 8
—— The Blacklist: Season 2
71% Dallas: Season 3
50% Forever: Season 1
95% Gotham: Season 1
34% Scorpion: Season 1
—— Sleepy Hollow: Season 2
62% Under the Dome: Season 2

Texas Killing Fields Reviews

Lana Berkowitz
Houston Chronicle
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The characters will be familiar to fans of police procedural shows and TV movies.

Full Review Source: Houston Chronicle | Original Score: 2/5

October 21, 2011
Bill Goodykoontz
Arizona Republic
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The story simply doesn't stand up, with its combination of well-worn plot elements and confusing red herrings -- or maybe they're just details that don't add up.

Full Review Source: Arizona Republic | Original Score: 2.5/5

October 20, 2011
J. R. Jones
Chicago Reader
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[A] southern-fried rehash of David Fincher's Seven.

Full Review Source: Chicago Reader

October 20, 2011
Roger Ebert
Chicago Sun-Times
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Scenes do not always necessarily follow one another. I was sometimes unclear who some of the characters were.

Full Review Source: Chicago Sun-Times | Original Score: 2/4

October 20, 2011
Joe Neumaier
New York Daily News
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The only notable element of this police procedural is that director Ami Canaan Mann, daughter of filmmaker Michael Mann ("Heat," "Collateral"), who produced here, appreciates dad's esthetic but can't replicate it.

Full Review Source: New York Daily News | Original Score: 1/5

October 14, 2011
Lou Lumenick
New York Post
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Long on style and short on coherent storytelling...

Full Review Source: New York Post | Original Score: 2/4

October 14, 2011
Neil Genzlinger
New York Times
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Takes its suspense for granted, which leaves it weak where it should be at its most chilling.

Full Review Source: New York Times | Original Score: 2.5/5

October 13, 2011
Betsy Sharkey
Los Angeles Times
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Like the Texas City killer's plans, something's gone terribly wrong.

Full Review Source: Los Angeles Times | Original Score: 2/5

October 13, 2011
Stephen Whitty
Newark Star-Ledger
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It's all just shorthand and clichés from other cop movies - the moral avenger, the workaholic loner.

Full Review Source: Newark Star-Ledger | Original Score: 2/4

October 13, 2011
Keith Phipps
AV Club
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We get to know the detectives at the film's core, how they work, what drives them, and the place they're sworn to protect. And then the film ends after telling only one story, which seems kind of odd these days.

Full Review Source: AV Club | Original Score: B-

October 13, 2011
Tom Huddleston
Time Out
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As solid Saturday night entertainment goes, this is a consistently compelling, enjoyably old school potboiler.

Full Review Source: Time Out | Original Score: 3/5

October 11, 2011
Keith Uhlich
Time Out New York
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The identity of the villain is beside the point; he-she-it might as well have a Looney Tunes-ish neon arrow emblazoned KILLER! pointing at their noggin. What matters more is the thick sense of atmosphere that Mann and her collaborators conjure.

Full Review Source: Time Out New York | Original Score: 3/5

October 11, 2011
Nick Pinkerton
Village Voice
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The plot is a chaos of underdeveloped relationships and frayed loose ends, but every so often, Mann does something so right that it makes this seem less a matter of narrative disorganization than a commentary on the anarchy intrinsic to any investigation.

Full Review Source: Village Voice

October 11, 2011
Neil Young
Hollywood Reporter
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Despite the presence of some notable names at the top of the cast including the currently ubiquitous Jessica Chastain, the steadily-paced drama looks more of a small-screen proposition.

Full Review Source: Hollywood Reporter

September 9, 2011
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