The Dead (2010)
Average Rating: 5.7/10
Reviews Counted: 18
Fresh: 13 | Rotten: 5
No consensus yet.
Average Rating: N/A
Critic Reviews: 4
Fresh: 2 | Rotten: 2
Average Rating: 3.2/5
User Ratings: 1,305
In the very near future, most of the world has succumbed to the virus of the living dead. After crashing off the coast of Africa, Lt. Brian Murphy battles for survival across the terrible terrain of Africa in search of a way to get back to his beloved family in the USA. Saved by local military man Daniel Dembele, who is also searching for his son, both men join forces, all the while battling against the ever-present threat of the living dead. -- (C) Official Site
Oct 7, 2011 Limited
Feb 14, 2012
Global Cinema Distribution - Official Site
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The Dead, with its vast, pitiless landscapes and moral seriousness, is Night of the Living Dead reimagined as a Sergio Leone western. It's a knockout.
"The Dead," evocatively filmed in grainy 35mm, might carry the cinematic vibe of an old-school, flesh-eating adventure, but as it should be with stories like this, it's not a pretty picture.
Beyond its auspicious premise -- survivors fighting a zombie outbreak against the continent's scorching vistas -- there's little else to chew on here.
A dread filled homage to the classic zombie pictures of the seventies and eighties...
The Dead is not the great zombie film I was hoping for but it does deliver a more grown-up horror film that eschews gimmicky shakycam and CGI to try and tell a real story, and for that I am appreciative.
The Ford brothers' take on this tradition offers a fair number of shocks and the arm-chomping that is de rigueur mortis for this genre. Yet it has things to say, mostly by implication, before a finish that took me by surprise.
The ironies of the white man having to face potential extinction in a country infamous for racially tinged violence is too neat.
You get used to the sight of the slow-moving undead swaying against the film's natural landscapes like half-imagined phantoms, and somehow that makes them more unnerving.
The film provides a whole new way of looking at the same old dead things. Eat up.
With its desiccated plains and rotting crops, the Africa depicted in the Ford Brothers' zombie flick proves an evocative setting.
The film's rough edges contribute to the film's disconcerting rawness.
Film-makers Howard J Ford and his brother Jonathan have shot the scenery well, but since the undead are everywhere the quest for safety becomes repetitive.
The low-budget zombie movie market may have long since reached saturation point, but this one displays some talent, style, intelligence and imagination, proving that in the right hands there's still plenty of life in the genre yet.
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