An agreeably shallow comedy.
The Devil Wears Prada (2006)
Tomatometer
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Reviews Counted:40
Fresh:33
Rotten:7
Average Rating:6.8/10
Consensus: A rare film that surpasses the quality of its source novel, this Devil is a witty expose of New York's fashion scene, with Meryl Streep in top form and Anne Hathaway more than holding her own.
Theatrical Release:Jun 30, 2006 Wide
Box Office: $124,703,638
Synopsis: A drastic improvement on Lauren Weisberger‘s bestselling novel, THE DEVIL WEARS PRADA showcases Meryl Streep's knack for combining humor and sadness. While likely inspired by notorious VOGUE editor... A drastic improvement on Lauren Weisberger‘s bestselling novel, THE DEVIL WEARS PRADA showcases Meryl Streep's knack for combining humor and sadness. While likely inspired by notorious VOGUE editor Anna Wintour, Streep's Miranda Priestly (head of Runway magazine) is entirely her own creation. Sporting silvery hair, a vast collection of fur coats, an encyclopedic knowledge of all things fashionable, and a killer smile, Miranda is full of wicked charm. With her mature beauty and commanding presence, Miranda is as fascinating to watch as she is intimidating to the constant rotation of assistants thrown her way. When bookish Northwestern grad Andy Sachs (Anne Hathaway) interviews to become Miranda's newest lackey, Miranda hires her not for her lackluster wardrobe but for her intellect. Inside the pristine Runway offices, Andy suffers through a never-ending list of impossible tasks, and is the subject of constant harassment by Miranda's jealous first assistant (Emily Blunt). But to the dismay of her boyfriend (Adrian Grenier) and close friends, Andy slowly finds herself seduced by the glamorous world of fashion, and by Miranda herself. While Andy's transformation comes largely in the form of new designer clothing, the makeover is mental as well. What starts out as a firm belief in fashion's vapidity and in Miranda's heartlessness gradually fades into the suspicion that the boss from hell might just be hiding a soul. While the book villainized its title character, the film gives new depths to her wrath. As Andy trades her undergrad wardrobe for one packed with Prada and Chanel (with help from Stanley Tucci in a brilliant role), viewers are able to savor the work of costume designer Patricia Field. Together with director David Frankel (who also worked on SEX AND THE CITY), Field creates a world of fashion so wonderfully extreme it would be hard for anyone to resist. [More]
Starring: Meryl Streep, Anne Hathaway, Stanley Tucci, Simon Baker
Starring: Meryl Streep, Anne Hathaway, Stanley Tucci, Simon Baker, Emily Blunt, Adrian Grenier, Tracie Thoms, Daniel Sunjata
Director: David Frankel
Director: David Frankel
Screenwriter: Aline Brosh McKenna
Producer: Wendy Finerman, Joseph M. Caracciolo
Composer: Theodore Shapiro
Studio: 20th Century Fox
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Reviews for The Devil Wears Prada
Anne Hathaway is Patricia Field's latest fashion victim in this limp semi-satire.
The Devil Wears Prada is two films in one: a caustic, energetic satire of the fashion world and a cautionary melodrama.
The biggest problem with the movie, however, is that it tries to make a big deal out of a subject that has been beaten to death in the tabloids and the media.
The Devil Wears Prada is primarily an occasion to celebrate Meryl Streep as a grand comedienne.
The Devil Wears Prada tells a familiar story, and it never goes much below the surface of what it has to tell. Still, what a surface!
The Devil Wears Prada is a clear case of able actors elevating an ordinary script, a movie that's as entertaining to watch as it's easy to predict.
A lightweight chick flick that, despite gaping plot holes, will likely be a favorite of anyone who adores pretty women in pretty clothes.
The comic appeal of The Devil Wears Prada is the cinematic equivalent of a size 2 -- wafer-thin and ultimately lacking in meat and substance.
The Devil Wears Prada is an awards season attraction that somehow escaped into the temperate months of the super and the silly, all the more reason to applaud its audacity.
Prada just feels authentic, from its glossy look to the specific and sometimes curious behavior of the secondary and tertiary characters. To watch it is like being entertained while getting an anthropological crash course.
It's all very light and pleasurable, and for fashionistas it's as fun as a sample shoe sale.
The movie is no thigh-slapper, by any means, but veteran TV director David Frankel (Sex and the City) has given it a consistently whimsical touch.
This is a breezy and enjoyable piece of pop entertainment -- a welcome reminder of what Hollywood used to be good at.
Slight but entertaining, The Devil Wears Prada is an ugly duckling-Cinderella tale set in the fashion industry, in which the wicked stepmother is far more interesting than the princess-to-be.
It's unlikely to change anyone's life or even anyone's dress size, but The Devil Wears Prada provides a pleasing helping of light satire and a chance for Meryl Streep to slip into another terrific performance.
The Devil Wears Prada has the look of many studio movies. But if you pay heed to the craft in the details, there's satisfying quality here.
Malice sparkles in The Devil Wears Prada. The fashion-world comedy achieves this plum by resuscitating the almost-dead virtue of dynamic dialogue.
The Devil Wears Prada is being positioned as a movie for grown-ups and others who know what, or who, or when, or where, Prada is.
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| Tomatometer Percentage | Movie |
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| 77% 77% | The Hangover |
| 88% 88% | Inglourious Basterds |
| 66% 66% | Public Enemies |
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| 44% 44% | Night at the Museum: B… |
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