• PG, 1 hr. 30 min.
  • Drama
  • Directed By:
    Mark Webber
    In Theaters:
    Mar 1, 2013 Limited
    On DVD:
    Jul 15, 2013
  • Variance Films


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Coming Soon

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—— The Calling Aug 29

New Episodes Tonight

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56% Married: Season 1
95% Rectify: Season 2
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82% Satisfaction: Season 1
82% Welcome to Sweden: Season 1
41% Working the Engels: Season 1
77% You're the Worst: Season 1

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The End of Love Reviews

Page 1 of 1
Jeremy Mathews
Paste Magazine

Those willing to drift along with it will find a compelling character study about a man coming to terms with himself, his son, and the people who enter their lives.

Full Review Source: Paste Magazine | Original Score: 7.1/10

March 14, 2013
Drew Hunt
Chicago Reader
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Creative people often mistakenly assume that the trials of their profession are compelling.

Full Review Source: Chicago Reader

March 14, 2013
S. Jhoanna Robledo
Common Sense Media

Single dad's struggles are poignant, somewhat mature.

Full Review Source: Common Sense Media | Original Score: 3/5

March 3, 2013
Gary Goldstein
Los Angeles Times
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"The End of Love" is an exceptionally intimate, human-scaled picture. It's also quite a special piece of work.

Full Review Source: Los Angeles Times | Original Score: 4/5

February 28, 2013
Andy Webster
New York Times
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Mr. Webber, a skilled actor, has not devised a narrative with sufficient momentum or tension to sustain much interest.

Full Review Source: New York Times | Original Score: 2.5/5

February 28, 2013
Elizabeth Weitzman
New York Daily News
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There is plenty of evidence that Webber has something significant to say, and the gifts with which to express himself. Once he's ready to commit fully to his own vision, there's no end to what he might accomplish.

Full Review Source: New York Daily News | Original Score: 3/5

February 28, 2013
Sam Adams
AV Club
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Shot with tiny digital cameras to minimize the sense of intrusion, The End Of Love sometimes feels like a home movie, but that's also the source of its strength.

Full Review Source: AV Club | Original Score: B+

February 28, 2013
Charlie Schmidlin
Chicago Sun-Times
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Mark Webber's "The End of Love" connects and lingers by making incredible effort seem natural.

Full Review Source: Chicago Sun-Times | Original Score: 3.5/4

February 28, 2013
Rex Reed
New York Observer
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There are some lovely and moving things here, but over the long haul it's more like watching an hour and a half of someone's weekend trip to Knott's Berry Farm.

Full Review Source: New York Observer

February 27, 2013
Michael Atkinson
Village Voice
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It's the kind of indie in which shrugging naturalism means nobody has a distinctive personality or energy, and the claustrophobic sense of young Industry workers collarbone-deep into their own navels is hard to shake.

Full Review Source: Village Voice

February 26, 2013
Eric Hynes
Time Out New York
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Though the loss that underlies Mark's emotional state feels like a scripted conceit, The End of Love excels at conveying the moment-to-moment frustrations and exhilarations of being a dad.

Full Review Source: Time Out New York | Original Score: 3/5

February 26, 2013
Brian Orndorf

Webber appears to be making an audition tape with his second directorial effort, using screen time to display a range of moods and dramatic encounters that could go on to secure future jobs for the actor.

Full Review Source: Blu-ray.com | Original Score: C

February 15, 2013
William Goss
Top Critic IconTop Critic

Feels like the navel-gazing West Coast answer to the more caustic East Coast sensibility of the recent Daddy Longlegs.

Full Review Source: Film.com

January 30, 2013
Erik Childress

Not sure if The End of Love's Mark Webber got that callback from Paul Thomas Anderson, but the Mark Webber who made The End of Love deserves to be getting a few.

Full Review Source: eFilmCritic.com | Original Score: 3.5/4

February 16, 2012
Rob Nelson
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Too often toddles over the fine line between cute and cloying before finding its footing in the final reel.

Full Review Source: Variety

January 24, 2012
David Rooney
Hollywood Reporter
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Despite its flaws, however, the film is fueled by poignancy and an emotional rawness that's mostly understated and only rarely forced.

Full Review Source: Hollywood Reporter

January 24, 2012
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