Average Rating: 8.2/10
Reviews Counted: 152
Fresh: 142 | Rotten: 10
Unlike more traditional spy films, The Lives of Others doesn't sacrifice character for cloak and dagger chases, and the performances (notably that by the late Ulrich Muhe) stay with you.
Average Rating: 8.3/10
Critic Reviews: 44
Fresh: 42 | Rotten: 2
Unlike more traditional spy films, The Lives of Others doesn't sacrifice character for cloak and dagger chases, and the performances (notably that by the late Ulrich Muhe) stay with you.
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Average Rating: 4.4/5
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A man who has devoted his life to ferreting out "dangerous" characters is thrown into a quandary when he investigates a man who poses no threat in this drama, the first feature from German filmmaker Florian Henckel von Donnersmarck. It's 1984, and Capt. Gerd Wiesler (Ulrich Mühe) is an agent of the Stasi, the East German Secret Police. Weisler carefully and dispassionately investigates people who might be deemed some sort of threat to the state. Shortly after Weisler's former classmate, Lt. Col.
R, 2 hr. 18 min.
Mar 23, 2006 Wide
Aug 21, 2007
$11.2M
Sony Pictures Classics
All Critics (156) | Top Critics (45) | Fresh (149) | Rotten (11) | DVD (16)
The Lives of Others is a powerful but quiet film, constructed of hidden thoughts and secret desires.
Florian Henckel von Donnersmarck's film is a melodrama in a minor key, quietly affecting, quietly chilling, quietly quiet. It captures the drab architecture of totalitarianism, the soul-dead buildings of a soul-dead state.
Its suspense builds on the fragile and nuanced business of emotional rebirth.
A political thriller that's consistently as inventive as it is creepy.
Few would deny that The Lives of Others is true to its self, and in its depiction of human nature -- and human spirit.
Poised between Kafka and Tom Cruise, The Lives of Others is the sort of movie that constantly engages you. You never know what's going to happen next, and it's all done with a precision and intelligence that's rare in movies these days.
The scope is especially impressive given that the movie is about a society obsessively focused on the tiniest of details.
Activism proves tough on people who've thrived at their political patrons' blessings, and one character cruelly chooses a path of least resistance when the chips are down. A cataclysmic conclusion depicts political clamps on expression and emotion.
If the filmmaker commits a crime, it's in pushing the [Stasi] character's rehabilitation slightly too far--about as much as the weight of a teardrop.
Art battles duty in bracing German spy thriller.
A truly unforgettable movie.
Although Henckel von Donnersmarck has a number of genuinely good ideas ... the film is marred by redundancy, indecision and clumsiness.
Not since Francis Ford Coppola's masterful The Conversation has there been a thriller quite like this.
The best foreign language film of the year is also one of the year's best overall.
A multi-layered and surprisingly touching dramatic thriller.
... The Lives of Others illustrates, with only a dash of sentimentality, the truth that integrity leads to vulnerability and sacrifice.
The film's cartoonish Stasi in comparison to, say, the US military at Guantanamo or Abu Grab, seem more akin to the Salvation Army.
The Lives Of Others' obedient, obsessed spy in an exceedingly odd sense may have much more of a handle on the lives of others than, say, the filmmaker, who himself was around six years old at that time period of the former GDR.
Reminded me of Terry Gilliams's Brazil but with none of the the fantasy elements. And a lot more somber. Somberer. (?) Any one else get that? Also, one of the best last lines ever.
April 7, 2007Super Reviewer
A film with everything: natural, honest intrigue; freedom of speech questions; a heart-rending love story; a spooky soundtrack; fantastic acting (by Ulrich Muhe), and more. The tension is high from the beginning, and it comes from the institutionalized paranoia that comes with the main character's task: spying and
March 12, 2009Super Reviewer
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