This thriller about books, belief and betrayal covers topical terrain -- JT LeRoy and James Frey, anyone? -- but itself proves unbelievable.
The Night Listener (2006)
Tomatometer
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Reviews Counted:28
Fresh:8
Rotten:20
Average Rating:5.1/10
Consensus: This psychological thriller compels by blurring the line between truth and fiction; unfortunately, the film itself gets muddled in a hazy account of Maupin's original novel.
Rated: R [See Full Rating] for language and some disquieting sexual content
Runtime: 1 hr 31 mins
Genre: Dramas
Theatrical Release:Aug 4, 2006 Wide
Box Office: $7,766,987
Synopsis: Inspired by a real-life experience of author Armistead Maupin (on whose book the film is based), THE NIGHT LISTENER is a dark drama that derives its strengths as much from the places it doesn't go... Inspired by a real-life experience of author Armistead Maupin (on whose book the film is based), THE NIGHT LISTENER is a dark drama that derives its strengths as much from the places it doesn't go as the places it does. Spare and tense, it tells the story of Gabriel Noone (Robin Williams), a storyteller with a national late-night radio show. Gay and recovering from a breakup with his much younger lover, Jess (Bobby Cannavale), Gabriel is experiencing writer's block. His life takes on a strange new wrinkle, though, when a literary agent (Joe Morton) passes on a manuscript he's received from a young fan of Gabriel's--an AIDS-stricken 14-year-old boy, Pete (Rory Culkin), who has written a detailed account of the prolonged sexual abuse he suffered at the hands of his parents and their friends. Gabriel develops a friendly phone relationship with the boy, but soon senses that something is unusual about Pete and his caretaker, Donna (Toni Collette), and ventures to Wisconsin to figure out exactly what's going on. With its pure and streamlined narrative, THE NIGHT LISTENER sidesteps the showy pitfalls that derail many modern thrillers. Fueled by subdued performances from Williams, whose manic energy is all but invisible, and Collette, whose chameleon-like brilliance has never been more in evidence, the film has obvious echoes of Hitchcock, as well as strange parallels to 2005's JT LeRoy literary scandal. Once Noone arrives in Wisconsin, an all-enveloping sense of unease starts in on a slow burn, and remote locations are used to great effect. Williams has a scene in a hospital that couldn't be further from PATCH ADAMS, and by the quiet conclusion, you will be wondering if maybe you should be a little less trustful of strangers, especially if they're big fans of your work. [More]
Starring: Robin Williams, Toni Collette, Bobby Cannavale, Joe Morton
Starring: Robin Williams, Toni Collette, Bobby Cannavale, Joe Morton, Rory Culkin, Sandra Oh, John Cullum
Director: Patrick Stettner
Director: Patrick Stettner
Screenwriter: Armistead Maupin, Terry Anderson, Patrick Stettner
Producer: Robert Kessel, Jeff Sharp, John N. Hart, Jill Footlick
Composer: Peter Nashel
Studio: Miramax Films
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Reviews for The Night Listener
The pacing and staging of the later scenes could use a little more electricity and momentum, and a little less restraint. Yet The Night Listener keeps you watching. And listening.
The movie might make for a good book, but it's too awkward and lacks the necessary action for a film. And Williams' rather sluggish approach doesn't help much. Eventually, we just aren't interested in tagging along with him.
An eerie, occasionally disturbing motion picture focused on the differences between perception and reality.
This Sundance dud is a turgid gay soap opera with a limp twist, showcasing Robin Williams at his maudlin worst.
There's more to this story than meets the eye -- or ear -- especially when Collette, magnetic in her intensity, appears as a figure straight out of Vertigo or North by Northwest.
The Night Listener reveals itself in a grippingly quiet and enigmatic style reminiscent of Hitchcock.
The thriller is suspenseful enough, with a spooky mood and some real shocker moments, but the audience has to be willing to forgive its lack of rationality, as well as its totally cryptic conclusion.
Noone [Williams] is a lethargic, beaten, humorless man, and the film is plugged into the same lifeless energy source.
Based on a novel by Armistead Maupin, which was based in turn on an episode in Mr. Maupins life, The Night Listener explores a shadowy region between truth and fiction.
More intriguing than enthralling, more creepy than disturbing, The Night Listener runs a tidy 80 minutes yet still feels stretched.
Williams' solemn one-note performance, which we've seen variations of before in his 'serious films,' Insomnia and Good Will Hunting, ruins what should be a ghoulishly entertaining game of cat and mouse.
Director Patrick Stettner -- seems unable to settle on what The Night Listener actually wants to say.
Complexity helps maintain interest, although The Night Listener doesn't generate much by way of genuine excitement.
It's a relief to see Williams underplaying for a change and letting us fill in the blanks, but the movie's suggestiveness gives way to a certain thinness and lassitude.
Adapted from Armistead Maupin's highly anticipated, woefully executed 2000 novel, this is surely among the best bad movies of the year.
The Night Listener is one of the few films that manages to be highly cerebral and a great popcorn movie simultaneously.
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