The Princess Of Montpensier (2011)
Average Rating: 7/10
Reviews Counted: 63
Fresh: 53 | Rotten: 10
No consensus yet.
Average Rating: 6.8/10
Critic Reviews: 22
Fresh: 18 | Rotten: 4
No consensus yet.
Average Rating: 3.2/5
User Ratings: 6,544
France, 1562. Against a background of the savage Catholic/Protestant wars, Marie de Mézières (Mélanie Thierry), a beautiful young aristocrat, and the rakish Henri de Guise (Gaspard Ulliel), fall in love, but Marie's father has promised her hand in marriage to the Prince of Montpensier (Grégoire Leprince-Ringuet). When he is called away to battle, her husband leaves her in the care of Count Chabannes (Lambert Wilson), an aging nobleman with a disdain for warfare. As he experiences his own
Apr 15, 2011 Limited
Oct 11, 2011
IFC - Official Site
Marie de Mézières, M...
Francois de Chabanne...
Philippe de Montpens...
Henri de Guise
Anatole de Bodinat
Duc de Montpensier
Catherine de Guise
Marquis de MÃ©ziÃ¨re...
Cardinal de lorraine
Marquise de MÃ©ziÃ¨r...
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An engrossing subplot tracks the older man's chaste devotion to the young man's wife, which Tavernier parallels with his love of Christ; unfortunately the routine love triangle takes up most of the screen time.
Swords cross, blood spurts and bosoms heave in The Princess of Montpensier, French director Bertrand Tavernier's thoroughly ravishing drama.
There is more than a trace of ennui in a story that gallops at times and plods along at others.
How can the 16th-century heroine of a movie based on a 17th-century novella feel like such a 21st-century woman - without seeming at all anachronistic? That's the wonder of Bertrand Tavernier's "The Princess of Montpensier.''
A stylish reminder of a bygone time when historical epics were very much a part of mainstream filmmaking.
The twisting narrative is rendered skilfully so that it is easy to follow even as allegiences and alliances shift, and there is plenty of space to revel in the complexity of the characters.
Manages to be that rare thing, a thoroughly modern-seeming period film that is confident that the story it's telling is compelling enough so as not to necessitate the addition of torturous contemporary parallels.
The swashbuckling Guise, kindly Count, raging Philippe and swaggering Duke make the two-hours-plus runtime fly by.
It clips along with splendid locations and well-observed costumes and customs, displaying a sensibility and wit that never feel stuffy.
It's clear that veteran director Bertrand Tavernier has set out to show the potency and relevance of a classic love story and that period romance is by no means a dead genre. On this evidence, he has a point.
Bertrand Tavernier, in his 70th year, directs with the energy and panache of a much younger man.
Engaging and enjoyable French swashbuckler with superb fight sequences, a strong script and terrific performances from its excellent cast, though it does drag a little in the middle section.
It gallops along as elegantly and confidently as the horsemen we see in the opening scene - part bodice-ripper, part patrician soap opera, and part romantic tragedy - albeit a romantic tragedy of no very great resonance or depth.
The cross-vibrations between epochs are often felt, like little earth tremors. The acting is terrific.
Although a tad too long for its own good, there's enough intrigue - both political and romantic - and dashing swordplay to keep everyone happy.
Occasionally sudsy but always watchable, director Bertrand Tavernier's adaptation of Madame de La Fayette's novel wears its two-hours plus running time surprisingly lightly.
It's played pretty straight (though Tavernier allows us a couple of wry laughs) and crucially it maintains the weight of a real drama, as opposed to feeling like a teen romance in a castle (which is essentially what it turns into).
Robustly acted and dynamically photographed; Tavernier is equally adept at directing intimate encounters as choreographing savage battles, conveying the sense of a society tearing itself apart.
I was captivated by every costume change and new hair style of the young princess.
The production is lavish and impressive, and the costumes are one small part of the meticulous attention to period recreation.
Audience Reviews for The Princess Of Montpensier
Movies Like The Princess Of Montpensier
- Marie de Montpensier: Careful! The old women are watching.
- Marie de Montpensier: It's madness.
- Henri de Guise: Not madness. We gave ourselves to one another.
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