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The Princess Of Montpensier (2011)

tomatometer

83

Average Rating: 6.9/10
Critic Reviews: 23
Fresh: 19 | Rotten: 4

No consensus yet.

audience

54

liked it
Average Rating: 3.2/5
User Ratings: 6,582

My Rating

Movie Info

France, 1562. Against a background of the savage Catholic/Protestant wars, Marie de Mézières (Mélanie Thierry), a beautiful young aristocrat, and the rakish Henri de Guise (Gaspard Ulliel), fall in love, but Marie's father has promised her hand in marriage to the Prince of Montpensier (Grégoire Leprince-Ringuet). When he is called away to battle, her husband leaves her in the care of Count Chabannes (Lambert Wilson), an aging nobleman with a disdain for warfare. As he experiences his own

Oct 11, 2011

$0.3M

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All Critics (64) | Top Critics (23) | Fresh (53) | Rotten (10)

Functions swimmingly as an ambiguous study of wrongly diverted passions.

July 6, 2011 Full Review Source: Time Out
Time Out
Top Critic IconTop Critic

An engrossing subplot tracks the older man's chaste devotion to the young man's wife, which Tavernier parallels with his love of Christ; unfortunately the routine love triangle takes up most of the screen time.

June 3, 2011 Full Review Source: Chicago Reader
Chicago Reader
Top Critic IconTop Critic

Swords cross, blood spurts and bosoms heave in The Princess of Montpensier, French director Bertrand Tavernier's thoroughly ravishing drama.

June 3, 2011 Full Review Source: Globe and Mail
Globe and Mail
Top Critic IconTop Critic

There is more than a trace of ennui in a story that gallops at times and plods along at others.

June 3, 2011 Full Review Source: Toronto Star
Toronto Star
Top Critic IconTop Critic

How can the 16th-century heroine of a movie based on a 17th-century novella feel like such a 21st-century woman - without seeming at all anachronistic? That's the wonder of Bertrand Tavernier's "The Princess of Montpensier.''

May 19, 2011 Full Review Source: Boston Globe
Boston Globe
Top Critic IconTop Critic

A stylish reminder of a bygone time when historical epics were very much a part of mainstream filmmaking.

May 6, 2011 Full Review Source: St. Louis Post-Dispatch
St. Louis Post-Dispatch
Top Critic IconTop Critic

The twisting narrative is rendered skilfully so that it is easy to follow even as allegiences and alliances shift, and there is plenty of space to revel in the complexity of the characters.

November 3, 2011 Full Review Source: Eye for Film
Eye for Film

Manages to be that rare thing, a thoroughly modern-seeming period film that is confident that the story it's telling is compelling enough so as not to necessitate the addition of torturous contemporary parallels.

July 18, 2011 Full Review Source: Scotsman

The swashbuckling Guise, kindly Count, raging Philippe and swaggering Duke make the two-hours-plus runtime fly by.

July 14, 2011 Full Review Source: Digital Spy
Digital Spy

It clips along with splendid locations and well-observed costumes and customs, displaying a sensibility and wit that never feel stuffy.

July 10, 2011 Full Review Source: Observer [UK]
Observer [UK]

Everything's scenery, even the story.

July 8, 2011 Full Review Source: Daily Telegraph
Daily Telegraph

Both handsomely mounted and, for the most part, rousingly acted out.

July 8, 2011 Full Review Source: This is London
This is London

It's clear that veteran director Bertrand Tavernier has set out to show the potency and relevance of a classic love story and that period romance is by no means a dead genre. On this evidence, he has a point.

July 8, 2011 Full Review Source: Little White Lies
Little White Lies

Bertrand Tavernier, in his 70th year, directs with the energy and panache of a much younger man.

July 8, 2011 Full Review Source: Independent
Independent

Engaging and enjoyable French swashbuckler with superb fight sequences, a strong script and terrific performances from its excellent cast, though it does drag a little in the middle section.

July 8, 2011 Full Review Source: ViewLondon
ViewLondon

An intelligent, historical epic with a vigorous modern sweep.

July 8, 2011 Full Review Source: Daily Express
Daily Express

It gallops along as elegantly and confidently as the horsemen we see in the opening scene - part bodice-ripper, part patrician soap opera, and part romantic tragedy - albeit a romantic tragedy of no very great resonance or depth.

July 7, 2011 Full Review Source: Guardian
Guardian

The cross-vibrations between epochs are often felt, like little earth tremors. The acting is terrific.

July 7, 2011 Full Review Source: Financial Times
Financial Times

Although a tad too long for its own good, there's enough intrigue - both political and romantic - and dashing swordplay to keep everyone happy.

July 7, 2011 Full Review Source: Radio Times
Radio Times

Occasionally sudsy but always watchable, director Bertrand Tavernier's adaptation of Madame de La Fayette's novel wears its two-hours plus running time surprisingly lightly.

July 6, 2011 Full Review Source: Sky Movies
Sky Movies

It's played pretty straight (though Tavernier allows us a couple of wry laughs) and crucially it maintains the weight of a real drama, as opposed to feeling like a teen romance in a castle (which is essentially what it turns into).

June 25, 2011 Full Review Source: Fan The Fire
Fan The Fire

Robustly acted and dynamically photographed; Tavernier is equally adept at directing intimate encounters as choreographing savage battles, conveying the sense of a society tearing itself apart.

June 20, 2011 Full Review Source: Total Film
Total Film

I was captivated by every costume change and new hair style of the young princess.

June 10, 2011 Full Review Source: About.com
About.com

The production is lavish and impressive, and the costumes are one small part of the meticulous attention to period recreation.

June 3, 2011 Full Review Source: Jam! Movies
Jam! Movies

The movie is intelligently realized, but Tavernier doesn't quite find the passion that drives his characters.

June 3, 2011 Full Review Source: NOW Toronto
NOW Toronto

Audience Reviews for The Princess Of Montpensier

Nice story. Beautifully done. However, it just goes on and on, and has one of those unsatisfying endings...2 1/2hrs is way too long to have to wait for an ending like that. Great costumes and art direction, though.
April 19, 2012
itsjustme2004

Super Reviewer

For a film which strives for "l'amour", this is a coldly directed and not sweeping enough epic with an irritating protagonist at its center. Quite frankly, one huge bore.
August 10, 2011
Matheus Carvalho

Super Reviewer

I guess I am just a sucker for a pretty face. I quite enjoyed this, despite its shortcomings. A tragic story of a woman caught between her duty and her passion, who throws it all over for a man who proved unworthy. It also portrayed her husband as a man consumed by insecurity and jealousy. The battle scenes were brutal, the French countryside bucolic and the court intrigues just subtle enough for this viewer to find himself immersed for the more than two hours that the film ran.
October 12, 2013
Mark Abell

Super Reviewer

In "The Princess of Montpensier," the Count of Chabannes(Lambert Wilson) has finally come to his senses in 1562 to leave all the killing behind in the war between the Catholics and the Huguenots. In trying to return home, he learns the king will not have him because he was on the wrong side and the Huguenots won't have him because he deserted. So, he gets protection from an old friend(Michel Vuillermoz) where he finds a delicate domestic situation. Marie(Melanie Thierry) is horrified at the prospects at marrying Philippe(Gregoire Leprince-Ringuet), instead preferring Henri(Gaspard Ulliel) who she professes her undying love for. Somehow, her mother(Florence Thomassin) talks her down from entering a convent and the marriage goes as planned, while the consumation is another matter entirely.(Well, you try and get it up while everybody is watching.) Chabannes tags along with the couple in his role as tutor before Philippe is drafted into service to the king.

Directed by Bertrand Tavernier, "The Princess of Montpensier" is a handsomely produced and engaging period piece. The strucure is a little odd at first because it starts out focusing on Chabannes before introducing the viewer to a chaotic situation all at once. While he is the most interesting character by far, he is simply an observer to everything else that goes on. And while that might seem as little more than a love triangle where everybody is at fault, it does not detract from the movie since it fits in well with the period, especially mirroring the civil war where nobody can get along with anybody else of a different background, even in an era when order and rank are preeminent and arranged marriages are accepted fact. In fact, the best that can be expected of one is peaceful coexistence and one is proposed in the movie that is very wrong on so many levels. Even with all of that said, an arranged marriage of historical fact is referenced that is intended to unite this war torn country.
April 24, 2011
Harlequin68
Walter M.

Super Reviewer

    1. Marie de Montpensier: Careful! The old women are watching.
    – Submitted by Chris P (3 years ago)
    1. Marie de Montpensier: It's madness.
    2. Henri de Guise: Not madness. We gave ourselves to one another.
    – Submitted by Chris P (3 years ago)
View all quotes (2)

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Foreign Titles

  • Die Prinzessin von Montpensier (DE)
  • La princesse de Montpensier (UK)
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