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The Rocket

The Rocket (2013)

tomatometer

No Score Yet...

Average Rating: N/A
Critic Reviews: 1
Fresh: 1 | Rotten: 0

audience

86

liked it
Average Rating: 4/5
User Ratings: 155

My Rating

Movie Info

Unrated,

Drama

Kim Mordaunt

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All Critics (12) | Top Critics (1) | Fresh (12) | Rotten (0)

If you aren't moved by the "The Rocket" your heart is defective

April 25, 2013 Full Review Source: Film.com
Film.com
Top Critic IconTop Critic

Australian writer/director Kim Mordaunt was inspired to make this wistful, often lyrical film after his 2007 documentary Bomb Harvest...Thankfully he layers the unavoidable political notes with real warmth, humour and character.

September 29, 2013 Full Review Source: 3AW

Working with an untested cast, Mordaunt uses all the tools at his command to engineer a film that has won major awards at TriBeca, including Best Actor for the young Disamoe. He relies on plenty of coverage and the skills of talented editor Nick Meyers

September 4, 2013 Full Review Source: Urban Cinefile
Urban Cinefile

With its themes of loss and redemption, The Rocket is effective, simple storytelling with many layers and a film that tells more stories than its narrative suggests

September 4, 2013 Full Review Source: Urban Cinefile
Urban Cinefile

An extremely rewarding and entertaining film made all the stronger for the integrity and cultural details that underpin it.

August 29, 2013 Full Review Source: Cinema Autopsy
Cinema Autopsy

A true original, depicting a culture rarely filmed, observed with a respectful but never overly reverential eye.

August 29, 2013 Full Review Source: ABC Radio (Australia)
ABC Radio (Australia)

It has a great story to tell and subtly mixes the comedic and dramatic genres. Some moments will leave you smiling. Other moments will leave you on the edge of your seat.

August 27, 2013 Full Review Source: ABC Radio Brisbane
ABC Radio Brisbane

A hugely enjoyable, thoroughly infectious feature debut.

August 25, 2013 Full Review Source: The Sunday Age

The director moves the incident-packed story line at an energetic pace; there's never a dull moment. You're bound to hear applause as the final credits roll.

July 28, 2013 Full Review Source: Film-Forward.com
Film-Forward.com

Recalling the captivating essence of Niki Caro's Whale Rider (2002) in its telling of a life with fate and faith in its corner, this Australian/Laotian/Thai co-production could find similar breakout success once (inevitably warm) word of mouth spreads.

June 11, 2013 Full Review Source: sbs.com.au
sbs.com.au

Crowd-pleasers come in many mysterious packages, and there might not be a bigger crowd-pleaser this year than The Rocket; a disarming fable about a makeshift family desperately seeking a place to live in a ravaged Laos.

June 9, 2013 Full Review Source: Quickflix
Quickflix

Endearing, gripping and heartwarming, The Rocket recently won the "World Narrative Competition" prize at Tribeca, and it's easy to see why. The picture is crowd pleasing and enjoyable, but admiringly respectful and carefully considered.

May 3, 2013 Full Review Source: The Playlist
The Playlist

Audience Reviews for The Rocket

After White Reindeer, I had the pleasure of attending a sold out showing for this film. And wow, am I impressed. It's a rather simplistic story, and I mean simplistic, not cliche. Those are not synonyms, well at least to me. First off, the acting is amongst some of the best I've seen at CIFF. I have no idea how old Sitthiphon Disamoe is, but he gives a killing performance. One that was better, to me, than some Hollywood actors have done in their career (not going to name names, but *cough cough* Ashton Kutcher). If you want an idea on what the feel of the movie is like, see "Journey From the Fall." Although "The Rocket" is Australian made, it is set in the Southeast Asian country of Laos, and the film itself has the feel of a Southeast Asian film. The shots are beautiful to look at, sometimes resembling the ones that everybody loved in Terrence Malick's "The Thin Red Line." To what level is the film predictable ? Only the ending. Which is a very satisfying ending, in the sense that there was no other way to end the film. The characters are loveable, especially the two lead child actors.

More about the cinematography, Kim Mordaunt does a great job of establishing them. There are a few long shots that are a bit blurry, but other than that, she does a great job of creating mood by simply choosing the right cinematography options. A clear example for people who have seen the film is the bat cave scene, wherein the woman professes Ahlo is a bad spirit. The close up, and focus on the shots was phenomenal, really capturing the raw emotion from both the actors. Along with that, the choice of lighting was great. In the last scene, I'm not sure whether or not it was intended, but there is a clear example of pathetic fallacy. I can't say anymore about the ending, or I may ruin the film people who haven't seen it. The script is magnificent, and hilarious. Mordaunt, who also wrote the film, does an excellent job in capturing the traditions and diligence in which they pursue their native traditions. The film switches from tears to laughs, without having the audience question the scenes they're laughing at.

Overall, the film is really about an underdog, but rather than taking to the basketball court, or the football field, the director takes us into the mountains of Laos. It's a classic twist to a rather overdone story. The director is able to capture the cultural background of the Laos people, and make a realistic situation out of it. Jordan Hoffman of Film.com stated "If you aren't moved by the "The Rocket" your heart is defective," and I completely agree with that. Rather, I would change "your heart is defective" to "you have no heart." It is a compassionate movie for the protagonist, but by no means is it a cliche story. One of the best movies I saw at CIFF by far, this and "Blue is the Warmest Color."
September 28, 2013
Anthony L.
Anthony Le

Super Reviewer

After White Reindeer, I had the pleasure of attending a sold out showing for this film. And wow, am I impressed. It's a rather simplistic story, and I mean simplistic, not cliche. Those are not synonyms, well at least to me. First off, the acting is amongst some of the best I've seen at CIFF. I have no idea how old Sitthiphon Disamoe is, but he gives a killing performance. One that was better, to me, than some Hollywood actors have done in their career (not going to name names, but *cough cough* Ashton Kutcher). If you want an idea on what the feel of the movie is like, see "Journey From the Fall." Although "The Rocket" is Australian made, it is set in the Southeast Asian country of Laos, and the film itself has the feel of a Southeast Asian film. The shots are beautiful to look at, sometimes resembling the ones that everybody loved in Terrence Malick's "The Thin Red Line." To what level is the film predictable ? Only the ending. Which is a very satisfying ending, in the sense that there was no other way to end the film. The characters are loveable, especially the two lead child actors.

More about the cinematography, Kim Mordaunt does a great job of establishing them. There are a few long shots that are a bit blurry, but other than that, she does a great job of creating mood by simply choosing the right cinematography options. A clear example for people who have seen the film is the bat cave scene, wherein the woman professes Ahlo is a bad spirit. The close up, and focus on the shots was phenomenal, really capturing the raw emotion from both the actors. Along with that, the choice of lighting was great. In the last scene, I'm not sure whether or not it was intended, but there is a clear example of pathetic fallacy. I can't say anymore about the ending, or I may ruin the film people who haven't seen it. The script is magnificent, and hilarious. Mordaunt, who also wrote the film, does an excellent job in capturing the traditions and diligence in which they pursue their native traditions. The film switches from tears to laughs, without having the audience question the scenes they're laughing at.

Overall, the film is really about an underdog, but rather than taking to the basketball court, or the football field, the director takes us into the mountains of Laos. It's a classic twist to a rather overdone story. The director is able to capture the cultural background of the Laos people, and make a realistic situation out of it. Jordan Hoffman of Film.com stated "If you aren't moved by the "The Rocket" your heart is defective," and I completely agree with that. Rather, I would change "your heart is defective" to "you have no heart." It is a compassionate movie for the protagonist, but by no means is it a cliche story. One of the best movies I saw at CIFF by far, this and "Blue is the Warmest Color."
September 28, 2013
Anthony L.
Anthony Le

Super Reviewer

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